David Wills

A stunning photographic compilation showcasing Audrey Hepburn’s iconic career in the 1950s—the decade that solidified her place as one of the world’s greatest stars in film and fashion. Devoted to her most influential decade, Audrey: The 50s brings together in one volume the allure and elegance that made Audrey Hepburn the most iconic figure in modern fashion history. Photographed during the early days of her career, both on the sets of Roman Holiday, Sabrina, Funny Face, and other classic films, and in fashion photo shoots by top photographers who adored and immortalized her, these beautiful black-and-white and color images radiate with Audrey’s waifish charm, ethereal beauty, and effortless style. Renowned author, curator and photographic preservationist David Wills has carefully selected this collection of two hundred museum-quality photos that capture Audrey in her prime as never before. Audrey: The 50s displays this star at her brightest, and brings her legacy into perfect focus. Among the highlights: Rare and classic images digitally restored from vintage photographic prints, original studio negatives and transparencies. Never-before-seen publicity photos, scene stills and work shots from the sets of Roman Holiday, Sabrina, Funny Face, Love in the Afternoon, and The Nun’s Story. Previously unpublished "posed candids" of Audrey at home. Beautifully restored advertisements, fan magazine layouts, international film posters and lobby cards. Quotes from photographers, directors, and costars, including William Holden, Gregory Peck, Fred Astaire, Billy Wilder, King Vidor, William Wyler, Edith Head, Hubert de Givenchy, Richard Avedon, Cecil Beaton, and Audrey herself.

Audrey: The 50s

There have been many Marilyn Monroe photo books—but nothing like this. Curator and photographic preservationist David Wills has amassed one of the world’s largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn’s key photographers—Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others—to create this dazzling portfolio of images from every period of Marilyn Monroe’s adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty. Among the highlights: Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career. Classic portraits and pinups in luscious full color, digitally restored from the original transparencies. Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something’s Got to Give. Rare candids of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others. Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others. Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers—and including her last interview, in which she reflects on her life and fame—Marilyn Monroe: Metamorphosis is an unforgettable showcase of the actress’s transformation from an unknown factory worker to one of the most recognized faces in history.

Marilyn Monroe: Metamorphosis

Vera Von Lehndorff

The life and work of the great supermodel, with images from the most famous fashion photographers.

Veruschka

A stunning collection of hundreds of rare and unseen photographs, behind-the-scenes notes, and interviews chronicling the media’s lifelong love affair with Marilyn, created by the acclaimed curator and author of Marilyn Monroe: Metamorphosis. Though Hollywood goddess Marilyn Monroe was married three times, her longest lasting relationship was with the press—the photographers, reporters, and press agents who followed her every move for nearly two decades, and made her into the greatest icon in Hollywood history. One of the most publicized actresses of her time, Marilyn actively sought out the press, carefully crafting her public image and using events from her private life to further her career. Her romances with baseball legend Joe DiMaggio, playwright Arthur Miller, and others made her a daily feature for newspapers, magazines, and wire services; new images of the star were guaranteed to boost sales. Drawing on unseen troves from dozens of photographers, archives, and collectors, acclaimed photography expert David Wills brings together an unprecedented array of press photos from throughout Marilyn’s career—including hundreds of unpublished and rare photographs that have been beautifully restored; uncropped and unretouched outtakes; handwritten notations; period captions; clippings; and more. With a foreword by Robert J. Wagner and interviews from key press agents and others, this portfolio of images offers a fresh, indelible portrait of one of the most enduring icons in history and illuminates the special alliance she shared with the press as never before.

