Elizabeth Rankin

Rolf Michael Schneider

For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze, through all the stages of its design, to its shipping to post-war Italy to be copied into marble from Monte Altissimo, up to its final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it is depicted. The second volume expands on the first, by investigating each of the twenty-seven scenes of the frieze in depth, providing new insights into not only the frieze, but also South Africa’s history. François van Schalkwyk of African Minds, co-publisher with De Gruyter writes: From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photographs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more traditional kind, that is, on the printed page. For this reason, the book is likewise available in print as two separate volumes. The printed and digital books should not be seen as separate incarnations; each brings its own advantages, working together to extend the reach and utility of From Memory to Marble to a range of interested readers.

The historical frieze of the Voortrekker Monument Part II: The Scenes

From Memory to Marble

Anthony Davies

Richard Fahey

Blood, Sweat and Oil

Philippa Hobbs

This book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander. It discusses historically artists who made major contributions within each of the printmaking techniques, giving great detail on contemporary South African art. It is also a handbook on artists working in various mediums and gives full explanations of each work chosen for the exhibition at the 1998 South African National Arts Festival, lists 785 known printmakers born after 1900, and illustrates the work of 89 important artists. It is an essential guide to this important aspect of South African art.

In a Transforming South Africa

Printmaking

"The evangelical Lutheran Art and Craft Centre at Rorke's Drift, as one of the very few places that offered training to black artists during the years of aparthied, played a key role in South African art, not only for those who studied there, but the many others whom they trained or influenced in turn." "Drawing on a wide range of interviews with participants in the Rorke's Drift project, not only from South Africa, but also from Sweden, the Netherlands, Britain and the USA, this book sets out to write the story of the beginnings of the Centre in the 1960s, the founding and development of the Fine Art School in 1968, and the contribution of teachers and students until its closure in 1982." --book jacket.

Empowering Prints

Rorke's Drift

This is the first time that 92-metre marble frieze of the Voortrekker Monument, showing Boer pioneers who conquered South Africa’s interior (1835-52), has been the subject of a monograph. The visual narrative is a key work that represented a crucial period of South Africa’s past. And it contributed to the country’s socio-political mores in the 1930s and 1940s when it was made. It is also unique in providing rare evidence of the processes of creating a major monument, discoverable in unpublished documents, drawings and models, from the earliest discussions of the purpose and content of the frieze through all stages of its design, modelling and sculpting. The book traces these complex processes and those who contributed to them, and analyses the reliefs selected to represent the ‘Great Trek’. It explains how visual representation transforms historical memory in what it chooses to recount and the style in which it is depicted. It investigates the active role the Monument played in the development of apartheid, and its post-apartheid heritage. The book’s second volume expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into the frieze and little explored aspects of South Africa’s history.

Elizabeth Rankin

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