Duncan Wu

This new edition of the groundbreaking Romanticism: An Anthology is the only book of its kind to contain complete texts of a wide range of Romantic works, including Blake's Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen; Wordsworth and Coleridge's Lyrical Ballads (1798); Wordsworth's Two-Part Prelude; early and revised versions of Coleridge's 'The Eolian Harp', 'This Lime-Tree Bower my Prison', 'Frost at Midnight', and 'The Ancient Mariner'; Shelley's Prometheus Unbound, Epipsychidion and Adonais; Byron's Childe Harold's Pilgrimage Canto III and Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Includes all texts from the third edition, with the addition of Keats's Isabella and Shelley's Epipsychidion, as well as a selection of the poems of Walter Scott Includes a wider and deeper selection of texts by the Big Six male poets (Blake, Wordsworth, Coleridge, Keats, Byron and Shelley) than any competing volume Includes a generous range of texts by female Romantic poets All editorial materials, including annotations, author headnotes, and prefatory materials, have been revised for the new edition The only book to contain complete texts, edited for this volume from manuscript and early printed sources by Wu, along with explanatory annotations and author headnotes Contains everything teachers and students require for an in-depth survey of the principal writings to emerge from the British Romantic period The most widely-used teaching anthology in the field in the UK Companion website features a dynamic timeline detailing significant events of the romantic period and providing images, suggestions for further reading and useful links to other online resources: www.romanticismanthology.com

An Anthology

Romanticism

The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.

A Companion to Romanticism

"Dogs are at once among the most ordinary of animals and the most beloved by mankind. But what we may not realize is that for as long as we have loved dogs, our poets have been seriously engaged with them. In this collection, English professor Duncan Wu digs into the wealth of poetry about our furry friends -- who have been domesticated longer than any other species -- to show not only how attitudes toward dogs have changed over the centuries, but how those changes have been refracted through the prism of literature. While it's natural for dog lovers to understand their canine companions as whimsical, and to sentimentalize them, the greatest poets have transcended that impulse, and written about dogs in a way that engages with the more serious aspects of their lives -- and ours. Dogs have, in short, insinuated themselves into nearly every facet of human thought. And to see them as anything less than of central significance in our cultural perceptions is to underestimate them. Rich and inviting, Dog-eared is a definitive, spellbinding collection of poetic musings about humans and dogs"--

Poems about Humanity's Best Friend

Dog-Eared

ROMANTICISM Praise for the third edition: “An outstanding anthology, an excellent choice for advanced undergraduate courses on the Romantic era. This edition’s improvements include illustrations, a detailed chronology, and expanded selections from women poets. I look forward to using this edition of Romanticism for years to come.” Kim Wheatley, College of William and Mary “This anthology, even more magnificent and indispensable in its Third Edition, is not simply the most useful or the most learned anthology of English Romantic poetry and thought; it is the most exciting.” Leslie Brisman, Yale University Duncan Wu’s Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994, and is the most widely used teaching text in the field in the UK. Now in its fourth edition, it stands as the essential work on Romanticism. It remains the only such book to contain complete poems and essays edited especially for this volume from manuscript and early printed sources by Wu, along with his explanatory annotations and author headnotes. This new edition carries all texts from the previous edition, adding Keats’s Isabella and Shelley’s Epipsychidion, as well as a new selection from the poems of Sir Walter Scott. All editorial materials, including annotations, author headnotes, and prefatory materials, are revised for this new edition. Romanticism: An Anthology remains the only textbook of its kind to include complete and uncut texts of: Wordsworth and Coleridge, Lyrical Ballads (1798) Wordsworth, The Ruined Cottage, The Pedlar, The Two-Part Prelude, Michael, The Brothers and the Preface to Lyrical Ballads (1800) Charlotte Smith, Elegiac Sonnets (3rd edn, 1786), The Emigrants, Beachy Head Felicia Dorothea Hemans, Records of Woman sequence (all 19 poems) Byron, Childe Harold’s Pilgrimage Canto III and Don Juan Dedication and Cantos I and II Blake, Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen Shelley, Prometheus Unbound, Epipsychidion, The Mask of Anarchy and Adonais Keats, Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes Hannah More, Sensibility and Slavery: A Poem Anna Laetitia Barbauld, Eighteen Hundred and Eleven Ann Yearsley, A Poem on the Inhumanity of the Slave-Trade Helen Maria Williams, A Farewell, for two years, to England As well as generous selections from the works of Mary Robinson, John Thelwall, Dorothy Wordsworth, Robert Southey, Charles Lamb, Thomas De Quincey, William Hazlitt, Leigh Hunt, John Clare, Letitia Landon and Elizabeth Barrett Browning. Visit www.romanticismanthology.com for resources to accompany the anthology, including a dynamic timeline which illustrates key historical and literary events during the Romantic period and features links to useful materials and visual media.

