Edward Wilson-Lee

Without libraries, what have we? We have no past and no future. This book tells for the first time in English the story of the first great universal library in the age of printing - and of the son of Christopher Colombus who created it. This is the scarcely believable - and wholly true - story of Christopher Columbus' bastard son Hernando, who sought to equal and surpass his father's achievements by creating a universal library. His father sailed across the ocean to explore the known boundaries of the world for the glory of God, Spain and himself. His son Hernando sought instead to harness the vast powers of the new printing presses to assemble the world's knowledge in one place, his library in Seville. Hernando was one of the first and greatest visionaries of the print age, someone who saw how the scale of available information would entirely change the landscape of thought and society. His was an immensely eventual life. As a youth, he spent years travelling in the New World, and spent one living with his father in a shipwreck off Jamaica. He created a dictionary and a geographical encyclopaedia of Spain, helped to create the first modern maps of the world, spent time in almost every major European capital, and associated with many of the great people of his day, from Ferdinand and Isabel to Erasmus, Thomas More, and D�rer. He wrote the first biography of his father, almost single-handedly creating the legend of Columbus that held sway for many hundreds of years, and was highly influential in crafting how Europe saw the world his father reached in 1492. He also amassed the largest collection of printed images and of printed music of the age, started what was perhaps Europe's first botanical garden, and created by far the greatest private library Europe had ever seen, dwarfing with its 15,000 books every other library of the day. Edward Wilson-Lee has written the first major modern biography of Hernando - and the first of any kind available in English. In a work of dazzling scholarship, The Catalogue of Shipwrecked Books tells an enthralling tale of the age of print and exploration, a story with striking lessons for our own modern experiences of information revolution and Globalisation.

Young Colombus and the Quest for a Universal Library

The Catalogue of Shipwrecked Books

History of Water

An exploration of Shakespeare as a global poet Shakespeare in Swahililand tells the unexpected literary history of Shakespeare's influence in East Africa. Beginning with Victorian-era expeditions in which Shakespeare's works were the sole reading material carried into the interior, the Bard has been a vital touchstone throughout the region. His plays were printed by liberated slaves as one of the first texts in Swahili, performed by Indian laborers while they built the Uganda railroad, used to argue for native rights, and translated by intellectuals, revolutionaries, and independence leaders. Weaving together stories of explorers staggering through Africa's interior, eccentrics living out their dreams on the savanna, decadent émigrés, Cold War intrigues, and even Che Guevara, Edward Wilson-Lee--a Cambridge lecturer raised in Kenya--tallies Shakespeare's influence in Zanzibar, Kenya, Tanzania, Uganda, Ethiopia, and Sudan. Traveling through these countries, he speaks with everyone from theater directors and academics to soldiers and aid workers, discovering not only cultural dimensions traceable to Shakespeare's plays but also an overwhelming insistence that these works provide a key insight into the region. An astonishing work of empathy and historical vision, Shakespeare in Swahililand gets at the heart of what makes Shakespeare so universal and the role that his writings have played in thinking about what it means to be human.

In Search of a Global Poet

Shakespeare in Swahililand

Christopher Columbus, His Son, and the Quest to Build the World's Greatest Library

Catalogue of Shipwrecked Books

Jose Maria Perez Fernandez

The untold story of the greatest library of the Renaissance and its creator Hernando Colón ﻿This engaging book offers the first comprehensive account of the extraordinary projects of Hernando Colón, son of Christopher Columbus, which culminated in the creation of the greatest library of the Renaissance, with ambitions to be universal––that is, to bring together copies of every book, on every subject and in every language. Pérez Fernández and Wilson-Lee situate Hernando’s projects within the rapidly changing landscape of early modern knowledge, providing a concise history of the collection of information and the origins of public libraries, examining the challenges he faced and the solutions he devised. The two authors combine “meticulous research with deep and original thought,” shedding light on the history of libraries and the organization of knowledge. The result is an essential reference text for scholars of the early modern period, and for anyone interested in the expansion and dissemination of information and knowledge.

Toward a Cartography of Knowledge

Hernando Colon's New World of Books

‘Ingenious… a glorious portrait of the great 15th-century prince of learning’ Daily Telegraph

‘A deeply fascinating, sui generis book by a brilliant scholar-writer, which uses the life story of a Renaissance prodigy to summon an angel-host of ideas, people and stories, all circling the question of language’s ability to transcend the mortal realm’ Robert Macfarlane, bestselling author of Underland

Does there exist a form of speech so powerful as to allow the speaker to control the listener, taking over their thoughts and even their will? Renaissance prodigy and polymath Giovanni Pico della Mirandola – the uncontested marvel of an age of true wonders – believed that there was.

