High Museum of Art

Edvard Munch

Elizabeth Prelinger

Prelinger Elizabeth

This compelling book, focusing on more than 60 of Edvard Munch's later paintings, reveals the surprising, vibrant work of a fascinating man who never ceased to grow as an artist. 140 illustrations, 130 in full color.

The Late Paintings of Edvard Munch

After The Scream

Museum of Modern Art (New York, N.Y.)

Patricia G. Berman

Reinhold Heller

Elizabeth Kassler

This volume, which accompanies a major exhibition at The Museum of Modern Art, provides a comprehensive overview of Munch's work. Its color plates illustrate the full range of his art, including his many extraordinary self-portraits; intensely emotional motifs such as The Kiss and Puberty, Anxiety and Melancholy, The Sick Child and The Dance of Life; one of the modern era's most famous and quintessential images, The Scream; and the mutable series called the Frieze of Life, in which Munch attempted to chronicle "the modern life of the soul."

The Modern Life of the Soul

Michael Taylor

Peter Schjeldahl

Art Gallery of Ontario

Vivian Campbell

Parke-Taylor Michael

Michael Parke-Taylor

Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.

The Vivian and David Campbell Collection

The Symbolist Prints of Edvard Munch

Alessandra Comini

Käthe Kollwitz

Hildegard Bachert

The German printmaker, draughtsman, and sculptor Kathe Kollwitz's images of mothers and children and of protest against social injustice have long been admired by both critics and the public. Kollwitz adhered to a figurative style in the era of abstraction and she depicted socially-engaged subject matter when it was unfashionable. Critics have often focused on those issues and have rarely studied the ways in which the artist manipulated technique and resolved formal problems. This illustrated book redresses this imbalance, portraying Kollwitz as an innovative and virtuosic artist rather than a mere chronicler of particular themes.

National Gallery of Art, Washington ; [catalog of an Exhibition Held May 3 - August 16, 1992]

Elizabeth Prelinger

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