Douglas E. Cowan

"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--

Sex, Horror, and the Religious Imagination

The Forbidden Body

David G. Bromley

An overview of the development of new religions and the controversies surrounding them in late modern society. A stimulating, course-friendly overview of the history and development of new religious movements (NRMs) in the late twentieth century Explores eight cults and NRMs, including the Church of Scientology, Transcendental Meditation, Unificationism, The Family International, the Ramtha School of Enlightenment, the Branch Davidians, Heaven’s Gate, and Wicca Each chapter reviews the origins, leaders, beliefs, rituals and practices of a NRM, highlighting the specific controversies surrounding this group Covers debates including what constitutes an authentic religion, the validity of claims of brainwashing techniques, the implications of experimentation with unconventional sexual practices, and the deeply rooted cultural fears that cults engender.

A Brief History

Cults and New Religions

Lorne L. Dawson

Religion Online provides an accessible and comprehensive introduction to this burgeoning new religious reality, from cyberpilgrimages to neo-pagan chatroom communities. A substantial introduction by the editors presenting the main themes and issues is followed by sixteen chapters addressing core issues of concern such as youth, religion and the internet, new religious movements and recruitment, propaganda and the countercult, and religious tradition and innovation.

Finding Faith on the Internet

Religion Online

In Cyberhenge, Douglas E. Cowan brings together two fascinating and virtually unavoidable phenomena of contemporary life--the Internet and the new religious movement of Neopaganism. For growing numbers of Neopagans-Wiccans, Druids, Goddess-worshippers, and others--the Internet provides an environment alive with possibilities for invention, innovation, and imagination. Fr om angel channeling, biorhythms, and numerology to e-covens and cybergroves where neophytes can learn everything from the Wiccan Rede to spellworking, Cowan illuminates how and why Neopaganism is using Internet technology in fascinating new ways as a platform for invention of new religious traditions and the imaginative performance of ritual. This book is essential reading for students and scholars of new religious movements, and for anyone interested in the intersections of technology and faith.

Modern Pagans on the Internet

Cyberhenge

Magic, Monsters, and Make-Believe Heroes looks at fantasy film, television, and participative culture as evidence of our ongoing need for a mythic vision—for stories larger than ourselves into which we write ourselves and through which we can become the heroes of our own story. Why do we tell and retell the same stories over and over when we know they can’t possibly be true? Contrary to popular belief, it’s not because pop culture has run out of good ideas. Rather, it is precisely because these stories are so fantastic, some resonating so deeply that we elevate them to the status of religion. Illuminating everything from Buffy the Vampire Slayer to Dungeons and Dragons, and from Drunken Master to Mad Max, Douglas E. Cowan offers a modern manifesto for why and how mythology remains a vital force today.

How Myth and Religion Shape Fantasy Culture

Magic, Monsters, and Make-Believe Heroes

Illuminating the religious and existential themes in Stephen King’s horror stories Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America’s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction. Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King’s horror stories. Religion and its trappings are found throughout King’s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a “fallen away” Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.

The Religious Imagination of Stephen King

America's Dark Theologian

Analyzes and critiques the Christian Countercult movement as a discrete socioreligious entity.

Douglas E. Cowan

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