Donald Antrim

Explores a world of family relations, histories, and mysteries in the story o Doug, who gets together with ninety-eight of his ninety-nine brothers for an evening of dinner, drinking, reminiscences, and shared awareness.

A Novel

The Hundred Brothers

In a world marked by full-scale neighborhood wars in the local park and lawns encircled by trenches, civic-minded schoolteacher Pete Robinson finds himself increasingly obsessed with his darkly powerful wife, Meredith. A first novel. Reprint. 10,000 first printing.

Elect Mr. Robinson for a Better World

As the sun lowered in the sky one Friday afternoon in April 2006, acclaimed author Donald Antrim found himself on the roof of his Brooklyn apartment building, afraid for his life. In this moving memoir, Antrim vividly recounts what led him to the roof and what happened after he came back down: two hospitalizations, weeks of fruitless clinical trials, the terror of submitting to ECT--and the saving call from David Foster Wallace that convinced him to try it--as well as years of fitful recovery and setback. One Friday in April reframes suicide--whether in thought or action--as an illness in its own right, a unique consequence of trauma and personal isolation, rather than the choice of a depressed person. A necessary companion to William Styron's classic Darkness Visible, this profound, insightful work sheds light on the tragedy and mystery of suicide, offering solace that may save lives.

A Story of Suicide and Survival

One Friday in April

An incident at a pancake house drives physchotherapist Tom out of his body, whereupon his spirit drifts to the ceiling and begins to analyze his psychologist colleagues. Reprint. 17,500 first printing.

The Verificationist

Originally published in 1993 by Viking Penguin.

A latest collection by the author of Elect Mr. Robinson for a Better World features protagonists who search for community and confront the dysfunctional aspects of their characters throughout everyday occurrences.

Stories

The Emerald Light in the Air

The author of Elect Mr. Robinson for a Better World and The Verificationist presents a series of observations about the state of consciousness as it is altered by memories, fantasies, and alcoholism, in a portrait of the author's family that partially comes to terms with the nature of addiction and the limitations of self-healing. Reprint. 25,000 first printing.

A Memoir

The Afterlife

La vita dopo

Los personajes que protagonizan estos siete cuentos son profesores, abogados, artistas sin obra, hombres atravesados por duelos que no parecen sanar, parejas que se desmoronan y amantes que se encuentran en departamentos prestados para representar vidas que esconden su propia fragilidad. Los trajes a medida, los tragos en bares y los ansiolíticos son para ellos una forma de mantener las apariencias, como si todos estuvieran al borde de la caída. En una ciudad con un ritmo y una lógica implacable, estos hombres y mujeres hablan, escuchan, anhelan y sueñan mientras se aferran al amor y la juventud, siempre en busca de un motivo que los mantenga a flote. A través de una prosa llena de humor y tristeza, ingenio y elegancia, Donald Antrim logra hacer de Otro Manhattan un libro memorable.

Otro Manhattan

From "a fiercely intelligent writer" (The New York Times), a wry, poignant story of the difficult love between a mother and a son In the winter of 2000, shortly after his mother's death from cancer and malnourishment, Donald Antrim, author of the absurdist, visionary masterworks Elect Mr. Robinson for a Better World, The Hundred Brothers, and The Verificationist, began writing about his family. In pieces that appeared in The New Yorker and were anthologized in Best American Essays, Antrim explored his intense and complicated relationships with his mother, Louanne, an artist and teacher who was, at her worst, a ferociously destabilized and destabilizing alcoholic; his gentle grandfather, who lived in the mountains of North Carolina and who always hoped to save his daughter from herself; and his father, who married Louanne twice. The Afterlife is not a temporally linear coming-of-age memoir; instead, Antrim follows a logic of unconscious life, of dreams and memories, of fantasies and psychoses, the way in which the world of the alcoholic becomes a sleepless, atemporal world. In it, he comes to terms with—and fails to comes to terms with—the nature of addiction and the broken states of loneliness, shame, and loss that remain beyond his power to fully repair. This is a tender and even blackly hilarious portrait of a family—faulty, cracked, enraging. It is also the story of the way the author works, in part through writing this book, to become a man more fully alive to himself and to others, a man capable of a life in which he may never learn, or ever hope to know, the nature of his origins.

