Donald Ray Pollock

"Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There{u2019}s Willard Russell, tormented veteran of the carnage in the South Pacific, who can{u2019}t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi{u00AD}cial blood he pours on his prayer log. There{u2019}s Carl and Sandy Henderson, a husband-and-wife team of serial killers, who troll America{u2019}s highways searching for suitable models to photograph and exterminate. There{u2019}s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte{u2019}s orphaned son, who grows up to be a good but also violent man in his own right"--Jacket.

a novel

The devil all the time

Spanning the era from the mid-1960s to the late 1990s, a collection of stories journeys inside the world of the diverse inhabitants of Knockemstiff, a tough, Midwestern town, as their lives change and intertwine, capturing such characters as the father who pumps his son full of steroids to relive his own days as a body builder, a psychotic rural recluse, and an incestuous pair of siblings. 25,000 first printing.

Knockemstiff

From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors. It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family's entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it? In the gothic tradition of Flannery O'Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre's literary masters.

The Heavenly Table

شيطان أبد الدهر

المائدة الربانية

El diablo a todas horas

Düs Yakamdan Seytan

Die himmlische Tafel

Zwei Lebensfluchten kollidieren, eine auf dem Weg in die Verdammnis, die andere aus ihr heraus. Der junge Arvin wächst in den fünfziger Jahren im heruntergekommenen Niemandsland des Mittleren Westens auf. Hier hat sich der amerikanische Traum in einen fiebrigen Albtraum verwandelt, der bevölkert wird von psychopathischen Verbrechern, korrupten Sheriffs und religiösen Fanatikern. Arvin ringt um einen Ausweg aus dieser Welt. Doch als seine Freundin vom Ortsprediger missbraucht wird und sich daraufhin erhängt, nimmt auch er das Gesetz in die eigene Hand. Zur gleichen Zeit, nur wenige Meilen entfernt, brechen die beiden Serienkiller Carl und Sandy zur Jagd auf. Sie locken arglose Tramper in ihren Wagen, um sie dort auf brutale Art und Weise umzubringen. Irgendwo in der Tiefe des Hinterlandes, in jenem unsichtbaren Grenzgebiet zwischen Zivilisation und archaischer Grausamkeit, kreuzen sie schliesslich Arvins Weg ... Unaufhaltsam verstrickt Pollock seine Leser in ein undurchdringliches Labyrinth des Bösen. "Das Handwerk des Teufels" ist ein ebenso verstörender wie mitreissender Roman über den epischen Kampf zwischen Schicksal und Moral, Schuld und Gerechtigkeit. Die Hoffnung stirbt immer zuletzt. Aber sie stirbt. Donald Ray Pollock, geboren 1954, wuchs im US-Bundesstaat Ohio auf. Mit siebzehn Jahren brach er die Highschool ab und nahm einen Job in einer Fleischfabrik an. Danach arbeitete er über dreissig Jahre in einer Papiermühle, zumeist als Lastwagenfahrer. Ende der achtziger Jahre holte er in Abendkursen seinen Schulabschluss nach und schrieb sich an der Ohio State University ein. 2008 erschien sein literarisches Debüt, der von der amerikanischen Presse gefeierte Erzählungsband "Knockemstiff"

Roman

Das Handwerk des Teufels

In 'Holler', when his wife throws him out, Tom shacks up with the family of a casual girlfriend. They leave it to him to bathe, shave and keep a jug of wine within a straw's reach of their disabled patriarch. In 'I Start Over', retirement has not been living up to Big Bernie's expectations-not the expectations the television advertisements are peddling anyway. He treats himself to a souped-up 1959 Chevrolet, and this indulgence might just be what he needs to start over. Part of the Storycuts series, this short story was previously published in the collection Knockemstiff.

Holler / I Start Over (Storycuts)

I udkanten af landsbyen Knockemstiff i den fjerneste afkrog af Ohio i USA’s bibelbælte bor Willard Russell med sin kone Charlotte og sønnen Arvin – og Charlotte er ved at dø af kræft, uanset hvor meget Willard beder og hvor mange dyr han ofrer ved sin bedestamme ude i skoven.

Djævlen uafbrudt

Autunno 1945: Willard Russell, un soldato appena rimpatriato dalla carneficina nel Pacifico, sta tornando in Virginia quando a Meade, Ohio, conosce la bellissima Charlotte. Se ne innamora all'istante e poco dopo la sposa. Né il suo amore, né il sangue versato sul ceppo della preghiera basteranno però a salvarla dalla malattia e dalla morte. Anni Sessanta. I coniugi Carl e Sandy Henderson girano per il Midwest in cerca di autostoppisti sui quali scaricare la loro furia omicida. Il predicatore Roy Laferty e suo cugino Theodore, il chitarrista storpio, si guadagnano da vivere con raccapriccianti numeri circensi. Le strade di tutti loro incroceranno quella di Arvin, il figlio di Willard e Charlotte: un ragazzo in cerca di risposte. Sullo sfondo un'America rurale fatta di chiese e baracche, superstizioni, violenza e miseria. Un mondo nel quale Bene e Male lottano fino allo stremo.

