Dunya Mikhail

The true story of a beekeeper who risks his life to rescue enslaved women from Daesh

Saving the Stolen Women of Iraq

The Beekeeper

Through the personification of Scheherazade from "One Thousand and One Nights", the author collects poems to confront death through grief and love while gathering the strength to move on.

The Iraqi Nights

"I don't want to be the princess. / I only want to be her sleep / for 100 years"--Dunya MikhailAt the heart of In Her Feminine Sign, Dunya Mikhail's luminous new collection of poems, is the Arabic suffix ta-marbuta, "the tied circle," a circle with two dots above it that indicates a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, and a hymn to Nisaba, the goddess of writing. Her "Iraqi haiku" in one section unfold like Sumerian symbols carved onto clay tablets, transmuted into the stuff of our ordinary, daily life and into the digital tablets we carry to Mars. In another poem, Mikhail ponders the Sumerian word for "freedom," Ama-ar-gi: "what seeps out/ from the dead into our dreams."With a deceptive simplicity and disquieting humor reminiscent of Wislawa Szymborska, and a lyricism wholly her own, Mikhail slips between her child-hood in Baghdad and her present life in Detroit, between Ground Zero and amass grave, tracing new circles of light.

In Her Feminine Sign

Dunyā Mīkhāʼīl

Elizabeth Winslow

Poems by an exiled Iraqi poet, many about war.

The War Works Hard

A Novel

Bird Tattoo

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for the future of Iraq. In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey. This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

Rescuing the Stolen Women of Iraq

The Beekeeper of Sinjar

Eliot Weinberger

Lydia Davis

Susan Howe

Osama Alomar

Lawrence Ferlinghetti

Alejandra Pizarnik

Forrest Gander

Hilda Doolittle

Bernadette Mayer

Nathaniel Tarn

Oliverio Girondo

Sylvia Legris

Collections 1-12 in New Directions' Poetry Pamphlet series

Poetry Pamphlets 1-12

Danez Smith

Jericho Brown

Ilya Kaminsky

Tiffany Midge

Rajiv Mohabir

Tanaya Winder

Lawrence Matsuda

Gary Copeland Lilley

Anna Balint

Thomas Hubbard

Shankar Narayan

Take a Stand: Art Against Hate, A Raven Chronicles Anthology, edited by Seattle-based writers Anna Balint, Phoebe Bosche, and Thomas Hubbard, contains poems, stories and images from 117 writers and 53 artists, divided into five fluid and intersecting sections: Legacies, We Are Here, Why?, Evidence, and Resistance. We begin with Legacies because the current increased climate of hate in this country didn't begin with the 2016 election, and to find its roots we must look to U.S. history. Take a Stand, Art Against Hate Anthology comes at a critical time in our nation's cultural discourse surrounding intersections of identity, resistance, and looking at the past to forge a path forward. This collection spans form, tone, and theme without feeling cluttered; you find yourself reading something new while experiencing the same emotions many of us have come to find all too familiar. Thought-provoking and heart-wrenching, this collection flows seamlessly from poetry to visual art, creating an anthology that is not only a commanding and introspective read, but a necessary one. We can regard Take a Stand: Art Against Hate as a print-form peace march, an ongoing campaign for justice for all of the struggles embodied in these writings and depicted in the photos and artwork included here. This is a deeply democratic anthology-standing alongside nationally prominent voices such as Jericho Brown, Lucille Clifton, Tess Gallagher, Ilya Kaminsky, Dunya Mikhail, Marge Piercy and Danez Smith, are luminaries renowned in this region and beyond, such as Kathleen Alcalá, Gary Copeland Lilley, Claudia Castro Luna, Melissa Kwasny, Priscilla Long, Tiffany Midge, and Gail Tremblay.

A Raven Chronicles Anthology

Take a Stand, Art Against Hate

War Works Hard, The

A Poetry Book Society Autumn 2019 Wild Card Selection At the heart of In Her Feminine Sign, Dunya Mikhail’s luminous new collection of poems, is the Arabic suffix taamarbuta, ‘the tied circle’ – a circle with two dots above it that indicates a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, and a hymn to Nisaba, the goddess of writing. With a deceptive simplicity and disquieting humour reminiscent of Wisława Szymborska, and a lyricism wholly her own, Mikhail slips between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, tracing new circles of light.

A brilliant poetic exploration of language and gender, place, and time, seen through the mirror of exile In Her Feminine Sign follows on the heels of Dunya Mikhail's devastating account of Daesh kidnappings and killings of Yazidi women in Iraq, The Beekeeper. It is the first book she has written in both Arabic and English, a process she talks about in her preface, saying "The poet is at home in both texts, yet she remains a stranger." With a subtle simplicity and disquieting humor reminiscent of Wislawa Szymborska and an unadorned lyricism wholly her own, Mikhail shifts between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, between a game of chess and a flamingo. At the heart of the book is the symbol of the tied circle, the Arabic suffix taa-marbuta—a circle with two dots above it that determines a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, three kidnapped women, and a hymn to Nisaba, the goddess of writing. A section of "Iraqi haiku" unfolds like Sumerian symbols carved onto clay tablets, transmuted into the stuff of our ordinary, daily life. In another poem, Mikhail defines the Sumerian word for freedom, Ama-ar-gi, as "what seeps out / from the dead into our dreams."

The true story of a beekeeper who risks his life to rescue enslaved women from Daesh Since 2014, Daesh (ISIS) has been brutalizing the Yazidi people of northern Iraq: sowing destruction, killing those who won’t convert to Islam, and enslaving young girls and women. The Beekeeper, by the acclaimed poet and journalist Dunya Mikhail, tells the harrowing stories of several women who managed to escape the clutches of Daesh. Mikhail extensively interviews these women—who’ve lost their families and loved ones, who’ve been sexually abused, psychologically tortured, and forced to manufacture chemical weapons—and as their tales unfold, an unlikely hero emerges: a beekeeper, who uses his knowledge of the local terrain, along with a wide network of transporters, helpers, and former cigarette smugglers, to bring these women, one by one, through the war-torn landscapes of Iraq, Syria, and Turkey, back into safety. In the face of inhuman suffering, this powerful work of nonfiction offers a counterpoint to Daesh’s genocidal extremism: hope, as ordinary people risk their own lives to save those of others.

The Beekeeper: Rescuing the Stolen Women of Iraq

Dunya Mikhail

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