Dominic Pettman

Gündelik Yasamda Sosyal Medyaya Odaklanmak

Sonsuz Dikkat Daginikligi

It is often argued that contemporary media homogenize our thoughts and actions, without us being fully aware of the restrictions they impose. But what if the problem is not that we are all synchronized to the same motions or moments, but rather dispersed into countless different emotional micro-experiences? What if the effect of so-called social media is to calibrate the interactive spectacle so that we never fully feel the same way as other potential allies at the same time? While one person is fuming about economic injustice or climate change denial, another is giggling at a cute cat video. And, two hours late, vice versa. The nebulous indignation which constitutes the very fuel of true social change can be redirected safely around the network, avoiding any dangerous surges of radical activity. In this short and provocative book, Dominic Pettman examines the deliberate deployment of what he calls 'hypermodulation,' as a key strategy encoded into the contemporary media environment. His account challenges the various narratives that portray social media as a sinister space of synchronized attention, in which we are busily clicking ourselves to death. This critical reflection on the unprecedented power of the Internet requires us to rethink the potential for infinite distraction that our latest technologies now allow.

Infinite Distraction

In an eminently approachable work of wide cultural reach and meticulous scholarship, Dominic Pettman undertakes an unprecedented examination of how animals shape the understanding and expression of love between people. He argues that in our utilization of the animal in our amorous expression, we acknowledge that what we adore in our beloveds is not (only) their humanity, but their creatureliness.

How Desire Makes Us More and Less Than Human

Creaturely Love

Jean Baudrillard

Philippe Beitchman

W. G. J. Niesluchowski

An early work in which Baudrillard became Baudrillard.

Fatal Strategies

Totem, Taboo, Technology

Look at the Bunny

Explores the post-Enlightenment obsession with apocalyptic endings.

Toward a Politics of Exhaustion

After the Orgy

What is the carbon footprint of your libido? In this highly original book, Dominic Pettman examines the mutual influence and impact of human desire and ecological crisis. His account is premised on a simple but startling observation: the decline of libido among the world’s population, the loss of the human sex drive, closely tracks the destruction of environments worldwide. The advent of the Anthropocene leads to the decline of eros, the weakening of the link between sexual pleasure and human reproduction, and thus, potentially, to human extinction. Our capacity to care for one another in any meaningful way is being replaced by a restless, technologically-enhanced zombie drive. The environmental crisis of our time is also, and simultaneously, a crisis of human reproduction and of interpersonal intimacy. What Freud called ‘libidinal economy’ has morphed into libidinal ecology. Drawing on the work of a wide range of thinkers from Georges Bataille to Donna Haraway, Pettman explores the implications of peak libido, linking this development to the new cultural interest in eco-sexuality, polyamory, and other cases of the ‘greening of the libido’. Peak Libido is a forceful reminder that our hearts and loins are primarily ecological organs, beholden to their wider environments, and, as such, they share the same fate.

Sex, Ecology, and the Collapse of Desire

Peak Libido

To our modern ears the word “creature” has wild, musky, even monstrous, connotations. And yet the terms “creaturely” and “love,” taken together, have traditionally been associated with theological debates around the enigmatic affection between God and His key creation, Man. In Creaturely Love, Dominic Pettman explores the ways in which desire makes us both more, and less, human. In an eminently approachable work of wide cultural reach and meticulous scholarship, Pettman undertakes an unprecedented examination of how animals shape the understanding and expression of love between people. Focusing on key figures in modern philosophy, art, and literature (Nietzsche, Salomé, Rilke, Balthus, Musil, Proust), premodern texts and fairy tales (Fourier, Fournival, Ovid), and contemporary films and online phenomena (Wendy and Lucy, Her, memes), Pettman demonstrates that from pet names to spirit animals, and allegories to analogies, animals have constantly appeared in our writings and thoughts about passionate desire. By following certain charismatic animals during their passage through the love letters of philosophers, the romances of novelists, the conceits of fables, the epiphanies of poets, the paradoxes of contemporary films, and the digital menageries of the Internet, Creaturely Love ultimately argues that in our utilization of the animal in our amorous expression, we are acknowledging that what we adore in our beloveds is not (only) their humanity, but their creatureliness.

Garth Greenwell

Marie Hicks

Natasha Lennard

Laura Frost

David Parisi

Logic Magazine

Tilly Grove

Marta Figlerowicz

Cameron Glover

Logic Magazine's Sex issue explores technology and sexuality. How are people using new tools to fulfill, expand, or transform their sexuality? Is technology liberating users to pursue their true desires? Creating new pleasures, pressures? What even is sex?