From Homer to Wordsworth to Gwendolyn Brooks, learn about history's greatest writers and the furry best friends that inspired them. Dogs are at once among the most ordinary of animals and the most beloved by mankind. But what we may not realize is that for as long as we have loved dogs, our poets have been seriously engaged with them as well. In this collection, English professor Duncan Wu digs into the wealth of poetry about our furry friends to show how varied and intimate our relationships with them have been over the centuries. Homer recounts how Odysseus's loyal dog recognizes his master even after his long absence. Thomas Hardy wrote poems from a pooch's perspective, conveying a powerful sense of dogs' innocent and trusting nature. And a multitude of writers, from Lord Byron to Emily Dickinson, have turned to poetry to mourn the loss of beloved dogs. Rich and inviting, Dog-eared is a spellbinding collection of poetic musings about humans and dogs and what they mean to each other.

Poems About Humanity's Best Friend

Dog-eared

Valentine Cunningham

This volume distils into two hundred pages some of the most influential poetry of the Victorian period. Distils into one volume the key poems of the Victorian era. Organised chronologically, allowing readers to perceive continuities and changes through the century. Includes a general introduction, giving readers an overview of the poets and the period. Represents texts in their entirety where possible.

Victorian Poetry

The six great Romantic poets represented in this concise collection – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – are those considered essential reading for anyone with an interest in the verse of the period. An essential selection of poetry by the six great Romantic poets. Ideal for general readers or for students taking short courses in Romanticism. Includes the whole of Blake's Songs of Innocence and Experience. Gives readers a concise overview of Romantic poetry.

Romantic Poetry

Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt's livelihoo was dependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot. Duncan Wu's profile of one of the greatest journalists in the language draws on over a decade of archival research in libraries across Britain and North America, to reveal for the first time such matters as why Godwin broke with Hazlitt; how Hazlitt came to know Sir John Soane and J. M. W. Turner; the true nature of Hazlitt's dealings with Thomas Medwin, and what the likes of Joseph Farington and Sir Thomas Lawrence thought of him. In addition, it sheds new light on Hazlitt's dealings with such figures as Francis Jeffrey, Robert Stodart, John M'Creery, Henry Crabb Robinson, Joseph Parkes, John Cam Hobhouse, and Stendhal. It benefits also from Wu's New Writings of William Hazlitt, many of which make their appearance here, illuminating hitherto obscure passages of Hazlitt's life.

The First Modern Man

William Hazlitt

Peter Minter

Katie Hansord

Stuart Gibson

ANNA (ED) & WEBBY JOHNSTON (ELIZABETH (ED))

Jason R. Rudy

Graeme Skinner

James Wafer

Eliza Hamilton Dunlop (1796-1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem The Aboriginal Mother, written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies. This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.

Writing from the Colonial Frontier

Eliza Hamilton Dunlop

Carolyn Forché

A groundbreaking anthology containing the work of poets who have witnessed war, imprisonment, torture, and slavery. A companion volume to Against Forgetting, Poetry of Witness is the first anthology to reveal a tradition that runs through English-language poetry. The 300 poems collected here were composed at an extreme of human endurance—while their authors awaited execution, endured imprisonment, fought on the battlefield, or labored on the brink of breakdown or death. All bear witness to historical events and the irresistibility of their impact. Alongside Shakespeare, Milton, and Wordsworth, this volume includes such writers as Anne Askew, tortured and executed for her religious beliefs during the reign of Henry VIII; Phillis Wheatley, abducted by slave traders; Samuel Bamford, present at the Peterloo Massacre in 1819; William Blake, who witnessed the Gordon Riots of 1780; and Samuel Menashe, survivor of the Battle of the Bulge. Poetry of Witness argues that such poets are a perennial feature of human history, and it presents the best of that tradition, proving that their work ranks alongside the greatest in the language.

Poetry of Witness: The Tradition in English, 1500-2001

Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work

30 Great Myths about the Romantics

David Bromwich

Tom Paulin

Stanley Jones

Roy Park

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

The Selected Writings of William Hazlitt Vol 5

The Selected Writings of William Hazlitt Vol 9

Professor of English Language and Literature Duncan Wu

A comprehensive 1996 listing of authors and books read by William Wordsworth during the years of his greatest poetry.

Wordsworth's Reading 1800-1815

A directory of authors and books read by Wordsworth before the age of thirty.

Wordsworth's Reading 1770-1799

This anthology features 300 poems that were written under extreme conditions, by authors who were awaiting execution, imprisoned, on the battlefield or working in forced labor all while history was being made around them, revealing a unique point of view. Original.

Duncan Wu

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