Donna Pierce

Robin Farwell Gavin

Cultural Convergence in New Mexico is a volume in honor of William Wroth (1938-2019), whose career as a cultural historian and curator contributed greatly to our understanding of Spanish Colonial art in the Americas. Wroth's book Hispanic Crafts of the Southwest (1977) built upon E. Boyd's work by bringing contemporary practitioners of the traditional arts into the discussion, and Christian Images in Hispanic New Mexico (1982) changed the course of scholarship on the artistic style of New Mexican religious imagery. Wroth's endeavors were not limited to Spanish Colonial art. In 2000, Wroth's exhibition and book Ute Indian Arts and Culture from Prehistory to the New Millennium were considered groundbreaking for placing Ute art in the context of Ute history and world view. In 2010, he brought together years of research to the exhibition and book Converging Streams: Art of the Hispanic and Native American Southwest. Wroth also wrote poetry and about poetry, and helped found the poetry review Coyote's Journal. This volume explores themes important to Wroth broadly related to the art, history, and culture of New Spain, as well as cross-cultural interactions of Hispanos and Native Americans. With more than 180 color illustrations, Cultural Convergence presents interdisciplinary essays by an esteemed group of scholars and writers, and a selection of works by artists he knew and admired. In addition, Wroth selected the essayists; many are colleagues he worked with over the years. They include Donna Pierce and Robin Farwell Gavin (volume editors), Richard I. Ford, Klinton Burgio-Ericson, David L. Shaul and Scott G. Ortman, José Antonio Esquibel, Cristina Cruz González, Rick Hendricks, John L. Kessell, Victor Dan Jaramillo, Don J. Usner, Lane Coulter, Jonathan Batkin, Enrique R. Lamadrid and Miguel A. Gandert, Orlando Romero, Jack Loeffler, and John Brandi.

Interactions in Art, History and Archaeology--Honoring William Wroth

Cultural Convergence in New Mexico

Kelly Donahue-Wallace

Claire J. Farago

Marianne L. Stoller

The essays collected here explore the Catholic instruments of religious devotion produced in New Mexico from around 1760 until the radical transformation of the tradition in the twentieth century. The writers in this volume make three key arguments. First, they make a case for bringing new theoretical perspectives and research strategies to bear on the New Mexican materials and other colonial contexts. Second, they demonstrate that the New Mexican materials provide an excellent case study for rethinking many of the most fundamental questions in art-historical and anthropological study. Third, the authors collectively argue that the New Mexican images had, and still have, importance to diverse audiences and makers.

New Mexican Santos In-between Worlds

Transforming Images

Rogelio Ruiz Gomar

Clara Bargellini

Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art

"The little-known story of viceregal Mexico is told by an international team of scholars whose work was previously available only piecemeal or not at all in English. Much of their research was undertaken especially for this volume."--BOOK JACKET.

Mexican Art and Life, 1521-1821

Painting a New World

Donna Pierce

About

Books

Join the club