Elissa Schappell

Author of Use Me, Elissa Schappell's extraordinary book, Blueprints for Building Better Girls, is a brilliantly rendered collection of short stories.

Fiction

Blueprints for Building Better Girls

Jenny Offill

A collection of essays about the loss of friendship features works by Francine Prose, Dorothy Allison, Katie Roiphe, Ann Hood, Vivian Gornick, and others who write about relationships that dissolved over a gradual period, sudden breakups, or otherwise eroded powerful bonds between once inseparable companions. Reprint. 20,000 first printing.

Twenty Women's True-life Tales of Friendships that Blew Up, Burned Out, Or Faded Away

The Friend who Got Away

The exquisitely artful fiction debut of Vanity Fair columnist Elissa Schappell is a novel told in ten stories that resonate with the most profound experiences in the life of a young woman -- friendship and rivalry, the love for a man, the birth of a child, and the death of a father.

Use Me

In a compelling anthology of entertaining and insightful essays, a group of notable writers candidly assesses the complex role of money in their lives and personal relationships, in a collection that features contributions by JIll McCorkle, Daniel Handler, Susan Choi, Walter Kirn, Meera Nair, Henry Alford, Jonathan Dee, and others. Reprint. 15,000 first printing.

Twenty-two Writers Tackle the Last Taboo with Tales of Sudden Windfalls, Staggering Debts, and Other Surprising Turns of Fortune

Money Changes Everything

It's an elemental, almost animalistic urge—the expectant mother's hunger for birth narratives. We are inundated with how-to guides and month-by-month pregnancy manuals when what we truly crave are artful, entertaining, unvarnished accounts of labor and delivery. We want to know what really happens—the good, the bad, and the ugly. In anticipation of the publication of Labor Day: True Birth Stories by Today's Best Women Writers, celebrated author Elissa Schappell brings us "What We Talk About When We Talk About Birth." In this frank, funny, and bittersweet essay she explores the phenomenon of sharing birth stories, reveals her reluctance to tell her own, and discovers that talking about childbirth—the joy, the fear, the pain—is as instinctual as the act itself. And if you love birth stories as much as we do, read thirty more essays like this one in Labor Day: True Birth Stories By Today's Best Women Writers, including Lan Samantha Chang, Julia Glass, Lauren Groff, Ann Hood, Danzy Senna, Dani Shapiro, and Cheryl Strayed.

An Essay on Sharing Birth Stories

What We Talk About When We Talk About Birth

Rob Spillman

Win McCormack

Tin House #2

The editors of The Friend Who Got Away are back with a new anthology that will do for money what they did for women’s friendships. Ours is a culture of confession, yet money remains a distinctly taboo subject for most Americans. In this riveting anthology, a host of celebrated writers explore the complicated role money has played in their lives, whether they’re hiding from creditors or hiding a trust fund. This collection will touch a nerve with anyone who’s ever been afraid to reveal their bank balance. In these wide-ranging personal essays, Daniel Handler, Walter Kirn, Jill McCorkle, Meera Nair, Henry Alford, Susan Choi, and other acclaimed authors write with startling candor about how money has strengthened or undermined their closest relationships. Isabel Rose talks about the trials and tribulations of dating as an heiress. Tony Serra explains what led him to take a forty-year vow of poverty. September 11 widow Marian Fontana illuminates the heartbreak and moral complexities of victim compensation. Jonathan Dee reveals the debt that nearly did him in. And in paired essays, Fred Leebron and his wife Katherine Rhett discuss the way fights over money have shaken their marriage to the core again and again. We talk openly about our romantic disasters and family dramas, our problems at work and our battles with addiction. But when it comes to what is or is not in our wallets, we remain determinedly mum. Until now, that is. Money Changes Everything is the first anthology of its kind—an unflinching and on-the-record collection of essays filled with entertaining and enlightening insights into why we spend, save, and steal. The pieces in Money Changes Everything range from the comic to the harrowing, yet they all reveal the complex, emotionally charged role money plays in our lives by shattering the wall of silence that has long surrounded this topic.

Twenty-Two Writers Tackle the Last Taboo with Tales of Sudden Windfalls, Staggering Debts, and Other Surprising Turns of Fortune

Losing a friend can be as painful and as agonizing as a divorce or the end of a love affair, yet it is rarely written about or even discussed. THE FRIEND WHO GOT AWAY is the first book to address this near-universal experience, bringing together the brave, eloquent voices of writers like Francine Prose, Katie Roiphe, Dorothy Allison, Elizabeth Strout, Ann Hood, Diana Abu Jabar, Vivian Gornick, Helen Schulman, and many others. Some write of friends who have drifted away, others of sudden breakups that took them by surprise. Some even celebrate their liberation from unhealthy or destructive relationships. Yet at the heart of each story is the recognition of a loss that will never be forgotten. From stories about friendships that dissolved when one person revealed a hidden self or moved into a different world, to tales of relationships sabotaged by competition, personal ambition, or careless indifference, THE FRIEND WHO GOT AWAY casts new light on the meaning and nature of women’s friendships. Katie Roiphe writes with regret about the period in her life when even close friends seemed expendable compared to men and sex. Mary Morris reveals how a loan led to the unraveling of a lifelong friendship. Vivian Gornick explores how intellectual differences eroded the bond between once inseparable companions. And two contributors, once best friends, tell both sides of the story that led to their painful breakup. Written especially for this anthology and touched with humor, sadness, and sometimes anger, these extraordinary pieces simultaneously evoke the uniqueness of each situation and illuminate the universal emotions evoked by the loss of a friend.

Elissa Schappell

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