Emilio Iasiello

Janet Kuypers

Liam Spencer

Angela Boswell

Donald Dewey

Allan Onik

Matthew McAyeal

Tom Ball

Joe Reister

Joseph Pete

Down in Down in the Dirt

Carlos Frigo

Marc McMahon

Lisa Grey

Kassandra Hei

Miki Byrne

Robert Ronnow

Robert Ruzicka

Alandya Durand

Zachary Jarrett

J. Siemens

"The Church" is a 2017 Scars Publications poetry and prose book with material from assorted writers and artists, as the May 2018 issue release of the literary magazine "Down in the Dirt" (http://scars.tv/dirt). Since 2014 "Down in the Dirt" magazine is released every other month (and sometimes with bonus issues) as a 6"x9" perfect-bound paperback book, with not only it's usual ISSN# (print ISSN# 1554-9623 and Internet ISSN# 1554-9666), but also an ISBN#. Because of ISBN# releases, all issues now carry a title to accompany the new format, reflecting the writing inside the book as well as the cover design. Writers and artists included in this Scars Publications perfect-bound 6" x 9" ISBN# paperback book include Alandya Durand, Allan Onik, Angela Boswell, Carlos Frigo, Donald Dewey, Emilio Iasiello, J.T. Siemens, Janet Kuypers, Joe Reister, Joseph S. Pete, Kassandra Hei, Liam Spencer, Lisa Gray, Marc McMahon, Matthew McAyeal, Miki Michele Byrne, Robert Ronnow, Robert Ruzicka, Roger G. Singer, Tom Ball, Zachary Jarrett, Carolyn Poindexter, Denny E. Marshall, Eleanor Bennett, Edward Michael O'Durr Supranowicz, Kyle Hemmings, Olivier Schopfer, and Rene Diedrich.

Down in the Dirt Magazine V157 (May 2018)

The Church

A comprehensive history of American political cartooning integrates more than two hundred illustrations with informative analysis to chronicle the evolution of the cartoon as humor, political expression, and art form from the colonial period to the present day, capturing the work of Benjamin Franklin, Thomas Nast, Joseph Keppler, Theodore Geisel, James Montgomery Flagg, Gary Trudeau, Jules Feiffer, and many more.

The Story of American Political Cartoons

The Art of Ill Will

Paul Finley Mysteries Book One When private investigator Paul Finley is hired to find a missing teenager who turns up dead, he comes up against the powers-that-be in an affluent Long Island community who have a problem distinguishing sex and murder from their fantasy baseball games. Complicating matters further is his involvement with a beautiful widow whose own elusiveness may or may not be connected to the death of the teenager.

The Fantasy League Murders

In this penetrating and riveting biography of one of Hollywood's most beloved screen icons, Donald Dewey probes beneath Jimmy Stewart, the conservative image and ideal, to reveal James Stewart, the actor and the man. Through hundreds of interviews and in-depth analysis of his seventy-five films, the author assesses how the Hollywood man-about-town of the 1930's and 40's - Stewart's lovers included Ginger Rogers, Olivia de Havilland and Marlene Dietrich - became the epitome of American family values who remained married for forty-five years; and how the studio-bred, effervescent star of It's a Wonderful Life developed into the brilliant actor whose performances in films such as Vertigo and Shenandoah exposed a vulnerability unseen in his personal relationships. With many insights into the turmoil of his private life, the artistry behind his cinematic craft and his heroic military record in the Second World War, Dewey gives us much more than a legend to love.