Marilyn: In the Flash

A. W. McHoul

Strategies in Fictional Analysis

Writing Pynchon

Amanda Erlinger

Pulling on her transformative boots in 1966, Nancy Sinatra not only kick-started a new and sexy blend of mod fashion and pop music, she made bassline guitar strides-with hard-marching lyrics to match-toward female empowerment. The distinctive hit single "These Boots Are Made For Walkin'" became Nancy's irresistible signature song, and a feminist anthem, decade after decade.A cool, mini-skirted, all-American counterpoint to the British Invasion, Nancy was a global sensation: an unexpected rhythm vixen, presented in a "switched on" package of platinum-over-ebony hair, lush layers of lash, swoops of eyeliner, and leggy hemlines. Today, her influence as a style icon is constantly referenced in magazines, on the fashion runways, and through social media homages.This ultimate pictorial retrospective is a visual journey through Nancy's life and career, highlighting her international hits; her collaborations with Lee Hazlewood, Elvis Presley, and Frank Sinatra; her movies and TV appearances; her family life; and her work as an activist on behalf of Vietnam veterans.Presented through a wealth of never-before-seen or published photographs-most scanned and digitally restored from their original negatives and transparencies-from acclaimed lensmen including Milton Greene, Terry O'Neill, Ron Joy, Bob Willoughby, John Engstead, and Ed Thrasher, the book also includes personal photos from Nancy's family album; photos taken by Nancy during her 1967 USO tour of South Vietnam; album and magazine covers; film posters and lobby cards; and appreciations by Bob Dylan, Madonna, Quentin Tarantino, Morrissey, and many others.Featuring a personal foreword by Nancy, an introduction by Deborah Harry, and an extended interview with Nancy by her daughter Amanda Erlinger, Nancy Sinatra: One for Your Dreams captures not only the spirit of the woman and her sixty-year recording and performance career, but her continued resonance as an innovative pop/rock artist revered by contemporary musicians.

Trade Edition

Nancy Sinatra: One for Your Dreams

This book explores some of the ways in which contemporary literary theory can be used to read fiction. In particular, it focuses on Thomas Pynchon's three novels to date and his collection of early stories. The theories exploited are concentrated in the work of Jacques Derrida.

Peter Brunette

Representing some of the most innovative thinking in the various arts disciplines, these contributions offer important challenges to existing disciplinary orthodoxies.

Art, Media, Architecture

Deconstruction and the Visual Arts

In a film career spanning more than five decades, Frank Sinatra proved to be a roulette wheel of constantly spinning talent, the likes of which Hollywood has rarely seen. Film history is filled with stars created by the studio system. Occasionally, however, a performer emerged who, against all preconceived odds of what a star should be or look like, knocked down the walls of convention by becoming nothing other than what they already were. Frank Sinatra was the embodiment of this fundamental truth. The legacy of his work stands apart from many of his contemporaries, who essentially based their performances on an extension of a core character type. Sinatra, however, was able to take his signature persona and translate it successfully into many film genres-first as the comedic song-and-dance man, then as the dramatic actor and romantic lead, and finally as the tough guy and action hero. Sinatra also respectfully challenged contemporary ideals of acting technique. While being humble enough to learn from his peers, he kept his acting style fresh and instinctual, and earned an Oscar at a time when many actors were either classically trained or coached in the "Method." In The Cinematic Legacy of Frank Sinatra, author David Wills presents a stunning collection highlighting the work of one of Hollywood's greatest stars in roles as varied as those in the classics Anchors Aweigh, From Here to Eternity, Suddenly, Guys and Dolls, The Man With the Golden Arm, Ocean's 11, The Manchurian Candidate, Von Ryan's Express, and The Detective. Pairing more than two hundred first-generation photos with reflections on Sinatra from costars and work associates, and including contributing essays by his children Nancy Sinatra, Tina Sinatra, and Frank Sinatra, Jr., it is an unforgettable showcase of the actor's transformation from world-famous singer, to movie star, to Academy Award winner, and finally to one of the most enduring icons in cinema history.

The Cinematic Legacy of Frank Sinatra

Grounded in a deep ethical and political commitment to death penalty abolition, Wills's engaging and powerfully argued book pushes beyond the confines of legal argument to show how the technology of capital punishment defines and appropriates the instant of death and reconfigures the whole of human mortality.