The Grammar of Angels tells how Pico dedicated his short, brilliant life to finding a philosophy that would settle the most important questions about human existence. This philosophy would, he believed, provide tools by which man could transcend his mortal limitations and join the ranks of the angels.

At the heart of Pico’s ideas were questions that he traced through the breadth and depth of human thought, from the ancient Greeks and Egyptians to the medieval Arabs and Jews. He made use of everything at his disposal from Europe’s broadening horizons and asked primal questions of himself and the world. Why is it that we can be astonished by beauty? That the hairs on the backs of our necks can be made to stand by intoxicating rhythms and harmonies? That we can be provoked to ecstatic experiences by the simple means of an incantation?

In 1486, when he was just twenty-three, he declared his intention to defend 900 theses on religion, philosophy, natural philosophy and magic against all comers and for which he wrote a speech that is often deemed the ‘manifesto of the Renaissance, even though the ideas it introduced were subject to an unprecedented ban by the Church. He died mysteriously aged only thirty-one.

The implications of his thought were dangerous in the Europe of his day, suggesting as they did that the notion of the individual might be just as much of an illusion as a flat earth or a geocentric universe. Pico’s tempestuous life at the heart of the Renaissance was a testament to intellectual daring, to a human dignity founded in the willingness to think the unthinkable and to peer over the edge of the abyss in search of answers.

A Search For The Magical Powers of Language

The Grammar of Angels

«Leggete questo libro, vi lascerà senza fiato. Portatelo con voi in spiaggia, in campagna, ovunque. E grazie a Edward Wilson-Lee per averlo scritto, e con un tale senso di grazia vitale.» Simon Schama, autore di Gli occhi Rembrandt e La storia degli ebrei «Il catalogo dei libri naufragati è un’opera d’immaginazione che rispetta però l’origine delle fonti, dove la magnificenza del racconto si fonde opportunamente all’erudizione. La «biblioteca che avrebbe raccolto tutto» divenne un labirinto borgesiano di «meraviglie sconcertanti». Wilson-Lee la descrive con passione e costella il suo racconto di elenchi, incantatori e quasi magici, degni di un Rabelais.» «Literary Review» - Felipe Fernández-Armesto Ci sono storie che a sentirle raccontare, o a leggerle, non sembrano vere; il potere della loro fascinazione ci attrae, però, fino ad ammaliarci e a lasciarci senza fiato. La storia di Fernando Colombo, figlio naturale di Cristoforo Colombo, è una di queste: capace di irradiare meraviglia e stupore, e – al contempo – di ridisegnare la nostra conoscenza del mondo. Fernando Colombo, cadetto illegittimo dello scopritore delle Indie occidentali, Ammiraglio e conquistatore dei regni oltre il grande Mare Oceano per conto della Corona di Spagna. Hernando Colón, figlio bastardo, eppure profondamente amato, primo biografo di Cristoforo, viaggiatore avventuroso egli stesso, che con le Historie della vita e dei fatti di Cristoforo Colombo ci ha lasciato il resoconto delle alterne fortune dei quattro viaggi del padre nelle Americhe. Fernando, lettore onnivoro e vorace, preso da bruciante passione per una nuova e dirompente invenzione, la stampa a caratteri mobili, che in pochi anni rivoluzionò il mondo, al pari delle scoperte geografiche paterne. Fernando, smanioso classificatore di ogni libro che sia mai stato stampato, raccoglitore di ogni foglio mai prodotto da un torchio, corrispondente di Albrecht Dürer, Erasmo da Rotterdam, Aldo Manuzio; viaggiatore umanista ossessionato dal principio di catalogazione, perennemente in corsa – di città in città (Siviglia, Granada, Toledo, Londra, Milano, Venezia, Strasburgo, Colonia, Magonza e così via) –, alla ricerca spasmodica e costante delle migliori e ultime novità: i libri più belli – magnifica perversione – curati al meglio, stampati coi caratteri più chiari e puliti, sulla carta più durevole, e nella confezione più raffinata. Fernando, compilatore di liste vertiginose, inventore della prima biblioteca universale, catalogo dei cataloghi, che contenesse tutto il sapere umano, concepita come una macchina viva, un organismo vivente, che respira, si ammala, perde i pezzi, guarisce e sopravvive. Fernando Colombo e la sua biblioteca, monumento del Rinascimento europeo; Fernando e i suoi libri che sono andati perduti, trafugati, bruciati, che sono persino naufragati, eppure hanno resistito e sono sopravvissuti fino a noi, fino ad oggi. Il catalogo dei libri naufragati è un libro fuori dall’ordinario; contiene mondi, sogni, smanie, è un’appassionata dichiarazione d’amore per il sapere, un racconto di sconcertante immaginazione che fonde lo splendore di un’erudizione profonda alla sensibilità e alla vivacità dell’ingegno umano.

