Hayward Gallery

Douglas Gordon

This catalogue accompanies the first major solo exhibition in London for Douglas Gordon, one of the most prominent artists of his generation. The exhibition will include work not yet seen in this country alongside more familiar pieces such as 24 Hour Psycho, which first brought the artist to international attention, and which has so rapidly become a touchstone in recent contemporary art. Often epic in scale, Gordon's work encompasses film, photography, installation, text and sound. He uses both appropriated and original material to explore dichotomies such as fact and fiction, innocence and guilt, life and death, good and evil. This fully-illustrated catalogue includes an autobiography and a visual essay by Francis McKee.

What Have I Done

Career Solutions Training Group

This book enhances the reader's opportunity for career success by targeting fundamental skills. Handling Conflict will provide foundations for effectively dealing with criticism and aggression in the workplace. Covering topics such as avoiding conflict, channeling anger and giving/receiving criticism, this is the perfect tool for the experienced professional, those re-entering the workforce and those beginning their careers.

Handling Conflict

"Ce troisième volume réunit les interviews données par Douglas Gordon en 1999.

Déjà-vu: 1999-2000

Tate Gallery Liverpool

Douglas Gordon's work has been shown extensively in Europe and America and has won many prizes. His acclaimed 24-Hour Psycho slowed down Hitchcock's thriller to two frames a second, setting up new tensions and narratives so that any previous memory of the film is confused. This substantial book brings together for the first time all Gordon's text works including postcards, t-shirts, tattoos, short stories, instructions, and letters. These are presented alongside a wide variety of his visual creative source material. It follows a number of inventive books Gordon has produced. He has previously worked with Mau on a book to accompany a major exhibition of Gordon's work at the Kunstverein Hannover in 1998.

Ian Rankin

This volume will accompany a major solo exhibition of Douglas Gordon's work in Scotland. He works with film, video, photographs, objects and text, examining issues such as memory and identity, good and evil, and life and death. He makes great play with the doubling of images often in positive and negative or in mirrored form.

Superhumanatural

York University (Toronto, Ont.). Art Gallery

Philip Monk

Power Plant (Art gallery)

The Hollywood Films of Douglas Gordon

Double-cross

Klaus Peter Biesenbach

The Museum of Modern Art. MoMA (New York, N.Y.).

A collaboration with Gordon; a collection of images and texts from the past forty years that deal with the idea of visual memory, shared visual knowledge and the interwoven texture of imagined and remembered sounds and images. Also explores the relationship between film and psychoanalysis, and the way these systems of thought have affected the idea of individual biography.

Douglas Gordon

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