Deborah J. Haynes

What does it mean to become and work as an artist today? What unique challenges do artists face in the twenty-first century, and what skills are required to overcome them? How might art become an expression of spiritual life? In addressing these and other questions, Deborah J. Haynes offers reflections that range from the practical to the deeply philosophical. She explores challenging ideas: impermanence, suffering, and the inevitability of death; the virtues of generosity, kindness, and compassion; and more abstract concepts such as negative capability, groundlessness, and wisdom. Individual chapters are framed by personal stories and images from the artist’s work. Beginning Again: Reflections on Art as Spiritual Practice is a personal statement, born from the author’s experience as an artist, writer, teacher, and Buddhist practitioner. Haynes writes for artists—and for all exploring the relationship of their creativity to the inner life. For Haynes, making and looking at art can be a form of meditation and prayer, a space for solitude, silence, and living in the present.

Reflections on Art as Spiritual Practice

Beginning Again

The title of this engaging work emphasizes that the author lives, works, and creates art in this place--a particular site in the foothills of the Colorado Rocky Mountains. The subtitle indicates that place is the arena for investigating engagement with the land and nature, art and creativity, and spiritual life. By exploring the significance of place in our fragmented world and by using her artistic practice as an example, the author hopes to offer readers new definitions of the interrelationship of religion and art. Haynes is the first to examine the intersection of these three themes, which may be variously defined. First, the land and nature provide the literal site for the book, and the language of ecology is woven throughout. In the face of contemporary global crises, Haynes believes that we have a moral imperative to address how we live and work in the physical environment. Second, visual art, creativity, and the creative process are discussed using historical and contemporary examples. Haynes is a philosopher of art and an artist, whose primary creative work involves carving marble and drawing. Using her stone sculptures to frame the book's chapters, she takes readers on a meandering journey into the history, philosophy, and practice of art. Third, the religious and spiritual life is highlighted with examples from both her practice of yoga and Buddhist meditation as well as from her work with hospice patients.

The Land, Art, and Spirituality

Book of This Place

What does it mean to become and work as an artist today? What unique challenges do artists face in the twenty-first century, and what skills are required to overcome them? How might art become an expression of spiritual life? In addressing these and other questions, Deborah J. Haynes offers reflections that range from the practical to the deeply philosophical. She explores challenging ideas: impermanence, suffering, and the inevitability of death; the virtues of generosity, kindness, and compassion; and more abstract concepts such as negative capability, groundlessness, and wisdom. Individual chapters are framed by personal stories and images from the artist's work. Beginning Again: Reflections on Art as Spiritual Practice is a personal statement, born from the author's experience as an artist, writer, teacher, and Buddhist practitioner. Haynes writes for artists--and for all exploring the relationship of their creativity to the inner life. For Haynes, making and looking at art can be a form of meditation and prayer, a space for solitude, silence, and living in the present.

Janet F. Carlson

James D. Smith

Richard Valantasis

One of the great joys of the academic life is to pay homage in a Festschrift to a scholar who has influenced both colleagues and students over years of interaction and friendship both professional and personal. This volume honors a scholar and theologian of historical theology, a theorist and a practitioner of religion and the arts, and a keen analyst of cultural trends both ancient and modern. . . . [Margaret R.] Miles's prodigious production as a scholar has legendary qualities. Her dozen-plus books alone explore history, patristics, ancient philosophy, art and art history, spiritual formation and religious practice, critical theory, film, ethics and values, personal growth, gender and women's studies, as well as her true academic loves, Augustine and Plotinus. . . . The breadth and depth of her own work and her influence upon others demands an expansive volume, which the editors of this Festschrift unfortunately had to restrict to four categories--Historical Theology, Religion and Culture, Religion and Gender, and Religion and the Visual Arts--in order to capture the heart of our appreciation for her. --from the Introduction

Deborah J. Haynes

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