Guy Puzey

Elettra Carbone

Do you want to communicate easily and freely in Norwegian? Master Norwegian grammar and broaden your vocabulary with your very own Norwegian Tutor. This contemporary interactive workbook features 200 activities across a range of grammar and vocabulary points with clear goals, concise explanations, and real-world tasks. By studying and practicing Norwegian grammar you'll understand how the language really works and be able to speak Norwegian with clarity and ease. What will I learn? The Norwegian Tutor: Grammar and Vocabulary Workbook covers a comprehensive range of the most useful and frequent grammar and vocabulary in Norwegian. You can follow along unit by unit, or dip in and dip out to address your weak areas. As you progress, you will be introduced to new vocabulary and combine it with the grammar to complete extensive exercises. You will then practice the language through authentic reading and writing practice. You will achieve a solid upper intermediate level* of Norwegian grammar. Is this course for me? The Norwegian Tutor: Grammar and Vocabulary Workbook can be used as a standalone course or as a complement to any other Norwegian course. It offers extensive practice and review of essential grammar points and vocabulary and skills building. The personal tutor element points out exceptions and gives tips to really help you perfect your Norwegian. What do I get? This Norwegian workbook offers a range of clear and effective learning features: -200 activities across a range of grammar and vocabulary points -Unique visuals and infographics for extra context and practice -Personal tutor hints and tips to help you to understand language rules and culture points -Learn to learn section offers tips and advice on how to be a good language learner 25 short learning units each contain: -communication goals to guide your studies -grammar explanations with extensive exercises -vocabulary presentations and activities -reading and writing sections to consolidate your learning *This workbook maps from Novice High to Advanced Mid level proficiency of ACTFL (American Council on Teaching Foreign Languages) and from A2 Beginner to B2 Upper Intermediate level of the CEFR (Common European Framework of Reference for Languages) guidelines. What other courses are available? For further study and practice, see Get Started in Norwegian (ISBN 9781473612709) and Complete Norwegian: Teach Yourself (ISBN 9781444107203). Rely on Teach Yourself, trusted by language learners for over 75 years.

Advanced beginner to upper intermediate course

Norwegian Tutor: Grammar and Vocabulary Workbook (Learn Norwegian with Teach Yourself)

Because of its history, art, and natural and cultural landscapes, Italy has been a popular destination for North-European travellers since the age of the Grand Tour. Yet, literary images of Italy are not all linked to the tradition of the journey to this country and cannot be labelled as a manifestation of Northerners’ yearning for the Southern sun. The corpus of critical literature which deals with Italy in Nordic literatures is very wide but also fragmentary. While many scholars have written about this topic and chiefly on the relations between individual Scandinavian literatures or well-known authors – such as Henrik Ibsen, Selma Lagerlöf and Hans Christian Andersen – and Italy, few have emphasised their variety, plurality, and complexity. With its comparative approach, this study casts a new light on a selection of nineteenth- and twentieth-century representations of Italy and presents some of these Nordic Italies. Taking into account texts of different genres – poetry, drama and novel – and focusing on theories of representation, genre, and space, this book examines complex and heterogeneous literary representations that cannot be reduced to a single stereotype. In these texts, Italy emerges both as a set of physical spaces and as a series of metaphorical concepts. How are these Italian spaces and identities constructed and what do they stand for? What forms does the broad concept of Italianness take in these literary works? How are the Italian settings and characters, as well as the aspects of Italian politics, history, society, culture, and folklore that populate so many literary texts, shaped and combined? Is there a relationship between specific literary genres and the way in which Italy is represented? These are only some of the questions addressed by this study, which demonstrates how Nordic representations of Italy express much more than unanimous praise for the sun, idyllic landscapes, ruins, and mandolin players.

Representations of Italy in Nordic Literature from the 1830s to the 1910s

Nordic Italies

Histories of sculpture within the Nordic region are under-studied and the region?s influence upon and translation of influences from elsewhere in Europe remain insufficiently traced. This volume brings to light individual histories of sculptural mobility from the early modern period onwards. Examining the movement of sculptures, sculptors, practices, skills, styles and motifs across borders, through studios and public architectures, within popular and print culture and via texts, the essays collected here consider the extent to which the sculptural artwork is changed by its physical movement and its transfigurations in other media. How does the meaning and form of these objects performatively respond to the pressure of their relocations and rematerialisations? Conversely, how do sculptures impact their new contexts of display? The contributing authors engage with a wide variety of objects and media in their essays. Each focuses on the contextualisation of sculpture in an original and timely way, exploring how mobility acts as a filter offering new perspectives on iconography, memorialisation, collecting, iconoclasm and exhibiting. From the stave churches of early Norway to the decoration of International Style monoliths of the twentieth century, from Italian quarries to Baroque palaces, from fountains to figurines, from text to performance, these wide-ranging and fascinating case studies contribute to the rich history of the Nordic region?s sculptural production.

Elettra Carbone

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