Dilip Gaonkar

Scott Durham

Jacques Rancière’s work is increasingly central to several debates across the humanities. Distributions of the Sensible confronts a question at the heart of his thought: How should we conceive the relationship between the “politics of aesthetics” and the “aesthetics of politics”? Specifically, the book explores the implications of Rancière’s rethinking of the relationship of aesthetic to political democracy from a wide range of critical perspectives. Distributions of the Sensible contains original essays by leading scholars on topics such as Rancière’s relation to political theory, critical theory, philosophical aesthetics, and film. The book concludes with a new essay by Rancière himself that reconsiders the practice of theory between aesthetics and politics.

Rancière, between Aesthetics and Politics

Distributions of the Sensible

Dilip Parameshwar Gaonkar

Cary Nelson

Jubilee Professor of Liberal Arts and Sciences Cary Nelson

Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.

Disciplinarity and Dissent in Cultural Studies

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Dilip Gaonkar

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