Edoardo Massimilla

Wissenschaft, Leben und Werte in der Auseinandersetzung um "Wissenschaft als Beruf"

Ansichten zu Weber

Anna Donise

Leonardo V. Distaso

[Italiano]: Che cos’è un’immagine? E che rapporto ha con l’immaginazione? A queste domande rispondono i saggi raccolti nel presente volume, articolati secondo tre fondamentali linee interpretative: un approccio storico, che dà rilievo al rapporto tra immagine e immaginazione nella storia del pensiero; uno sguardo etico-politico, che mette al centro della riflessione il ruolo del binomio immagine-immaginazione nella scelta individuale o collettiva; e infine il punto di vista estetologico, che mostra la specificità della dimensione artistica, sia essa visuale o letteraria ./[English]: What is an image? And what relationship does it have with imagination? These questions are answered by the essays collected in this volume, which are structured along three fundamental lines of interpretation: a historical approach, which highlights the relationship between image and imagination in the history of thought; an ethical-political viewpoint, which focuses on the role of the image-imagination pair in individual or collective choice; and finally, an aesthetic viewpoint, which shows the specificity of the artistic dimension, whether visual or literary.

Immagine e immaginazione

Giovanni Morrone 

Der vorliegende Band gründet auf der Überzeugung, dass nur ausgehend von einem Vergleich und einer Integration verschiedener Perspektiven und Disziplinen die Vielschichtigkeit der theoretischen, methodologischen, soziopolitischen und kulturkritischen Motive, die dem deutschen Orientalismus zugrunde liegen, dargestellt werden kann. Die einzelnen disziplinären Entwicklungen bieten nur einseitige und fragmentarische Sichtweisen, wenn sie nicht der konstitutiven Interdependenz Rechnung tragen, die die einzelnen Ansätze der Philologie, Philosophie und historischen Kulturwissenschaften zum Thema Orient beitragen. Der Vorstellung dieser disziplinären Ansätze als horti conclusi und nicht miteinander kommunizierenden Spezialismen versucht dieser Band mit einem ersten Schritt, der gewiss nicht einfach und auch riskant ist, zu widersprechen. ********* The present volume is based on the conviction that only by starting from a comparison and integration of different perspectives and disciplines can the complexity of the theoretical, methodological, socio-political and cultural-critical motives underlying German Orientalism be presented. The single disciplinary developments offer only one-sided and fragmentary views if they do not take into account the constitutive interdependence that the individual approaches of philology, philosophy and historical sciences of culture contribute to the subject of the Orient. Overcoming the idea of a history of historiographical culture as a sequence of horti conclusi and non-communicating specialisms is what this volume attempts with a first step that is not easy and also risky.

Edoardo Massimilla

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