Los Angeles County Museum of Art

Dominic Molon

Carol S. Eliel

Museum of Contemporary Art (Chicago, Ill.)

Marjorie King

Serpentine Gallery

Margery King

Andy Warhol Museum

Mariko Mori

Lisa Corrin

The futuristic, sci-fi like scenarios created by the artist Mariko Mori in her photographs and video installations often include Mori herself, dressed in outlandish costume, and are intriguing and imaginative works which combine elements of Japanese popular culture, such as Japanimation, as well as fashion, cyberspace, and video art. Mori, who studied fashion in Tokyo and art in London and New York, has become one of the freshest young artists working in the '90s, and this book, which is the first on her work, comprehensively catalogs her upcoming exhibitions. Recent video work by Mori has included such works as Nirvana (shown at the '97 Venice Biennale), in which the artist depicts herself making symbolic Buddhist hand-gestures as she floats above the Dead Sea. Still another piece is a video in which Mori, in futuristic space wear, rolls a crystal ball through an airport to the haunting melodies of a Japanese song. These works involve a surrealistic interplay of imagery which suggests something akin to the art of Yayoi Kusama, the costs of funk icon George Clinton, science fiction, and the film works of Matthew Barney.

John Baldessari

Jane Farver

Paul Pfeiffer

The basketball player dunks, and dunks, and dunks again. The boxer punches, and punches, and punches again. Using advanced technology to transform and isolate moments from movies and televised sporting events, Paul Pfeiffer's work examines contemporary notions of racial and sexual identity and how we respond to the human body when it is placed in extreme situations such as ecstasy and pain. Pfeiffer's work also explores issues of time and the increasingly blurry distinction between reality and representation in everyday life. Recent installation pieces transfer mediated, image-based knowledge into physical spaces, with references to movies like "The Amityville Horror." This catalog, the first significant publication devoted to Pfeiffer's work, includes full-color reproductions, biographical and bibliographic information, scholarly essays by MCA associate curator Dominic Molon and MIT List director Jane Farver, a discussion between Pfeiffer and renowned conceptual artist John Baldessari, and a text by Pfeiffer himself.

Joel Lobenthal

Karen Kilimnik

Ingrid Schaffner

Institute of Contemporary Art (Philadelphia, Pa.)

Scott Rothkopf

Aspen Art Museum (Aspen, Colo.)

Introduction by Claudia Gould. Text by Ingrid Schaffner, Scott Rothkopf, Joel Lobenthal, Dominic Molon, Wayne Koestenbaum.

Mike Kelley

Dan Graham

Richard Hell

Diedrich Diederichsen

Matthew Higgs

Anthony Elms

Jutta Koether

Bob Nickas

Jan Tumlir

Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.

Art and Rock and Roll Since 1967

Sympathy for the Devil

Gillian Wearing

Barry Schwabsky

Gillian Wearing has emerged as one of the foremost British artists of her generation, creating video installations and photographic works that document the shocking, amusing, and tragic stories and behavior of the ordinary people of Britain. Winner of the prestigious Turner Prize in 1997, Wearing has exhibited extensively around the world. This full-color monograph, covering the period 1992 to 2002, represents the most eagerly anticipated, up-to-date, and incisive survey yet published of Wearing's painfully affecting art: art that holds an exacting and often unbearable mirror to the absurdity, ennui, and anxiety of everyday life, demonstrating the maddening impossibility of ever truly understanding the complexity of the human psyche.

Mass Observation

Abigail Solomon-Godeau

Derek Bickerton

Nick McDonnell

Jake Chapman

This aesthetic evolution has occurred in tandem with the artist's peripatetic movements around the globe in pursuit of the perfect wave. Over 300 colour images of works from the 1980s until today capture the acerbic wit and tremendous talent of the enigmatic artist. Textual contributions from Bickerton's family and friends, As well as scholarly essays by art historian Abigail Solomon-Godeau and MCA Chicago Curator Dominic Molon, are interspersed with the artist's commentary. An interview between the artist and Serpentine Gallery Co-Director Hans Ulrich Obrist is brought to vivid life by the renderings of Ignacio Noe.

Ashley Bickerton

Mark Wigley

Russell Ferguson

Wolfgang Tillmans

Daniel Birnbaum

Lane Relyea

Julie Ault

Few artists have changed the manner in which photographic images are made, read, and received over the past two decades as dramatically as German photographer Wolfgang Tillmans (b. 1968). One of the most important and distinctive artists to emerge in the 1990s, Tillmans’s work is internationally recognized for its powerful reflections on the often overlooked objects and moments in everyday life. With images culled from the entirety of Tillmans’s career, this generously illustrated book accompanies the artist’s first retrospective exhibition in the United States and features the potent effects of his portraits, abstractions, and structural and sculptural motifs. Essays by leading scholars examine the context of the German art and pop cultural scene in which Tillmans first began working in the late 1980s; his use of magazines as both venue and source materials; his unique approach to portraiture; his ability to create a sense of intimacy between the viewer and subjects ranging from his friends to cultural figures and heads of state; and his distinctive approach to presenting his images in displays and installations. A fascinating loo�k at the breadth of Tillmans’s career to date, including his most recent new work, this book demonstrates the renowned abilities of one of the art world’s most revolutionary photographers.

Dominic Molon

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