E. Michael Gerli

As the first comprehensive reference to the vital world of medieval Spain, this unique volume focuses on the Iberian kingdoms from the fall of the Roman Empire to the aftermath of the Reconquista. The nearly 1,000 signed A-Z entries, written by renowned specialists in the field, encompass topics of key relevance to medieval Iberia, including people, events, works, and institutions, as well as interdisciplinary coverage of literature, language, history, arts, folklore, religion, and science. Also providing in-depth discussions of the rich contributions of Muslim and Jewish cultures, and offering useful insights into their interactions with Catholic Spain, this comprehensive work is an invaluable tool for students, scholars, and general readers alike. For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Medieval Iberia: An Encyclopedia website.

An Encyclopedia

Medieval Iberia

In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another—glossing works, dismembering and reconstructing them, writing for and against one another—while playing sophisticated games of literary one-upmanship. The result was that literature in late Renaissance Spain was often more than a simple matter of source and imitation. It must be understood as a far more subtle, palimpsest-like process of forging endless series of texts from other texts, thus linking closely the practices of reading, writing, and rewriting. Like all major writers of the age, Cervantes was responding not just to specific literary traditions but to a broad range of texts and discourses. He expected his well-read audience to recognize his sources and to appreciate their transformations. The notion of writing as reading and reading as writing is thus central to an understanding of Cervantes' literary invention. As he created his works, he constantly questioned and reconfigured the authority of other texts, appropriating, combining, naturalizing, and effacing them, displacing them with his own themes, images, styles, and beliefs. Modern literary theory has confirmed what Cervantes and his contemporaries intuitively knew—that reading and writing are closely linked dimensions of the literary enterprise. Reading Cervantes and his contemporaries in this way enables us to cojnprehend the craft, wit, irony, and subtle conceit that he at the heart of seventeenth-century Spanish literature.

Reading, Writing, and Rewriting in Cervantes

Refiguring Authority

Ryan D. Giles

The Routledge Hispanic Studies Companion to Medieval Iberia: Unity in Diversity draws together the innovative work of renowned scholars as well as several thought-provoking essays from emergent academics, in order to provide broad-range, in-depth coverage of the major aspects of the Iberian medieval world. Exploring the social, political, cultural, religious, and economic history of the Iberian Peninsula, the volume includes 37 original essays grouped around fundamental themes such as Languages and Literatures, Spiritualities, and Visual Culture. This interdisciplinary volume is an excellent introduction and reference work for students and scholars in Iberian Studies and Medieval Studies. SERIES EDITOR: BRAD EPPS SPANISH LIST ADVISOR: JAVIER MUÑOZ-BASOLS

Unity in Diversity

The Routledge Hispanic Studies Companion to Medieval Iberia

Alfonso Martínez de Toledo

Joseph J.. Gwara

Joseph J. Gwara

The genre of `sentimental romance' re-examined and redefined.

Redefining a Genre

Studies on the Spanish Sentimental Romance, 1440-1550

One of the most widely-read and translated Spanish works in sixteenth-century Europe was Fernando de Rojas' Celestina, a 1499 novel in dialogue about a couple that faces heartbreak and tragedy after being united by the titular brothel madam. In 'Celestina' and the Ends of Desire, E. Michael Gerli illustrates how this work straddles the medieval and the modern in its exploration of changing categories of human desire - from the European courtly love tradition to the interpretation of want as an insatiable, destructive force. Gerli's analysis draws on a wide range of Celestina scholarship but is unique in its use of modern literary and psychoanalytic theory to confront the problematic links between literature and life. Explorations of influence of desire on knowledge, action, and lived experience connect the work to seismic shifts in the culture of early modern Europe. Engaging and original, 'Celestina' and the Ends of Desire takes a fresh look at the timeless work's widespread appeal and enduring popularity.

E. Michael Gerli

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