Derek Offord

Gesine Argent

-- With support from the Deutsches Historisches Institut Moskau -- The French Language in Russia provides the fullest examination and discussion to date of the adoption of the French language by the elites of imperial Russia during the eighteenth and nineteenth centuries. It is interdisciplimary, approaching its subject from the angles of various kinds of history and historical sociolinguistics. Beyond its bearing on some of the grand narratives of Russian thought and literature, this book may afford more general insight into the social, political, cultural, and literary implications and effects of bilingualism in a speech community over a long period. It should also enlarge understanding of francophonie as a pan-European phenomenon. On the broadest plane, it has significance in an age of unprecedented global connectivity, for it invites us to look beyond the experience of a single nation and the social groups and individuals within it in order to discover how languages and the cultures and narratives associated with them have been shared across national boundaries.

A Social, Political, Cultural, and Literary History

The French Language in Russia

The volume contains ten new essays on Russian literature and thought of the classical age (roughly 1820-1880). The essays are based on papers delivered at the Fourth World Congress for Soviet and East European Studies held at Harrogate in July 1990. It strikes a balance between fresh work on major authors (Pushkin, Lermontov, Turgenev and Dostoevsky), important work on hitherto neglected minor authors (Marlinsky, Pisemsky and Boborykin), and studies that relate to thinkers of the period (Chaadaev, Herzen and Bakunin).

The Golden Age of Russian Literature and Thought

Research Professor Derek Offord

This is a guide to Russian usage for those who have already acquired the basics of the language and wish to extend their knowledge. It gives special attention to those areas of grammar and vocabulary which cause most difficulty to English speakers.

A Guide to Contemporary Usage

Using Russian

Joe Andrew

Robert Reid

The present volume has as its central aim a reassessment of the works of Ivan Turgenev for the twenty-first century. Against the background of a decline in interest in nineteenth-century literature the articles gathered here seek to argue that the period in general, and his work in particular, still have much to offer the modern sensibility. The volume also offers a great variety of approaches. Some of the contributors tackle major works by Turgenev, includingRudin and Smoke, while others address key themes that run through all his creative work. Yet others address his influence, as well as his broader relationship with Russian and other cultures. A final group of articles examines other key figures in Russian literary culture, including Belinskii, Herzen and Tolstoi. The work will therefore be of interest to students, postgraduates and specialists in the field of Russian literary culture. At the same time, they will stand as a tribute to the life and work of Professor Richard Peace, a long-standing specialist in nineteenth-century Russian literature, in whose honour the volume has been compiled.

Essays to Honour Richard Peace

Turgenev and Russian Culture

This new Seminar Study provides students with a rewarding introduction to nineteenth-century Russia. This period of Russian history is, of course, characterised by the flowering of an enormously rich intellectual and cultural life, the origins of which lie in the intelligentsia¿s opposition to autocratic rule. Here, Professor Offord introduces the reader to the period while focusing particularly on the rise of radicalism. The book opens with two scene-setting chapters: one looking at the political and social structure peculiar to Russia, and the second looking at the cultural and intellectual background. Then, within a chronological framework, the author examines all the great 'events' in the history of Russian radicalism - from the Decembrist Revolt in 1825, to the 'going to the people' in 1874, and the assassination of Alexander II in 1881. However, throughout the text sustained attention is given to the intellectual dimension of nineteenth-century Russian history. Professor Offord examines all the major schools of thought and looks in detail at all the great thinkers of the day, including Chaadaev, Belinsky, Herzen, Chernyshevsky, Bakunin and Tolstoy. This new book will provide essential reading for anyone studying nineteenth-century Russia. Lucid, accessible and immensely readable, it is a formidable achievement.

Opposition to Autocracy

Nineteenth-Century Russia

Using Russian is a guide to Russian usage for those who have already acquired the basics of the language and wish to extend their knowledge. Unlike conventional grammars, it gives special attention to those areas of vocabulary and grammar which cause most difficulty to English speakers, and focuses on questions of style and register which are all too often ignored. Clear, readable and easy to consult, it will prove invaluable to students seeking to improve their fluency and confidence in Russian. This second edition has been substantially revised and expanded to incorporate fresh material and up-to-date information. Many of the original chapters have been rewritten and one brand new chapter has been added, providing a clear picture of Russian usage in the 21st century.

Journeys to a Graveyard examines the descriptions provided by eight Russian writers of journeys made to western European countries between 1697 and 1880. The descriptions reveal the mentality and preoccupations of the Russian social and intellectual elites during this period. The travellers' perceptions of western European countries are treated here as an ambivalent response to a civilization with which Russia was belatedly coming into close contact as a result of the imperial ambition of the Russian state and the westernization of the Russian elites. The travellers perceived the most advanced European countries as superior to Russia in terms of material achievement and the maturity and refinement of their cultures, but they also promoted a view of Russia as in other respects superior to the western nations. Heavily influenced from the late eighteenth century by Romanticism and by the rise of nationalism in the west, they tended to depict European civilization as moribund. By this means they managed to define their own emergent nation in a contrastive way as having youth and promising futurity.

Derek Offord

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