A masterful story collection-heartbreaking and hilarious-from one of America's greatest writers Nothing is simple for the men and women in Donald Antrim's stories. As they do the things we all do-bum a cigarette at a party, stroll with a girlfriend down Madison Avenue, take a kid to the zoo-they're confronted with their own uncooperative selves. These artists, writers, lawyers, teachers, and actors make fools of themselves, spiral out of control, have delusions of grandeur, despair, and find it hard to imagine a future. They talk, they listen, they hope, they dream. They look for communion in a city, both beautiful and menacing, which can promise so much and yield so little. But they are hungry for life. They want to love and be loved. These stories, all published in The New Yorker over the last fifteen years, make it clear that Antrim is one of America's most important writers. His work has been praised by his significant contemporaries, including Jonathan Franzen, Thomas Pynchon, Jeffrey Eugenides, and George Saunders, who described The Verificationist as "one of the most pleasure-giving, funny, perverse, complicated, addictive novels of the last twenty years." The Emerald Light in the Air is Antrim's best book yet: the story collection that reveals him as a master of the form.

Donald Antrim's mother Louanne was a difficult woman: an operatically suicidal, chainsmoking, delusional alcoholic who even when sober believed that her cat Merlin was a descendant of the Arthurian necromancer. Seeing his own life bound up in her relentless deterioration, Donald Antrim embarks on this strange, marvellous memoir in an attempt to make sense of his mother and her legacy.A series of tragic-comic adventures in psychological dysfunction, Antrim's personal journey takes him wandering across the Southern states of America, tracing the bust-ups, reconciliations, and migrations of his warring parents. Gradually he unpicks the stories of his childhood, and the characters: his handsome sportsman uncle; his hardworking, bewildered Episcopalian grandparents; and his mother herself - alarming, melodramatic, manipulative, reckless and brave. This is a vivid, unmissable Technicolor slideshow of a memoir.

Afterlife

Doug DuBois

Doug DuBois began photographing his family in 1984, prior to his fathers nearfatal fall from a commuter train and his mothers subsequent breakdown and hospitalizations. While these events set a narrative backdrop to his work, the emotional freight is carried by the details as described by the artist: the pallor of my mothers skin, the glare of my fathers gaze, and the tactile communion between my sister and nephew constitute a complex and resonant picture of family ties. More than twenty-five years later, DuBoiss project has developed in remarkable ways. Doug Dubois: All the Days and Nights resonates with emotional immediacy, offering a potent examination of family relations, and what it means to subject personal relationships to the unblinking eye of the camera. Each photograph is rich with color, nuanced gestures and glances enveloping the viewer in a multivalent, emotionally tense world.

--All the Days and Nights

In a world marked by full-scale neighborhood wars in the local park and lawns encircled by trenches, civic-minded schoolteacher Pete Robinson finds himself increasingly obsessed with his darkly powerful wife, Meredith. A first novel. 10,000 first printing.

"A dark, suburban fantasy . . . richly funny, even whimsical, and bizarrely familiar." —The New Yorker In the seaside community of Donald Antrim's Elect Mr. Robinson for a Better World, the citizens are restless. The mayor has fired stinger missiles into the Botanical Garden reflecting pool, and his public execution was a messy affair. As these hawkish suburbanites fortify their houses with deadly moats and land mines, a former third-grade teacher named Pete Robinson steps forward with a tenuous bid to replace the mayor. But can anyone satisfy the terrible will of the people? By turns funny and phantasmagorical, fiercely intelligent and imaginative, Donald Antrim's story of suburban civics turned macabre is a new American classic.

With a New Introduction by Jonathan Franzen There's Rob, Bob, Tom, Paul, Ralph, and Noah; Nick, Dennis, Bertram, Russell, and Virgil. The doctor, the documentary filmmaker, and the sculptor in burning steal; the eldest, the youngest, and the celebrated "perfect" brother, Benedict. In Donald Antrim's mordantly funny novel The Hundred Brothers, our narrator and his colossal fraternity of ninety-eight brothers (one couldn't make it) have assembled in the crumbling library of their family's estate for a little sinister fun. Executed with the invention and intelligence of Barthelme and Pynchon, Antrim's taxonomy of male specimens is in equal proportions disturbing and absurdly hilarious.

Named one of the Most Anticipated of Books of 2021 by the Los Angeles Times, Literary Hub, and The Millions A searing and brave memoir that offers a new understanding of suicide as a distinct mental illness. As the sun lowered in the sky one Friday afternoon in April 2006, acclaimed author Donald Antrim found himself on the roof of his Brooklyn apartment building, afraid for his life. In this moving memoir, Antrim vividly recounts what led him to the roof and what happened after he came back down: two hospitalizations, weeks of fruitless clinical trials, the terror of submitting to ECT—and the saving call from David Foster Wallace that convinced him to try it—as well as years of fitful recovery and setback. One Friday in April reframes suicide—whether in thought or action—as an illness in its own right, a unique consequence of trauma and personal isolation, rather than the choice of a depressed person. A necessary companion to William Styron’s classic Darkness Visible, this profound, insightful work sheds light on the tragedy and mystery of suicide, offering solace that may save lives.

Donald Antrim

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