The Temporal Technology of the Death Penalty

Killing Times

Glamour and grotesquerie; disco and punk; high fashion and low-life passion: the most conflicted and controversial decade in pop culture history blazes back to life in a gloriously decadent collection of images from the runway and the silver screen, the concert stage and the nightclub dance floor. The 1970s was an era when the glitter of old Hollywood was eclipsed by a gritty new sensibility—a time when legends like Elizabeth Taylor and Liza Minnelli mixed with rising stars from the worlds of punk rock, underground film, fashion, and art. Cutting the deck of glamour with a heady dose of hedonism, sex and violence, the stars of the Seventies—including David Bowie, Debbie Harry, Candy Darling and Sid Vicious—rejected stage-managed images in favor of experiment and self-determination. In Seventies Glamour, the acclaimed Hollywood photo historian David Wills (Marilyn Monroe: Metamorphosis; Audrey: The 60s) showcases the freewheeling, explosive parade that was the 1970s, highlighting its aesthetic of liberation, sexual freedom and defiant indulgence. Gorgeously reproduced, wittily curated, the photos in Seventies Glamour are as diverse as the decade they celebrate. From Halston posing with his "Halstonettes" and Divine making the scene at Xenon, to Elton John in his plumed excess, and Diane von Fürstenberg wrapped around the Empire State Building, all the exuberance is captured by the superstar photographers of the decade, including Francesco Scavullo, Helmut Newton, Chris von Wangenheim, Michael Childers, Antonio Lopez, Norman Parkinson, Rebecca Blake, Gian Paolo Barbieri, Terence Donovan, Jack Mitchell, Ara Gallant, Anton Perich, Lynn Goldsmith, Brian Aris, Harry Langdon and many more. A full-length gallery as exotic and dazzling as the decade itself, Seventies Glamour illuminates a time when defying expectations became the quintessence of style.

Seventies Glamour

Audrey Hepburn charmed cinema audiences in the 1950s as a new type of screen presence – gamine, doe-eyed and refreshingly casual. By the 1960s she had metamorphosed to become a trendsetting sophisticate, achieving unrivalled status as an actress, model, movie star and champion for underprivileged children worldwide. Curator and archivist David Wills has amassed one of the world’s largest private collections of original Audrey Hepburn photography. Now, in Audrey: The 60s, he has gathered a spectacular selection of work from her key photographers – much of it digitally restored from original negatives and transparencies – to create a truly breath-taking portfolio of images which pays homage to the most beloved and enduring style icon of the decade that changed everything. Among the highlights are: • Never-before-seen on-set photography from some of Audrey Hepburn’s most cherished movies, including Breakfast at Tiffany’s, Charade, My Fair Lady, How to Steal a Million and Two for the Road; • Outtakes and rare images from fashion shoots, some not seen since their original appearance in Vogue; • Previously unpublished work by photographers Bert Stern, Cecil Beaton, Douglas Kirkland, William Klein, Howell Conant, Bob Willoughby, Pierluigi Praturlon and many others. Pairing over two hundred stunning images with reflections and recollections from friends, photographers, designers, close collaborators and Hepburn herself, Audrey: The 60s is an unforgettable showcase of the actress’s timeless beauty and extraordinarily influential style.

Audrey The 60s

There have been many Marilyn Monroe photo books—but nothing like this. Curator and photographic preservationist David Wills has amassed one of the world's largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn's key photographers—Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others—to create this dazzling portfolio of images from every period of Marilyn Monroe's adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty. Among the highlights: Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career. Classic portraits and pinups in luscious full color, digitally restored from the original transparencies. Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something's Got to Give. Rare candid of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others. Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others. Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers—and including her last interview, in which she reflects on her life and fame—Marilyn Monroe: Metamorphosiss is an unforgettable showcase of the actress's transformation from an unknown factory worker to one of the most recognized faces in history.

Beatdom is a magazine for all fans of Beat Generation literature. This is the very first issue of Beatdom, containing interviews with Barry Gifford, Paul Krassner, Ken Babbs and Zane Kesey. We also have a talented group of writers and photographers, who have put together a magazine with features relating the Beat Generation to Buddhism, Bob Dylan, Hunter S Thompson and Walt Whitman; and guides to Beat books, websites and stories.

Issue One

Beatdom

Matchbook consists of nine essays written around, or in response to, work published by Jacques Derrida since 1980. The focal point of the essays is the "Envois," which forms part of Derrida's Post Card. Particular attention is paid to how that text articulates with the ethical and political emphases of Derrida's more recent work, but also to its autobiographical conceit. The "incendiary" reference of the book's title underscores deconstruction's engagement with questions of reading: relations between (slow) reading and the speed of technology, and the political effects of an internationalized deconstruction in a globalized culture. It is in terms of what deconstruction can have us think about the speed of technology and technologies of reading that Derrida's work has made one of its most important contributions to philosophy and literary and cultural studies. The book concentrates on that as proof of the continued relevance of such work.

Essays in Deconstruction

Matchbook

A fresh new perspective on Sinatra's cinematic legacy.