Logic Magazine Issue #2

The Humid Condition: (More) Overheated Observations continues on the clicking heels of Dominic Pettman's Humid, All Too Humid (2016), providing a companion volume of pithy and witty observations for our overheated age. Covering topics from pop culture to academia to romance to politics to human mortality to everything in between, this collection of pointed musings aims to amuse, edify, instruct, provoke, tease, caution, and inspire. As with the first installment, the spirit of this book represents a fusion of Montaigne and Wilde; a mashup of Adorno and Yogi Berra; a parallel channeling of Marx and Marx (both Karl and Groucho). No doubt, Hannah Arendt would be appalled at the irreverence on display within these pages. Then again, "Heidegger has left the bildung." And as the author himself notes: "I have nothing new to say. And I'm saying it!"

(More) Overheated Observations

The Humid Condition

Can love really be considered another form of technology? Dominic Pettman says it can - although not before carefully redefining technology as a cultural challenge to what we mean by the "human" in the information age. Using the writings of such important thinkers as Giorgio Agamben, Jean-LucNancy, and Bernard Stiegler as a springboard, Pettman explores the "techtonic" movements of contemporary culture, specifically in relation to the language of eros. Highly ritualized expressions of desire - love, in other words - always reveal an era's attitude toward what it means to exist as a selfamong others. For Pettman, the articulation of love is a technique of belonging: a way of responding to the basic plurality of everyone's identity, a process that becomes increasingly complex as the forms of mediated communication, from cell phone and text messaging to the mass media, multiply andmesh together.Wresting the idea of love from the arthritic hands of Romanticism, Pettman demonstrates the ways in which this dynamic assemblage - "the stirrings of the soul" - have always been a matter of tools, devices, prosthetics, and media. Love is, after all, something we make. And, love, this book argues,is not eternal, but external.

Retrofitting Eros for the Information Age

Love and Other Technologies

Argues that humanity can be seen as a case of mistaken identity.

Species--being and Media Machines

Human Error

Justin Clemens

Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.

Media, Culture and the Object

Avoiding the Subject

Are totems merely a thing of the distant past? Or might it be that our sleek new machines are producing totemic forces which we are only beginning to recognize? This book asks to what degree today's media technologies are haunted by a Freudian ghost, functioning as totems or taboos (or both). By isolating five case-studies (rabbits in popular culture, animated creatures that go "off-program," virtual lovers, jealous animal spirit guides, and electronic paradises), Look at the Bunny highlights and explores today's techno-totemic environment. In doing so, it explores how nonhuman avatars are increasingly expected to shepherd us beyond our land-locked identities, into a risky - sometimes ecstatic - relationship with the Other.

Sonic Intimacy asks us who—or what—deserves to have a voice, beyond the human. Arguing that our ears are far too narrowly attuned to our own species, the book explores four different types of voices: the cybernetic, the gendered, the creaturely, and the ecological. Through both a conceptual framework and a series of case studies, Dominic Pettman tracks some of the ways in which these voices intersect and interact. He demonstrates how intimacy is forged through the ear, perhaps even more than through any other sense, mode, or medium. The voice, then, is what creates intimacy, both fleeting and lasting, not only between people, but also between animals, machines, and even natural elements: those presumed not to have a voice in the first place. Taken together, the manifold, material, actual voices of the world, whether primarily natural or technological, are a complex cacophony that is desperately trying to tell us something about the rapidly failing health of the planet and its inhabitants. As Pettman cautions, we would do well to listen.

Voice, Species, Technics (or, How To Listen to the World)

Sonic Intimacy

Carla Nappi

What kinds of knowledge and understandings of the world can be generated - and shared - when we use para-academic techniques and sensibilities to decode or respond to relatively orthodox intellectual objects? And what worlds might be possible if we practiced scholarly work from a place of collaboration and pleasure, as joyful fellow explorers? In METAGESTURES, presented in a playful tête-bêche format, historian Carla Nappi and cultural theorist Dominic Pettman explore the use of fiction as a tool to write and think with works of theory. Taking Vilém Flusser's GESTURES as its point of inspiration and departure, METAGESTURES collects 16 pairs of short stories in which Pettman and Nappi make fictional worlds that animate and enliven each of the major gestures in Flusser's book. Nappi and Pettman focus on Flusser's mediations on the gestures of filming, planting, loving, smoking a pipe, turning a mask around, and much more, with their own creative explorations of each theme, in a gathering of short fictions that test, expand, and further the social scientific claims of the original text with new scenarios and occasions. Here, Flusser's reflections on physical gesture serve as an inspiration for new ways of conceiving and conducting theory, and for thoughtful creative scholarly imagining, with and alongside one another. Carla Nappi is a historical pataphysicist and Mellon Chair in History at the University of Pittsburgh. She has published widely in the history of bodies, medicine, and translation in early modern China, and you can explore her recent shenanigans at carlanappi.com. Dominic Pettman is Professor of Culture & Media at the New School for Social Research and Eugene Lang College, and the author of numerous books on technology, humans, and other animals; including the recent Creaturely Love (Minnesota University Press) and Sonic Intimacy (Stanford University Press).

Dominic Pettman

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