Associate Professor of Film and Media Studies Edward Dimendberg

Edward Dimendberg

This full-length anime action thriller follows the story started in the Sengoku Basara TV series, telling the story of a league of generals, who banded together to defeat an evil overlord, who threatened to dominate Feudal Japan. Now, their nemesis's loyal servant is on the warpath to avenge his fallen leader, and the fate of a nation once again hangs in the balance. ~ Cammila Collar, Rovi

Film Noir and the Spaces of Modernity

Gerald Matt

Raymond Pettibon

Thomas Mie gang

Whatever It Is You're Looking For, You Won' t Find It Here

Timothy O. Benson

Conveys the dreams and disappointments of German artists, architects, and intellectuals from World War I through the social and economic chaos of the Weimar Republic.

Paradise, Metropolis, Architectural Fantasy

Expressionist Utopias

Anton Kaes

Martin Jay

The Weimar Republic Sourcebook

In Diller Scofidio + Renfro: Architecture after Images, Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts in a dazzling array of projects, which include performances, art installations, and books, in addition to buildings and public spaces. At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. Dimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York’s High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade. Dimendberg also explores the relation of work by DS+R to that by earlier modernists such as Marcel Duchamp and John Hejduk. He reveals how the fascination of the architects with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media. Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, Diller Scofidio + Renfro is the most thorough consideration of DS+R in any language. Illustrated with many previously unpublished renderings in addition to photos from significant contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.

Architecture after Images

Diller Scofidio + Renfro

Allan Sekula (1951–2013), photographer, artist, filmmaker, scholar, teacher and activist, devoted much of his life to the theory and practice of social documentary. This posthumous volume presents a collaborative exploration he initiated to examine downtown Los Angeles as its redevelopment peaked with the construction of Frank Gehry's cultural icon. Designed as an exploration of the impact of Gehry's building, the book challenges civic complacency by engaging a vital counter-tradition of social documentary investigation. Including a previously unpublished essay by Sekula on the challenges of representing the city, an interview with him about the 2005 exhibition Facing the Musicwhich he curated for the gallery at REDCAT, and an overview of the building's history and the continuing urban transformations it has catalyzed, this publication is a unique record of social and artistic engagement in a metropolis often thought to inhibit such efforts.

Documenting Walt Disney Concert Hall and the Redevelopment of Downtown Los Angeles

Allan Sekula: Facing the Music

Architecture After Images

Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. The Moving Eye: Film, Television, Architecture, Visual Art and the Modern gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. Ranging from early cinema, to works by Le Corbusier, Sergei Eisenstein, Gordon Matta-Clark, and Pierre Huyghe, to theories of the image in motion informed by psychoanalysis, theories of the public sphere, and animal studies, each of the nine essays in the book advances the lines of inquiry commenced by Friedberg.

Film, Television, Architecture, Visual Art and the Modern

The Moving Eye

Thomas Miessgang

Based in California, US-artist Raymond Pettibon is one of the most thorough chroniclers of American milieus of popular culture. A Goya of our times, whose "Desastres" depict less the wars actually waged than the confrontations taking place inside people's heads, the battles between youth cultures, and the cops-'n'-robbers games transfixed into durable and quotable shape in the repertoire of images provided by film noir. While a detailed catalogue presents all 500 works shown in the exhibition "Whatever it is you're looking for you won't find it here," an extensive interview with Raymond Pettibon conveys an idea of his intellectual microcosm and the productive energy unfolding in his work.

Edward Dimendberg

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