Elizabeth Millán

Arleen Salles

Argues that there are original positions to be found in the work of Latin American philosophers. This book brings the history of Latin American philosophy to an English-speaking audience through the prominent voices of Mauricio Beuchot, Horacio Cerutti-Guldberg, María Luisa Femenías, Jorge J. E. Gracia, Oscar R. Martí, León Olivé, Carlos Pereda, and Eduardo Rabossi. They argue that Spanish is not a philosophically irrelevant language and that there are original positions to be found in the work of Latin American philosophers. Part I of the book looks at why the history of philosophy has not developed in Latin America. A range of theoretical issues are explored, each focusing on specific problems that have hindered the development of a solid history. Part II details the complex task of writing a history of philosophy for a region still haunted by the specter of colonialism. Arleen Salles is Assistant Professor in the Department of Art, Music, and Philosophy at John Jay College of Criminal Justice, The City University of New York. Elizabeth Millán-Zaibert is Assistant Professor of Philosophy at DePaul University and the coeditor (with Jorge J. E. Gracia) of Latin American Philosophy for the 21st Century: The Human Condition, Values, and the Search for Identity.

Contemporary Perspectives

The Role of History in Latin American Philosophy

Jorge J. E. Gracia

Elizabeth Millán-Zaibert

Twenty-two leading Latin American philosophers are featured in this complete anthology on the human condition, values, and the search for identity. Bibliography.

The Human Condition, Values, and the Search for Identity

Latin American Philosophy for the 21st Century

A rallying call for all those who have been disquieted or disgusted by the excesses of artistic modernism. This is a collection of ten provocative essays on the arts, by writers of varied orientations who share a skepticism about the exaggerated role of modernism and the successive avant-gardes in shaping what is accepted as valid contemporary art. The essays cover painting and other visual arts, literature, music, and general observations about all the arts. It is not an exercise in hand-wringing about the current state of the arts, but looks for different directions in which the arts may now fruitfully evolve. Despite the diverse philosophies of the contributors, these essays together constitute a formidable case against the unhealthy impact of avant-gardism on our lives and aesthetic culture. The essays include the following, among others: a study of anti-modernist painter Odd Nerdrum, who sees modernist art as totalitarian; a critique of the avant-gardist neglect of mimesis as a key to art; an evaluation of “the end of art”; a critique of modern art in light of “the aesthetic harm principle”; an examination of Popper's objections to progressivism in music; the presentation of a new paradigm for literature.

Elizabeth Millán

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