Eamonn Carrabine

Why are newspapers and television programmes filled with stories about crime and criminals? Is their portrayal of crime accurate? How do the media transform our attitudes to crime? Is fear of crime, for example, really created by the media? The relationships between crime and the media have long been the subject of intense debate. From the earliest days of the printing press to the explosion of cyberspace chat rooms, there have been persistent concerns about the harmful criminogenic effects of the media. At the same time, the media are fascinated with crime – on the news, in films and on television there are countless stories about crime, both real and imagined. In this innovative and accessible new book, Eamonn Carrabine carefully untangles these debates, and grapples with the powerful dynamics of fear and desire that underlie our obsession with crime. Chapter-by-chapter the book introduces the different ways in which relationships between crime and the media have been understood, including classic debates about the media’s effects, news production, and moral panics, as well as more cutting-edge studies of the representation of crime in the contemporary media. Combining empirical research findings with the latest theoretical developments, the book will appeal to advanced undergraduates and graduate students across the social sciences, especially those taking courses in criminology and media studies.

Crime, Culture and the Media

Nigel South

Avi Brisman

A comprehensive one-stop reference text, The Routledge Companion to Criminological Theory and Concepts (the ‘Companion’) will find a place on every bookshelf, whether it be that of a budding scholar or a seasoned academic. Comprising over a hundred concise and authoritative essays written by leading scholars in the field, this volume explains in a clear and inviting way the emergence, context, evolution and current status of key criminological theories and conceptual themes. The Companion is divided into six historical and thematic parts, each introduced by the editors and containing a selection of accessible and engaging short essays written specifically for this text: Foundations of criminological thought and contemporary revitalizations The emergence and growth of American criminology From appreciation to critique Late critical criminologies and new directions Punishment and security Geographies of crime Comprehensive cross-referencing between entries will provide the reader with signposts to later developments, to critiques and to associated theoretical developments explored within the book, and lists of further reading in every entry will encourage independent thinking and study. This book is an essential reference work for criminology students at all levels and is the perfect companion for courses on criminological theory.

The Routledge Companion to Criminological Theory and Concepts

Michelle Brown

Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions. This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field: • Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images. • Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics. • Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law. • Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved. • Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field. This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.

Routledge International Handbook of Visual Criminology

Dick Hobbs

Darren Thiel

Pamela Cox

Pete Fussey

Jackie Turton

Building on the success of the second edition, Criminology: A Sociological Introduction offers a comprehensive overview of the study of criminology, from early theoretical perspectives to pressing contemporary issues such as the globalization of crime, crimes against the environment and state crime. Authored by an internationally renowned and experienced group of authors in the Sociology department at Essex University, this is a truly international criminology text that delves into areas that other texts may only reference. This new edition will have increased coverage of psychosocial theory, as well as more consideration of the social, political and economic contexts of crime in the post-financial-crisis world. Focusing on emerging areas in global criminology, such as green crime, state crime and cyber crime, this book is essential reading for criminology students looking to expand their understanding of crime and the world in which they live.

A Sociological Introduction

Criminology

Anna Sergi

Isabel Crowhurst

Alexandra Cox

Anna Di Ronco

Revised edition of Criminology: a sociological introduction, 2014.

This book provides a detailed sociological explanation of why Strangeways, one of the largest prisons in Europe, erupted in violent protest in April 1990. The book locates the complexities of prison life in central problems in social theory and makes a major contribution to sociologically informed criminology.

A Genealogy of the Strangeways Prison Riot

Power, Discourse, and Resistance

Ken Plummer

Paul Iganski

Maggy Lee

Covering all the major areas of the subject, this introduction to criminology features specific topics such as the history and theory of criminology and categories of crime.

Eamonn Carrabine

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