Diana McCaulay

It is 2084. Climate change has made life on the Caribbean island of Bajacu a gruelling trial. The sun is so hot that people must sleep in the day and live and work at night. In a world of desperate scarcity, people who reach forty are expendable. Those who still survive in the cities and towns are ruled over by the brutal, fascistic Domins, and the order has gone out for another evacuation to less sea-threatened parts of the capital.Sorrel can take no more and she persuades her mother, Bibi, that they should flee the city and head for higher ground in the interior. She has heard there are groups known as Tribals, bitter enemies of the Domins, who have found ways of surviving in the hills, but she also knows they will have to evade the packs of ferals, animals with a taste for human flesh. Not least she knows that the sun will kill them if they can't find shelter.Diana McCaulay takes the reader on a tense, threat-filled odyssey as mother and daughter attempt their escape. On the way, Sorrel learns much about the nature of self-sacrifice, maternal love and the dreadful moral choices that must be made in the cause of self-protection.

Daylight Come

Gone to Drift

From award-winning Jamaican author Diana McCaulay, Gone to Drift is a powerful voice-driven middle grade novel about family set in Jamaica. Lloyd comes from a long line of fishermen. Growing up in Kingston, Jamaica, Lloyd feels most at home with the sea and his grandfather, Maas Conrad, at his side. When his grandfather doesn’t return from a fishing trip, Lloyd fears he has gone to drift. The sea may be in Lloyd’s blood, but as he searches for his grandfather, he discovers a side of the ocean—and the people who use it—that he’s never known before. Told in the alternating voices of Lloyd and Maas Conrad, Gone to Drift is a moving story of family, courage, and the wonders of the oceans we call home.

Starring an unforgettably fierce ninety-nine-year-old Jamaican heroine, this “profound and beautiful novel” transports readers to the heart of rural Jamaica with a tender and urgent story about who owns the land on which our identities are forged (Julia Alvarez). When the stones of her house begin to rattle and shift and call out mysterious messages to her in the middle of the night, Pauline Sinclair, age ninety-nine, knows she will not make it to her one-hundredth birthday. She has lived a modest life in Mason Hall, a rural Jamaican village, educating herself with stolen books, raising her two children, surviving by becoming a successful ganja farmers in the area, and experiencing both deep passion and true loss with her beloved baby father, Clive. Behind this seemingly benign façade, however, Miss Pauline has buried many secrets. To avenge her enslaved ancestors, she has built her house, stone by stone, from the ruins of a plantation on her land. And she knows more than she has told about the disappearance of Turner Buchanan—a white American man who came to Mason Hall decades ago to claim her land. The whispering stones, Miss Pauline realizes, are telling her that she must make peace with the past before she dies. With help from her American granddaughter, Justine, and Lamont, a teenager she enlists to help her navigate the mysteries of the Internet, she searches for those she has wronged. But as the people and stories of her past come to invade her present, she discovers that there are shocking secrets even she could not have anticipated. Lyrical, funny, eerie, and profound, infused with the patois and natural beauty of Jamaica, A House for Miss Pauline tells a timely and nuanced story about identity, colonialism, and land—and introduces an unforgettable heroine who is a model for living life on her own terms.

A Novel

A House for Miss Pauline

Told in two voices, educated Jamaican English and the nation-language of the people, this dramatic novel tells the story of a well-meaning, middle-class woman and a young boy from the ghetto whom she desperately wants to help. Alternating between the perspectives of the woman and the boy, the story engages with issues of race and class, examines the complexities of relationships between people of very different backgrounds, and explores the difficulties faced by individuals seeking to bring about social change through their own actions. The dramatic climax and tragic choices made grow from the gulf of incomprehension between middle-class and poor Jamaicans and provide penetrating insights into the roots of violence in impoverished communities.

Diana McCaulay

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