Elizabeth Hardwick

In Sleepless Nights a woman looks back on her life—the parade of people, the shifting background of place—and assembles a scrapbook of memories, reflections, portraits, letters, wishes, and dreams. An inspired fusion of fact and invention, this beautifully realized, hard-bitten, lyrical book is not only Elizabeth Hardwick's finest fiction but one of the outstanding contributions to American literature of the last fifty years.

Sleepless Nights

'Sleepless nights' is a scrapbook of memories: the first pangs of sexual longing, Billie Holiday holding forth in a cheap hotel, and the swagger and heartbreak of New York City.

The novelist and essayist Elizabeth Hardwick is one of contemporary America's most brilliant writers, and Seduction and Betrayal, in which she considers the careers of women writers as well as the larger question of the presence of women in literature, is her most passionate and concentrated work of criticism. A gallery of unforgettable portraits--of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle--as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer's reckoning with the relations between men and women, women and writing, writing and life.

Women and Literature

Seduction and Betrayal

Elizabeth Hardwick wrote during the golden age of the American literary essay. She covered civil rights demonstrations in the 1960s, places where she lived, locations she traveled to, theater she had seen, and murder trials that gripped her. She wrote sketches for various occasions and countless essays about literature, her greatest passion. For Hardwick, the essay was an imaginative endeavor. The continuous attention to language, the structure of observations, the line of interpretation- Hardwick deserves to be read and reread for the clarity of her perceptions and her enduring assessments of literature and society, and simply for the beauty of her writing alone.Edited and with an introduction by Darryl Pinckney, The Collected Essays of Elizabeth Hardwickgathers more than fifty essays for a retrospective of this writer or moral courage, as Joan Didion called her. Hardwick?s readings define literature itself.

The Collected Essays of Elizabeth Hardwick

Elizabeth Hardwick was one of America’s great postwar women of letters, celebrated as a novelist and as an essayist. Until now, however, her slim but remarkable achievement as a writer of short stories has remained largely hidden, with her work tucked away in the pages of the periodicals—such as Partisan Review, The New Yorker, and The New York Review of Books—in which it originally appeared. This first collection of Hardwick’s short fiction reveals her brilliance as a stylist and as an observer of contemporary life. A young woman returns from New York to her childhood Kentucky home and discovers the world of difference within her. A girl’s boyfriend is not quite good enough, his “silvery eyes, light and cool, revealing nothing except pure possibility, like a coin in hand.” A magazine editor’s life falls strangely to pieces after she loses both her husband and her job. Individual lives and the life of New York, the setting or backdrop for most of these stories, are strikingly and memorably depicted in Hardwick’s beautiful and razor-sharp prose.

The New York Stories of Elizabeth Hardwick

Essays on music, art, pop culture, literature, and politics by the renowned essayist and observer of contemporary life, now collected together for the first time. The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary critics, and an extraordinary stylist in her own right. The thirty-five pieces that Alex Andriesse has gathered here—none previously featured in volumes of Hardwick’s work—make it clear that her powers extended far beyond literary criticism, encompassing a vast range of subjects, from New York City to Faye Dunaway, from Wagner’s Parsifal to Leonardo da Vinci’s inventions, and from the pleasures of summertime to grits soufflé. In these often surprising, always well-wrought essays, we see Hardwick’s passion for people and places, her politics, her thoughts on feminism, and her ability, especially from the 1970s on, to write well about seemingly anything.

The Uncollected Essays of Elizabeth Hardwick

Intelligent, lyrical, and partly autobiographical, Sleepless Nights is a scrapbook of memories: the first pangs of sexual longing, Billie Holiday holding forth in a cheap hotel, and the swagger and heartbreak of New York City.

Fifty years of literary criticism by the acclaimed critic covers the works of Hawthorne, Dreiser, Melville, Wharton, James, Stein, Plath, Fitzgerald, Nabokov, and Cheever, among many other American authors.