James Stewart

Portrays the life and film and stage career of the versatile Italian actor

His Life and Art

Marcello Mastroianni

Nicholas Acocella

As America lurched into the twentieth century, its national pastime was afflicted with the same moral malaise that was enveloping the rest of the nation. Players regularly bet on games, games were routinely fixed, and league politics were as dirty as the base paths. Against this backdrop, Hal Chase emerged as one of the game's greatest players and also as one of its most scandalous characters. With charisma and bravado that earned him the nickname The Prince, Chase charmed his way across America, spinning lies in the afternoon, dealing high-stakes poker at night, and gambling with beautiful women until dawn. Most notoriously of all, he undermined his stature as the era's greatest first baseman by conniving with gamblers to fix games and draw teammates into his diamond conspiracies. But as Donald Dewey and Nicholas Acocella reveal in their groundbreaking biography, The Black Prince of Baseball, Chase was also a scapegoat for baseball notables with hands even dirtier than his. These included league officials who ignored facts in an attempt to pin the 1919 Black Sox scandal on him and--a previously unknown twist--the fabled John McGraw, who perjured himself on a witness stand against the first baseman. Although Chase, contrary to popular belief, was never banned from the major leagues, meticulous research by the authors implicates him in other shady enterprises as well, not least an attempt to blackmail revivalist Aimee Semple McPherson. As The Black Prince of Baseball makes clear, in his protean talents and larcenies, Hal Chase personified all the excesses of Ragtime.

Hal Chase and the Mythology of the Game

The Black Prince of Baseball

2008 Association of American University Presses Award for Jacket Design Author interview on Brian Lehrer Live Podcast with KERA in North Texas The Art of Ill Will is a comprehensive history of American political cartooning, featuring over two hundred illustrations. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, Donald Dewey highlights these artists uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing and caption. Taking advantage of unlimited access to The Granger Collection, which holds thousands of the most significant works of Thomas Nast and the other early American cartoonists, The Art of Ill Will provides a survey of American history writ large, capturing the voice of the peopleᾹhopeful, angry, patriotic, frustratedᾹin times of peace and war, prosperity and depression. Dewey tracks the cartoonists role as a jester with a serious brief. Ulysses S. Grant credited cartoonists with helping him win his election and was not the only president to feel that way; political bosses and even state legislatures have sought to ban cartoons when they endangered entrenched interests; General George Patton once promised to throw beloved wartime cartoonist Bill Mauldin in jail if he continued to spread dissent. (Mauldin later won the Pulitzer Prize.) Despite the increasing threats they face as daily newspapers merge or vanish, cartoonists have given us some of our most memorable images, from Theodore Roosevelt’s pince-nez and mustache to Richard Nixon’s Pinocchio nose to Jimmy Carters Chiclet teeth. At a time when domestic and foreign political developments have made these artists more necessary than ever, The Art of Ill Will is a rich collection of the wickedly clever images that puncture pomposity and personalize American history. Cartoonists include: Benjamin Franklin (whose Join, or Die was the first modern American political cartoon), the astoundingly prolific Thomas Nast, Puck magazine founder Joseph Keppler, Adalbert Volck, suffragist Laura Foster, Uncle Sam creator James Montgomery Flagg, Theodore Geisel departing from his Dr. Seuss persona to tackle World War II, Herbert Herblock Block (who so enraged Richard Nixon that the president canceled his subscription to the Washington Post), Daniel Fitzpatrick, Jules Feiffer, Paul Conrad, Gary Trudeau, and the controversial Ted Rall.

As America lurched into the twentieth century, its national pastime was afflicted with the same moral malaise that was enveloping the rest of the nation. Players regularly bet on games, games were routinely fixed, and league politics were as dirty as the base paths. Against this backdrop, Hal Chase emerged as one of the game’s greatest players and also as one of its most scandalous characters. With charisma and bravado that earned him the nickname The Prince, Chase charmed his way across America, spinning lies in the afternoon, dealing high-stakes poker at night, and gambling with beautiful women until dawn. Most notoriously of all, he undermined his stature as the era’s greatest first baseman by conniving with gamblers to fix games and draw teammates into his diamond conspiracies. But as Donald Dewey and Nicholas Acocella reveal in their groundbreaking biography, The Black Prince of Baseball, Chase was also a scapegoat for baseball notables with hands even dirtier than his. These included league officials who ignored facts in an attempt to pin the 1919 Black Sox scandal on him and—a previously unknown twist—the fabled John McGraw, who perjured himself on a witness stand against the first baseman. Although Chase, contrary to popular belief, was never banned from the major leagues, meticulous research by the authors implicates him in other shady enterprises as well, not least an attempt to blackmail revivalist Aimee Semple McPherson. As The Black Prince of Baseball makes clear, in his protean talents and larcenies, Hal Chase personified all the excesses of Ragtime.

Donald Dewey

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