Le strade del male

"More engaging than any new fiction in years." —Chuck Palahniuk An unforgettable work of fiction that peers into the soul of a tough Midwestern American town to reveal the sad, stunted but resilient lives of its residents. Knockemstiff is a genuine entry into the literature of place. Spanning a period from the mid-sixties to the late nineties, the linked stories that comprise Knockemstiff feature a cast of recurring characters who are irresistibly, undeniably real. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.

La nueva novela del norteamericano Donald Ray Pollock es un western que se mueve en el territorio de McCarthy, Faulkner y O'Connor, y que mezcla la s�tira con saludables dosis de violencia cinematogr�fica al m�s puro estilo de Peckinpah, Tarantino o los Cohen. A�o 1917, en alg�n lugar olvidado de la frontera entre Georgia y Alabama. El anciano Pearl Jewett muere dejando a sus tres hijos varones para que prosigan con sus miserables existencias. Hasta ahora han llevado una vida honrada, convencidos de que su rectitud ser�a recompensada con un suculento banquete en el Para�so. Pero los hermanos Jewett se han cansado de esperar al Cielo, e inspirados por las heroicas aventuras del villano literario Billy Bucket, ensillan sus caballos y atracan su primer banco. El banquete celestial se mueve en el territorio de McCarthy, Faulkner y O#Connor, y mezcla la s�tira con saludables dosis de violencia cinematogr�fica al m�s puro estilo de Peckinpah, Tarantino o los Cohen. Este western descarnado y desmesurado es tambi�n el retrato coral de una poblaci�n en v�as de adaptaci�n al nuevo siglo, un lugar repleto de posibilidades adonde, d�a tras d�a, llegan los voluntarios para alistarse a la Gran Guerra pero tambi�n un agujero que oculta peligros en los rincones m�s insospechados. Cr�ticas: �Una s�tira tumultuosa sobre nuestra fe desesperada en la modernidad y nuestra interminable capacidad para la crueldad y para albergar pretensiones absurdas... Aunque nos gustar�a pensar que todo esto pas� hace un siglo, el hecho es que esta condenada y divertida novela de Pollock entronca m�s que nunca con nuestro presente.� The New York Times �Leer las obras de Pollock es como situarse bajo una cascada de perversi�n humana. Todo el mundo es corrupto. Nadie se salva.� The Boston Globe �Con una prosa furiosa y un ojo faulkneriano para los personajes, Pollock llena su segunda novela de decenas de individuos memorables que encarnan el salto hacia el futuro de los Estados Unidos de principios del siglo XX.� Publishers Weekly ENGLISH DESCRIPTION From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors.It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family's entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O'Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre's literary masters.

El banquete celestial / The Heavenly Table

Dès les premières lignes, Donald Ray Pollock nous entraîne dans une odyssée inoubliable, dont on ne sort pas indemne. De l'Ohio à la Virginie Occidentale, de la fin de la Seconde Guerre mondiale aux années 60, les destins de plusieurs personnages se mêlent et s'entrechoquent. Williard Russell, rescapé de l'enfer du Pacifique, revient au pays hanté par des visions d'horreur. Lorsque sa femme Charlotte tombe gravement malade, il est prêt à tout pour la sauver, même s'il ne doit rien épargner à son fils Arvin. Carl et Sandy Henderson forment un couple étrange qui écume les routes et enlève de jeunes auto-stoppeurs qui connaîtront un sort funeste. Roy, un prédicateur convaincu qu'il a le pouvoir de réveiller les morts, et son acolyte Théodore, un musicien en fauteuil roulant, vont de ville en ville, fuyant la loi et leur passé. Toute d'ombre et de lumière, la prose somptueuse de Pollock contraste avec les actes terribles de ses personnages à la fois terrifiants et malgré tout attachants. Le diable tout le temps n'est pas sans rappeler l'univers d'écrivains tels que Flannery O'Connor, Jim Thompson ou Cormac Mc Carthy. « Voici un livre violent, obsédant, déchirant et vraiment excellent. Une chose est certaine : vous lirez chaque mot, du premier jusqu'au dernier. » The Washington Post

Donald Ray Pollock

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