Maya Angelou

Diego Rivera

The vivid paintings of muralist Diego Rivera combine with Angelou's inspirational poetry to celebrate the courage of humanity and its ability to triumph in the face of the most difficult obstacles.

Still I Rise

Bertram David Wolfe

Traces the life of the influential Mexican painter, describes his relationships with the great European artists, and discusses his major works.

The Fabulous Life of Diego Rivera

A richly revealing document offering many telling insights into the mind and heart of a giant of 20th-century art. "There is no lack of exciting material. A lover at nine, a cannibal at 18, by his own account, Rivera was prodigiously productive of art and controversy." — San Francisco Chronicle. 21 halftones.

An Autobiography

My Art, My Life

Patrick Marnham

A biography of one of the great muralists of the 20th century, which brings the art, the politics and the complexity of Rivera into focus. The book demonstrates that just as Rivera mythologized himself, the artist also endowed the Mexican people with a national myth, melding a troubled revolutionary history and an Indian culture.

A Life of Diego Rivera

Dreaming with His Eyes Open

Andrea Kettenmann

Looks at the life and works of the Mexican painter.

Rivera

Gladys March

This second part extends from the illustrious words of DiegoRivera returned to Mexico in June 1921 until his death. After spending nearly fourteen years in Europe reached a Mexico in the middle stage of reconstruction, in which the revolutionary leaders who emerged triumphant arms had changed by the speeches and promises of change. Devourer of news from any part of the cultural and politicalspectrum, the artist not only brought with them their knowledge of the European avant-garde but the desire to put in writing theirviews on art, politics and the works of his contemporaries. Wroteabout himself, and much, but over all artistic expression to callyour attention. He wrote much as he painted, with the sameexpressive power with the same passion. Urgent verbal reactionsto their own works, to put forward the social function of art andartistic creators call to form a united front to the side of the peasants and workers. Along with the works presented areexcerpts from texts that reflected the painter left his aesthetic ideas. In this book the reader can enjoy a little spread DiegoRivera, to which we must not only see but also read.

Illustrious Words, 1921-1957

Luis Suárez

Confesiones de Diego Rivera

Museum of Modern Art (New York, N.Y.)

Leah Dickerman

Anna Indych-López

A volume to accompany a contemporary exhibition looks at the five "portable murals" created by Mexican artist Diego Rivera in New York City for a major exhibition at the Museum of Modern Art in December 1931.

Murals for the Museum of Modern Art

Luis Rius

Diego Jáuregui

Readers are treated to full-page color photographs of twenty-seven of Rivera's works of art, brief descriptions of each work, and a short biography of the artist. Text copyright 2004 Lectorum Publications, Inc.

cuento

Diego Rivera. La invitación

Portrait of Mexico

Amy Pastan

Uses a four-fold format to reproduce Rivera's Detroit Industry Murals in detail and provides information on the creation of the murals.

The Detroit Industry Murals

with Gladys March

A richly revealing document offering many telling insights into the mind and heart of a giant of 20th-century art. "Engrossing as a novel." — Chicago Sunday Tribune. 21 halftones.

Mostro sacro del muralismo messicano, Diego Rivera è stato in realtà tante cose: sodale di Picasso, donnaiolo impenitente e amante vorace, fervido comunista ben presto espulso dal Partito e sedicente rivoluzionario dell’arte. Rievocando alcuni episodi salienti di questa sua storia personale, raccolta e trascritta dalla giornalista Gladys March, si rivela anche un narratore incapace di tenere a freno l’esuberante fantasia. Nella sua prosa, così come nella sua pittura, scorrono una travolgente passione per la vita e un’umanità multiforme: prostitute e rivoluzionari, politici corrotti e mecenati capitalisti, ma soprattutto la gente della propria terra, per la quale nutrirà sempre un amore profondo. Dopo i primi passi come pittore cubista in Europa, il ritorno in patria è vissuto infatti da Rivera come una rivelazione: il Messico, con i suoi colori infuocati e la sua luce intensa, le moltitudini gioiose al mercato e alle fiestas, gli si presenta come una fonte di incontenibile splendore. A cui attingerà al momento di ritrarre sulle enormi pareti degli edifici pubblici messicani la coscienza politica di un popolo, attraverso scene di schiavitù, di lotta sociale e immagini della cultura precolombiana, plasmando i tratti di quel muralismo che diventerà di lì a poco un movimento pittorico internazionale. L’autoritratto che si dipana sotto i nostri occhi assume via via i contorni di una confessione a cuore aperto, in cui l’autore non risparmia nessuno, men che meno se stesso. La sua versione dei fatti trova un controcanto nelle voci delle donne della sua vita – Angelina Beloff, Lupe Marín, Frida Kahlo, sposata per ben due volte, ed Emma Hurtado – raccolte in appendice. Giunto all’ultima pagina, al lettore non resta che chiedersi dove stia la verità su questo artista che è stato innanzitutto uno straordinario affabulatore o, nelle parole di Élie Faure, un creatore di miti, se non addirittura un mitomane.

La mia arte, la mia vita

Alejandra Morlett Paredes

Juan Carlos  Arango Lasprilla

El analfabetismo es reconocido mundialmente como uno de los problemas más graves que un país puede experimentar. Diferentes estudios han mostrado cómo la falta de escolarización, junto con la falta de alfabetización, es decir, la capacidad de leer y escribir, influyen negativamente sobre el rendimiento cognitivo en tareas que miden aprendizaje y memoria, habilidades visoespaciales y visomotoras, funciones ejecutivas, lenguaje, entre otros. Por tanto, una adecuada evaluación neuropsicológica es necesaria para discernir entre el efecto que tiene la falta de escolarización y alfabetización en los procesos cognitivos de los ocasionados por el daño cerebral o las enfermedades neurodegenerativas. Por todo ello, Neuropsicología y analfabetismo pretende ofrecer al lector una visión general del analfabetismo, conocer el efecto de la escolaridad y el alfabetismo sobre el funcionamiento cerebral y cognitivo, ofrecer consejos y sugerencias para llevar a cabo una adecuada evaluación neuropsicológica con esta población y, finalmente, presentar los datos normativos para población analfabeta de América Latina de varias de principales pruebas neuropsicológicas que se utilizan actualmente.

Diego Rivera

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