Jürgen Heyde

Nora Lafi

Monica Rüthers

Magdalena Waligórska

Joachim Schlör

Alexis Hofmeister

Martin Kindermann

Mirjam Zadoff

Eszter Gantner

Diana I. Popescu

Wolfgang Kaschuba

Saskia Coenen Snyder

Ruth Leiserowitz

François Guesnet

Maria Cieśla

Frank Golczewski

Felix Heinert

Anne-Christin Saß

The unifying thread of the interdisciplinary volume Jewish and Non-Jewish Spaces in the Urban Context is the fact that Jewish spaces are almost always generated in relation to non-Jewish spaces; they determine and influence each other. This general phenomenon will be scrutinized and put to the test again and again in a varied collection of articles by international experienced researchers as well as junior scholars using various urban contexts and discourses as data. From the viewpoints of different temporal and regional research traditions and disciplines the contributors deal with the question of how Jewish and non-Jewish spaces are imagined, constructed, negotiated and intertwined. All examples and case studies together create a mosaic of possibilities for the construction of Jewish and non-Jewish spaces in different settings. The list of examined topics ranges from synagogues to ghettos, from urban neighborhoods to cafés and festivals, from art to literature. This diversity makes the volume a challenging effort of giving an overview of the current academic discussion in Europe and beyond. Although the majority of the contributions are focused on Central and Eastern Europe, a more general tendency becomes apparent in all articles: the negotiation of urban spaces seems to be a complex and ambivalent process in which a large number of participants are involved. In this regard, the volume would also like to contribute to trans-disciplinary urban studies and critical research on spatial relations.

Jewish and Non-Jewish Spaces in the Urban Context

Tanja Schult

This book charts the performative dimension of the Holocaust memorialization culture through a selection of representative artistic, educational, and memorial projects. Performative practice refers to the participatory and performance-like aspects of the Holocaust memorial culture, the transformative potential of such practice, and its impact upon visitors. At its core, performative practice seeks to transform individuals from passive spectators into socially and morally responsible agents. This edited volume explores how performative practices came into being, what impact they exert upon audiences, and how researchers can conceptualise and understand their relevance. In doing so, the contributors to this volume innovatively draw upon existing philosophical considerations of performativity, understandings of performance in relation to performativity, and upon critical insights emerging from visual and participatory arts. The chapters in this book were originally published as a special issue of Holocaust Studies: A Journal of Culture and History.

Performative Holocaust Commemoration in the 21st Century

This volume explores post-2000s artistic engagements with Holocaust memory arguing that imagination plays an increasingly important role in keeping the memory of the Holocaust vivid for contemporary and future audiences.

Revisiting Holocaust Representation in the Post-Witness Era

Diana I. Popescu

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