American Fictions

Ibsen's female characters as well as the Brontë sisters, Zelda Fitzgerald, Sylvia Plath, Virginia Woolf, Dorothy Wordsworth, and Jane Carlyle are considered in essays studying contrasts in heroism.

First pub. 1955. College boy Rudy Peck is on trial for the murder of his girlfriend.

The Simple Truth

Notti insonni

Robert Lowell

The correspondence between one of the most famous couples of twentieth-century literature The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centered on the letters they exchanged with each other and with other members of their circle—writers, intellectuals, friends, and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy, and Adrienne Rich—the book has the narrative sweep of a novel, telling the story of the dramatic breakup of their twenty-one-year marriage and their extraordinary, but late, reconciliation. Lowell’s controversial sonnet-sequence The Dolphin (for which he used Hardwick’s letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick’s influential books Seduction and Betrayal: Essays on Women in Literature and Sleepless Nights: A Novel. Lowell and Hardwick are acutely intelligent observers of marriages, children, and friends, and of the feelings that their personal crises gave rise to. The Dolphin Letters, masterfully edited by Saskia Hamilton, is a debate about the limits of art—what occasions a work of art, what moral and artistic license artists have to make use of their lives as material, what formal innovations such debates give rise to. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone surrounding him, and Bishop’s warning to Lowell—“art just isn’t worth that much”—haunts.

Elizabeth Hardwick, Robert Lowell, and Their Circle

The Dolphin Letters, 1970-1979

Noches insomnes

Susan Sontag

Joyce Carol Oates

Virginia Woolf

Judith Ortiz Cofer

Jamaica Kincaid

Joan Didion

Jenny Diski

Elizabeth David

Annie Dillard

M. F. K. Fisher

Gretel Ehrlich

Anne Fadiman

Cynthia Ozick

Margaret Cavendish

Rebecca West

Alice Walker

Linda Hogan

Zora Neale Hurston

Elizabeth Bowen

Fanny Fern

Eliza Haywood

Sara Suleri

Grace Greenwood

Charlotte Lennox

Margaret Fuller

Vernon Lee

Eliza Lynn Linton

Kyoko Mori

Lydia Maria Child

Lady Mary Wortley Montagu

Harriet Martineau

Gail Hamilton

Frances Brooke

Mary Russell Mitford

Frances Power Cobbe

Zitkala-Sa

Alice Meynell

Louise Imogen Guiney

Ann Plato

Agnes Repplier

Katharine Fullerton Gerould

Judith Sargent Murray

Elisabeth Woodbridge Morris

Gertrude Bustill Mossell

Hester Lynch Thrale Piozzi

Of Women and the Essay brings together forty-six American and British women essayists whose work spans nearly four centuries. The contributions of these essayists prove that women have been significant participants in the essay tradition since the genre’s modern beginnings in the sixteenth century. Many of these essayists, such as Eliza Haywood, Fanny Fern, Gertrude Bustill Mossell, Agnes Repplier, and Alice Meynell, achieved significant success as writers within whatever essay form ruled the day; others bent the rules, though often imperceptibly, to make room for themselves. Collectively they represent a missing piece in the larger history of the essay. In Of Women and the Essay Jenny Spinner contextualizes the broad range of literary essays included within the chronological development of the genre. She makes a compelling argument that women have constructed their own tradition in the essay genre, often utilizing periodic traits of the essay to their own advantage. At the same time, she suggests that the personal essay’s demands on the essayist required both a public and personal authorization that proved challenging for women essayists in general and for women of color in particular. The appendix catalogs the works of nearly 200 female essayists and should inspire further reading. As a whole, the volume lifts women writers from the cutting-room floor of essay scholarship and returns them to their rightful place in the essay canon.

An Anthology from 1655 to 2000

Of Women and the Essay

This is the typescript of Elizabeth Hardwick's novel, THE SIMPLE TRUTH. It includes corrections and printers' marks in the margins of the text.

Typescript

The Ghostly Lover

And Other Essays

Bartleby in Manhattan

Elizabeth Hardwick

About

Books

Join the club