A glamorous and nostalgic celebration of the summer through stunning retro photographs of Hollywood beauties The author of the acclaimed photo compilations Vegas Gold, Hollywood in Kodachrome, Marilyn Monroe: Metamorphosis, and Audrey: The 60s, now presents a glamorous and nostalgic celebration of summer at the beach, captured in 150 stunning vintage photographs featuring beloved female celebrities, models, and starlets from the 1930s through the 1970s. Renowned independent curator and photographic preservationist David Wills commemorates the allure and joy of the sun, the sand, the ocean, and the fashions of endless summer with this sizzling collection. Hollywood Beach Beauties includes more than one-hundred vibrant color images of some of Hollywood’s most timeless stars lounging and playing at one of the most iconic settings: the beach. Hollywood Beach Beauties highlights the sexy, carefree attitude of the summer, the elegant seaside couture, and the enchanting and alluring beauty of the female form. Included here are candid and stylish photographs featuring stars of yesterday such as Elizabeth Taylor, Rita Hayworth, Audrey Hepburn, Marilyn Monroe, Brigitte Bardot, Sharon Tate, Raquel Welch, Sophia Loren, Dorothy Dandridge, and Nancy Sinatra. A treasure trove for classic movie mavens, vintage photography enthusiasts, and pop culture aficionados, this stunning theme-driven compendium taps into nostalgia for the joys of summer and captures the dazzling beauty of the seaside and some of the most stylish stars of the big screen in a fresh, unique, and captivating way.

Sea Sirens, Sun Goddesses, and Summer Style 1930-1970

Hollywood Beach Beauties

To commemorate the iconic singer's 100th birthday, NAT KING COLE STARDUST is a 272 page, hardcover photography book celebrating Cole's life, music and considerable civil rights legacy. Featuring over 200 photographs - many never before seen or published and digitally restored from their original negatives and transparencies - the book is 14 x 17.75 inches in dimension and housed in a luxury cloth clamshell case with a crushed cashmere lining. Johnny Mathis has written an introduction for the book and Cole's daughters, Casey and Timolin, have written the foreword. Other celebrity contributors include Quincy Jones and Leslie Uggams.

Nat King Cole Stardust

The fourth issue of the hugely popular Beatdom magazine includes poetry by hiphop star Scroobius Pip, essays by Kerouac expert Dave Moore, interviews with Gary Snyder and Carolyn Cassady, and the memoirs and unpublished photographs of Allen Ginsberg's assistant.

Beatdom - Issue Four

Killing Times begins with the deceptively simple observation—made by Jacques Derrida in his seminars on the topic—that the death penalty mechanically interrupts mortal time by preempting the typical mortal experience of not knowing at what precise moment we will die. Through a broader examination of what constitutes mortal temporality, David Wills proposes that the so-called machinery of death summoned by the death penalty works by exploiting, or perverting, the machinery of time that is already attached to human existence. Time, Wills argues, functions for us in general as a prosthetic technology, but the application of the death penalty represents a new level of prosthetic intervention into what constitutes the human. Killing Times traces the logic of the death penalty across a range of sites. Starting with the legal cases whereby American courts have struggled to articulate what methods of execution constitute “cruel and unusual punishment,” Wills goes on to show the ways that technologies of death have themselves evolved in conjunction with ideas of cruelty and instantaneity, from the development of the guillotine and the trap door for hanging, through the firing squad and the electric chair, through today’s controversies surrounding lethal injection. Responding to the legal system’s repeated recourse to storytelling—prosecutors’ and politicians’ endless recounting of the horrors of crimes—Wills gives a careful eye to the narrative, even fictive spaces that surround crime and punishment. Many of the controversies surrounding capital punishment, Wills argues, revolve around the complex temporality of the death penalty: how its instant works in conjunction with forms of suspension, or extension of time; how its seeming correlation between egregious crime and painless execution is complicated by a number of different discourses. By pinpointing the temporal technology that marks the death penalty, Wills is able to show capital punishment’s expansive reach, tracing the ways it has come to govern not only executions within the judicial system, but also the opposed but linked categories of the suicide bombing and drone warfare. In discussing the temporal technology of death, Wills elaborates the workings both of the terrorist who produces a simultaneity of crime and “punishment” that bypasses judicial process, and of the security state, in whose remote-control killings the time-space coordinates of “justice” are compressed and at the same time disappear into the black hole of secrecy. Grounded in a deep ethical and political commitment to death penalty abolition, Wills’s engaging and powerfully argued book pushes the question of capital punishment beyond the confines of legal argument to show how the technology of capital punishment defines and appropriates the instant of death and reconfigures the whole of human mortality.

David Wills

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