Martin Beck

Elena Crippa

Lawrence Alloway

Owen Hatherly

This seventh volume in Afterall's Exhibitions Histories series focuses on the radical project 'an Exhibit' (at the ICA, London in 1957), which emerged from a decade of testing the formats and possibilities of exhibition-making.A collaboration between two

'an Exhibit' 1957 and Related Projects

Exhibition, Design, Participation

Rowan Bailey

John Plowman

Sheila Gaffney

Helena Bonett

Active Archives

Born in British Guiana in 1936, Frank Bowling arrived in Britain in his late teens, going on to study paiting at the the Royal College of Art in the same cohort as David Hockney and Derek Boshier. Since he started painting in the late 1950s, Bowling has pursued a relentless exploration of the properties and possibilities of paint, experimenting with stitching, staining, pouring and dripping. Often ambitious in scale, and usually described in terms of its colourful and luminous quality, and the energetic application or accrual of paint, Bowling's work combines figuration, abstract elements, popular and autobiographical references, and demonstrates his interest in social and political imagery. Accompanying what will be the first solo exhibition internationally to address Bowling's entire oeuvre, this publication will explore an extraordinary career spanning over 60 years.00Exhibition: Tate Britain, London, UK (31.05.-26.08.2019).

Frank Bowling

Elena Crippa

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