Henry Martin

Edward Berger

George Bassett

David Cayer

Dan Morgenstern

This twelfth volume of the Annual Review celebrates the fiftieth anniversary of the Institute of Jazz Studies and features articles covering subjects which have not been engaged in past issues of the Review. Gil Evans, Django Reinhardt, Lucky Thompson, and Paul Bley each receive much deserved critical attention in this issue. This issue also includes a photo gallery illustrating some of the prominant locations and people of the Institute's history, both in New York and at its present home at Rutgers in Newark, New Jersey.

Annual Review of Jazz Studies 12: 2002

Morroe Berger

James S. Patrick

Benny Carter, a Life in American Music

For this new edition, Edward Berger has brought the unparalleled Carter saga into the new millennium, adding insider accounts of tours, major concerts, recordings, and other special events. The accompanying annotated discography, one of the most comprehensive ever devoted to the work of a single musician, has been thoroughly revised and updated.

A Life in American Music

Benny Carter

Evan Spring

The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. This 14th issue contains four articles that contravene accepted precepts of jazz orthodoxy: John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s; Horace J. Maxile, Jr. takes an unfashionably broad perspective of Charles Mingus's "Ecclusiastics"; Brian Priestley challenges the canonical depiction of Charlie Parker by exploring his ties to the popular music of his time; and John Wriggle presents an extensive examination of the life and work of arranger Chappie Willet.

Annual Review of Jazz Studies

Edward Berger

About

Books

Join the club