Dorthe Aagesen

Beatrice Von Bormann

Anna Vestergaard Jørgensen

A critical examination of German expressionism's relationship to the violence of colonialism. Ernst Ludwig Kirchner (1880-1938) and Emil Nolde (1867-1956) were leading figures in the German expressionist movement. Turning away from Western society and the established norms of bourgeois culture, the artists looked to people, lifestyles, and objects from other parts of the world for inspiration, especially Africa and Oceania. Kirchner and Nolde experienced these other parts of the world through ethnographic museums, popular culture, the staging of "exotic" environments in Kirchner's studio, and Nolde's travels to the German colony of New Guinea. This book examines Nolde's and Kirchner's works against the background of their historical and ideological context: colonialism, domination, and the European invention of a racialized Other, an idea that was created by bohemian fetishization of the exotic as much as conservative fear of it. Kirchner and Nolde thus unveils less familiar and more violent aspects of expressionism.

Expressionism. Colonialism

Kirchner and Nolde

Martin Zerlang

Hanne Abildgaard

Rikke Warming

The Avant-garde in Danish and European Art 1909-19

Museum Jorn

Restless Rebel

Asger Jorn

Rebecca A. Rabinow

"Throughout his long career, Henri Matisse (1869-1954) continually expanded the boundaries of his art. By repeating images in pairs, trios, and series, he conducted an ongoing dialogue with his earlier works in order to, as he put it, "push further and deeper into true painting." In this fresh approach to a much-studied artist, prominent scholars from the United States and Europe examine more than sixty works in concise chapters that focus on this aspect of Matisse's working process. From early pairs such as Young Sailor I and II (1906) and Le Lexe I and II (1907-8) through a series of late studio scenes from Vence (1946-48), Matisse is shown revisiting a given theme with the aim of devising innovative, often radical, solutions to such problems as how to portray light, handle paint, select colors, and manipulate perspective. New technical studies of the early paired works and photographs documenting the evolution of his later paintings help to elucidate Matisse's complex evolution. In numerous excerpts from letters and interviews, he is revealed as an artist who regularly questioned himself and his methods, a man of powerful intellect who regarded each new painting as an adventure. A significant addition to art historical literature, Matisse: In Search of True Painting is a revelatory study of a seminal figure in 20th-century modernism."--Page 4 of cover.

In Search of True Painting

Matisse

Dorthe Aagesen

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