Deborah Edwards

Denise Mimmocchi

This important new book looks at one of the most distinctive periods in the history of Australian art, bracketed between the two world wars from 1915 into the 1940s. The Sydney moderns were progressive artists at the forefront of the development of modernism in Australia. They produced exuberant, cosmopolitan paintings, prints, sculptures, designs and applied arts in response to and as part of the changing modern world and the international modernist movement. Artists include Ralph Balson, Harold Cazneaux, Grace Cossington Smith, Roy de Maistre, Margaret Preston, Thea Proctor and Roland Wakelin, amongst many others. Sydney Moderns comprises artworks from the Gallery's collection, as well as other public and private collections. In addition to paintings, prints and sculpture, it includes design and fashion, integral to the modernist project. There are five major essays by Deborah Edwards, Denise Mimmocchi and Terence Maloon and 35 focus essays which spotlight key artists and themes.

Art for a New World

Sydney Moderns

Leanne Santoro

John Olsen, one of Australia's greatest living artists, made a life-changing discovery as a young man: Mediterranean cuisine - the cuisine of the sun. Fresh, seasonal produce has bee a key ingredient in his creativity and his art, from his famous paella paintings to lively sketches. This book explores Olsen's passion for cooking, art and travel - drawing extensively on his journals. He has lived in a remote Spanish cottage, in the Portuguese village of Castelo de Vide, on a rural property in Hill End, NSW, at an artists' commune in country Victoria, as well as by the harbour in Sydney's Watsons Bay, all the while drawing on his local environment in his art practice and cooking. Features 40 recipes loved by Olsen, 30 related paintings, over 50 sketches and drawings, and over 65 photographs.

A Recipe for Art

John Olsen

Christine France

Janet Dawson Boddy

Michael Boddy

Janet Dawson Survey

Tony Griffin

Bruce Hayllar

Over the last decade, commentaries and research on urban tourism precincts have predominantly focused on: their role in the tourism attractions mix; their physical and functional forms; their economic significance; their role as a catalyst for urban renewal; their evolution and associated development processes; and, perhaps more broadly, their role, locality and function within the context of urban planning. City Spaces – Tourist Places both consolidates and develops the extant knowledge of urban tourism precincts into a coherent research driven contemporary work. It revisits and examines the foundational literature but, more importantly, engages with aspects of precinct development that have previously been either underdeveloped or received only limited consideration, such as the psychological and socio-cultural dimensions of the precinct experience. Written by an international team of contributors it provides the reader with: * A comprehensive analysis of foundational theory and cutting-edge advances in the knowledge of the precinct phenomenon * An examination of previously underdeveloped topics and themes based on contemporary and ground-breaking research * Typological and theoretical frameworks in which to locate precinct form, function and experience Brilliantly edited to ensure theoretical continuity and coherence City Spaces – Tourist Places is vital reading for anyone involved in the study or planning of urban tourism precincts.

City Spaces - Tourist Places

The Best Catch

Deborah Edwards

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