Eiren Caffall

In the tradition of Station Eleven, a literary thriller set partly on the roof of New York’s Museum of Natural History in a flooded future.

"Gripping...tense, de­­­lightful and rich with resonance." —Scientific American

"Captivating...The setting, the detailed emotive descriptions, and nail-biting adventure are incandescent." —Library Journal (starred)

All the Water in the World is told in the voice of a girl gifted with a deep feeling for water. In the years after the glaciers melt, Nonie, her older sister and her parents and their researcher friends have stayed behind in an almost deserted New York City, creating a settlement on the roof of the American Museum of Natural History. The rule: Take from the exhibits only in dire need. They hunt and grow their food in Central Park as they work to save the collections of human history and science. When a superstorm breaches the city’s flood walls, Nonie and her family must escape north on the Hudson. They carry with them a book that holds their records of the lost collections. Racing on the swollen river towards what may be safety, they encounter communities that have adapted in very different and sometimes frightening ways to the new reality. But they are determined to find a way to make a new world that honors all they've saved.

Inspired by the stories of the curators in Iraq and Leningrad who worked to protect their collections from war, All the Water in the World is both a meditation on what we save from collapse and an adventure story—with danger, storms, and a fight for survival. In the spirit of From the Mixed-Up Files of Mrs. Basil E. Frankweiler and Parable of the Sower, this wild journey offers the hope that what matters most – love and work, community and knowledge – will survive.

All the Water in the World

The Mourner’s Bestiary

Derrick Jensen

Doug Fogelson

Bridgette R. McCullough Alexander

"Recent work in the visual arts has often investigated the opposition between natural and constructed worlds. In The Time After, which references the process of photography as well as the future fate of our planet, fine arts photographer Doug Fogelson uses an iconoclastic multiple exposure technique in order to depict our collective surroundings, producing imagery that reflects our own alien experience of nature, as well as the distanced perspective of the viewer. This volume collects over 160 of Fogelson's spectacular images and pairs them with speculative and poetic essays by Derrick Jensen, Eiren Caffall, and Bridgette R. McCullough. Sharply contrasting built (or processed) scenes with rich natural images, the design of these photographs speaks to both our changing understanding of our role in the environment and the increasingly prominent place of activism in contemporary art practice." --Book Jacket.

Eiren Caffall

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