Elizabeth Reeder

Amanda Thomson

Microbursts

Roe is like any other fifteen-year-old Chicago teenager. Her only worries are schoolwork, keeping up with her best friend and whether she should sleep with her boyfriend. Then her adoptive father disappears one winter's day. As she tries to find out why he left her, her past unravels in front of her.

Ramshackle

When Rachel Roanoke sees Hal Fremont across a diner counter, she claims him as her own. Their first date takes place in the registry office and then they set out for the small, suspicious town Hal calls home. There, in the crumbling hallway of the mock-antebellum house, Rachel and Hall consummate their marriage and start to build their rambunctious brood. Against their parents' ill-starred fairy tale romance, the Fremont children fight for their territory within the shifting, bitter bonds of family.

Fremont

Rodge Glass

Helen Pleasance

 Kapka Kassabova

 John I MacArtney

Katie Karnehm

Rebecca Gordon Stewart

Rhiannon Marks

Jo Collinson Scott

Erin Soros

Writers of creative non-fiction are often expected to be able to recreate reality, to deal with, or even access, a singular truth. But the author, like any human, is not an automaton remotely tasked with capturing a life or an event. Whether we tell stories and understand them as fiction or non-fiction, or whether we draw away from these classifications, writers craft and shape writing all writing. No experience exists on a flat plane, and recounting or interpreting events will always involve some element of artistic manipulation: every instance, exchange, discussion, event is open to multiple interpretations and can be described in many ways, all of which are potentially truthful. Writing Creative Non-Fiction: Determining the Form contains essays and original writing from novelists, poets, songwriters, musicians and academics. The book covers topics that range from explorations of the role of the author, definitions and representations of the form, self and illness, to the spectral elements of non-fiction and its role in historical narratives. The essays included in this volume address everything from memoir, biography and autobiography to a discussion of musical approaches to criticism and a non/fiction interview. The book identifies key writers including Christopher Isherwood, David Shields, B. S. Jonson, James Frey, Åsne Seierstad, John D'Agata, W. G. Sebald, Jonathan Coe, Hilary Mantel, James Kelman, Liz Lochhead and Arthur Frank and is essential reading for students, researchers and writers of creative non-fiction. Contents Notes on Contributors Pathways to Determining Form Laura Tansley and Micaela Maftei A Bulgarian Journey Kapka Kassabova At the Will of Our Stories John I MacArtney She and I: Composite Characters in Creative Non-Fiction Katie Karnehm More Lies Please: Biography and the Duty to Abandon Truth Rodge Glass Ghosts of the Real: The Spectral Memoir Helen Pleasance One doesn t have much but oneself : Christopher Isherwood s Investigation into Identity and the Manipulation of Form in The Memorial Rebecca Gordon Stewart Menna, Martha and Me: The Possibilities of Epistolary Criticism Rhiannon Marks An Introduction to Schizoanalysis : The Development of a Musical Approach to Criticism Jo Collinson Scott Eyes! Birds! Walnuts! Pennies! Erin Soros Just Words Erin Soros It is in their Nature to Change: On Mis-leading Elizabeth Reeder Index

Determining the Form

Writing Creative Non-Fiction

An Archive of Happiness is set in the Scottish Highlands over the course of one day during the Avens family's annual get-together. It's the summer solstice and theirs is a fractured family, broken by arguments, by things said and not said, by a mother who has left and a father who was left behind. What happens on this day will force them to cleave together to survive and redraw the traditional bonds of family.

An Archive of Happiness

Elizabeth Reeder

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