Joseph Beuys

Peter Fischli

David Weiss

Dan Graham

Geoffrey Batchen

Barbara Kruger

Giovanni Anselmo

John Baldessari

Bas Jan Ader

Douglas Fogle

Richard Flood

Vito Acconci

Kathy Halbreich

Mel Bochner

Jan Dibbets

Pamela Lee

Christian Boltanski

Sol Lewitt

Sarah Charlesworth

Valie Export

Stefan Gronnert

Broodthaers, Marcel.

Artists Using Photography 1960-1982

The Last Picture Show

This publication presents a comprehensive overview of Michael Landy's complete works. Michael Landy (b. 1963) belongs to the group of Young British Artists, who, beginning in 1988, caused an international sensation. He created installations, in which real life and fiction entered into an unsettling liaison. With his works, he raises essential (unspoken) questions: How does the ownership of material objects affect us? What do we need to live? But also: How creative is destruction?

Michael Landy, Out of Order

Hubertus von Amelunxen

Eva Wittocx

Dirk Braeckman

"Dirk Braeckman's work brings stillness to today's steady tide of images. Working with analogue photography, he explores the boundaries of his medium and challenges photographic conventions. His chosen subjects are recognizable, yet flirt with representation, abstraction and the reality of what is shown. Braeckman creates images with a special charge, which withhold as well as divulge information, giving them the power to hold the viewer's gaze. Dirk Braeckman represents Belgium at the 57th Venice Biennale in 2017."

Elizabeth A. T. Smith

Hilton Als

Charlotte Cotton

Helen Molesworth

Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographers For almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date.

Catherine Opie

This fully illustrated volume features three bodies of work, Mailorder, Mother and Purgatory, which were included in Lévy Gorvy's first exhibition with Dan Colen (born 1979). The volume includes an essay by Andrianna Campbell placing Colen within the historical tradition of painting, and a conversation between Colen and Jeff Koons, moderated and edited by Douglas Fogle.

Mailorder Mother Purgatory

Dan Colen

Catalog of an exhibition held May 3, 2008-Jan. 11, 2009.

55th Carnegie International

Life on Mars

Chiara Vecchiarelli

An extensive chronology provides an in-depth view of Goetz's history with the Arte Povera movement as a gallerist in the 1970s and 1980s and, subsequently, as a collector. Read alongside a conversation with Goetz herself, the publication profiles the collector's personal relationship with the Italian art movement and its artists, detailing the evolution of her own extensive collection. The book includes previously unpublished archival materials that trace the evolution of Goetz's collection, as well as newly commissioned essays from curators Douglas Fogle and Chiara Vecchiarelli. Fogle explores the connection of Arte Povera and American post-minimalist movements more widely of the 1960s and 1970s. Vecchiarelli, for her part, examines the history of the galleries and dealers who first presented Arte Povera and their influence on the evolution of the movement. Artists included: Claudio Abate, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Giorgio Colombo, Luciano Fabro, Jannis Kounellis, Mario Merz, Paolo Mussat Sartor, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Giovanni Prini, and Gilberto Zorio.

Arte Povera Seen by Ingvild Goetz

Traversing the fine line between artists who are photographers and artists who use photography, The Last Picture Show traces the development of Conceptual trends in postwar photographic practice from their first glimmerings in the 1960s in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970s and early 1980s, including Silvia Kolbowski, Richard Prince, and Cindy Sherman.

Artists Using Photography, 1960-1982

Francesco Bonami

Andy Warhol

David Moos

Andy Warhol/Supernova~ISBN 0-935640-83-5 U.S. $39.95 / Hardcover, 9.75 x 13 in. / 112 pgs / 72 color. ~Item / Available / Art

Stars, Deaths, and Disasters, 1962-1964

Andy Warhol/Supernova

Walker Art Center

Unfinished History presents fifteen international artists who carry the burden of being both the last and the first generation of two millennia. The catalogue explores what is happening as one kind of contemporary art and culture (that of the West) suddenly faces another (that of the global). Many among the truly international roster of artists here hail from one place but live in another, and such mobility is indicative of the larger cultural interchange and flux which this book seeks to document. Italy, Sweden, South Africa, Zaire, Japan, Korea, France, Iran -- these are just some of the countries represented by artists such as Maurizio Cattelan, Yutaka Sone, and Shirin Neshat. Photography, installation, and architecture are included.

Unfinished History

Various

What becomes clear is that painting's traditional function as a window on the world has been circumvented, or rather that someone has left the window open and a number of things have crawled in. As Yve-Alain Bois so eloquently paraphrases Robert Musil: "If some painting is still to come, if painters are still to come, they will not come from where we expect them to." Painting at the Edge of the World looks beyond our expectations and provides a broad context for understanding painterly practice today."--BOOK JACKET.

Painting at the Edge of the World

Douglas Fogle

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