Il figlio di Cristoforo Colombo e la ricerca della biblioteca universale

Il catalogo dei libri naufragati

Uitgeroepen tot beste non-fictieboek van het jaar door The Spectator, New Statesman, History Today en The Financial Times De gezonken verzameling van Ferdinand Columbus vertelt het ongelofelijke verhaal van de buitenechtelijke zoon van Christoffel Columbus, Ferdinand Columbus, die de prestaties en bekendheid van zijn vader wilde evenaren door alle kennis ter wereld te verzamelen onder één dak. Hij was een van de eerste visionairs die het belang van de uitvinding van de drukpers begreep en zag hoe een enorme schat aan beschikbare informatie de manier van denken en de hele maatschappij zou kunnen veranderen. Ferdinand reisde jarenlang door de Nieuwe Wereld, hielp de eerste kaarten van de moderne wereld te ontwerpen, reisde naar elke grote stad van Europa en kende de belangrijkste figuren van zijn tijd – van het Spaanse koningspaar tot Erasmus, Thomas More en Albrecht Dürer. Hij schreef de eerste biografie van zijn vader, en schiep daardoor de legende van Columbus die honderden jaren bepaalde hoe Europeanen de wereld zagen. Hij verzamelde ook de grootste collectie geprinte afbeeldingen en muziek uit die tijd en richtte waarschijnlijk Europa’s eerste botanische tuin op en de allergrootste privébibliotheek die er op dat moment te vinden was. Edward Wilson-Lee’s verslag van Ferdinands leven is een portret van een briljante, maniakale geest, een duik in de informatierevolutie van zestiende-eeuws Europa, en een reflectie op onze eigen pogingen om orde te scheppen in de wereld van vandaag. In de pers ‘Uitzonderlijk goed. Een avontuurlijk boek voor iedereen die van geschiedenis houdt, en een levendig portret van Europa op het randje van moderniteit.’ The New York Times ‘Een werk van verbeeldingskracht met respect voor bewijsmateriaal, van genialiteit vermengd met eruditie, en van wetenschap verlevendigd met gevoeligheid en scherpte.’ The Literary Review ‘De gezonken verzameling van Ferdinand Columbus is een schitterend boek. Een epos dat zich ontvouwt in een onophoudelijke processie van wonderen, beproevingen en legendes.’ Simon Schama, The Financial Times

De wonderbaarlijke reizen van vader en zoon Columbus en hun avontuurlijke zoektocht naar kennis

De gezonken verzameling van Ferdinand Columbus

The untold story of the greatest library of the Renaissance and its creator Hernando Colón ﻿This engaging book offers the first comprehensive account of the extraordinary projects of Hernando Colón, son of Christopher Columbus, which culminated in the creation of the greatest library of the Renaissance, with ambitions to be universal--that is, to bring together copies of every book, on every subject and in every language. Pérez Fernández and Wilson-Lee situate Hernando's projects within the rapidly changing landscape of early modern knowledge, providing a concise history of the collection of information and the origins of public libraries, examining the challenges he faced and the solutions he devised. The two authors combine "meticulous research with deep and original thought," shedding light on the history of libraries and the organization of knowledge. The result is an essential reference text for scholars of the early modern period, and for anyone interested in the expansion and dissemination of information and knowledge.

José María Pérez Fernández

This collection underscores the role played by translated books in the early modern period. Individual essays aim to highlight the international nature of Renaissance culture and the way in which translators were fundamental agents in the formation of literary canons. This volume introduces readers to a pan-European story while considering various aspects of the book trade, from typesetting and bookselling to editing and censorship. The result is a multifaceted survey of transnational phenomena.

Edward Wilson-Lee

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