Elizabeth Spires

Memory of the Future

A mouse's-eye-view of Emily Dickinson When a mouse named Emmaline takes up residence behind the wainscoting of Emily Dickinson's bedroom, she wonders what it is that keeps Emily scribbling at her writing table throughout the day and into the night. Emmaline sneaks a look, and finds that it's poetry! Inspired, Emmaline writes her own first poem and secretly deposits it on Emily's desk. Emily answers with another poem, and a lively exchange begins. In this charming and fanciful introduction to Emily Dickinson, Elizabeth Spires demonstrates the power of poetry to express our deepest feelings, while Claire A. Nivola's delicate pencil drawings capture the intricacies of life in Emily's world. Included are eight of Dickinson's most loved poems, with seven corresponding poems by Emmaline that are sure to bring out the poet in any child.

A Tale of Young Readers

The Mouse of Amherst

Spinning, I can't stop spinning, so stay a minute, and I, Arachne, will spin a story for you . . . In this singular collection, the heroes and heroines of fifteen Greek and Roman tales give their own dramatic accounts of events. From the magnificent spinner Arachne, who learns that a mortal should never challenge a god, to the god Pan, who prefers Earth to Mount Olympus, to the beautiful, self-indulgent Pandora and the gold-stricken Midas—the reader becomes a confidant to the tellers of these sometimes humorous, sometimes sad, always engaging tales of wonder, woe, romantic love, and jealousy. Mordicai Gerstein's energetic, whimsical illustrations combine with Elizabeth Spires's playful renditions for a totally fresh take on familiar and not-so-familiar myths.

Fifteen Greek and Roman Myths

I Am Arachne

Janice N. Harrington

In musical verse, Harrington tells the story of a black family living a hardscrabble life in the rural South more than 60 years ago. Set on the eve of the Civil Rights era, this collection is the winner of the 2008 Kate Tufts Discovery Award.

Poems

Even the Hollow My Body Made is Gone

“With not one wrong move, not one word off-key or trivial, this collection of poems makes us experience intimate, yet not necessarily personal, contact with the poet who lets us at times see the struggle behind the refined sensibility. . . .Spires asks the big questions with such competence and polish that we admire her sweating, our metaphysical gladiator, guarantor of our considerable pleasure.” —Nancy Nahra, Philadelphia Inquirer Winner of a 1996 Whiting Award. In her fourth collection of poems Elizabeth Spires addresses the elemental subjects of life and of literature: birth, death, creation, and intimations of immortality. The first section focuses on the experiences of conception, pregnancy, and childbirth from the points of view of both mother and child. The second section offers a reversal and reply in which the poems move out into a divided and divisive world. These poems are distinguished by an immaculate lyricism, a pristine sense for the natural world and the rhythms of language.

Worldling

The heroic true story of one of the Eastern seaboard's first woman lighthouse keepers, illustrated by a Caldecott Medalist. Living in the isolated Robbins Reef Lighthouse, overlooking turn-of-the-century New York Harbor, Kate Walker spent her life minding the light, keeping passing ships from running aground on the dangerous shoals. Originally the assistant to her lighthouse keeper husband John Walker, after his death Kate convinced the Lighthouse Board that she was able to manage the hard work on her own. For more than three decades, Kate lived a solitary life, often totally isolated from the mainland by rough seas and dangerous storms. Tending to the lamps and ringing the heavy warning bell, she helped ships avert disaster-- and saved many sailors from the cold, choppy waters when disaster struck. Elizabeth Spires describes the joys and hardships of a life at sea, detailing pivotal moments in Walker's life to show her indomitable spirit, and celebrates the determination that drove Kate to keep her home and her livelihood. Paired with Emily Arnold McCully's atmospheric, vivid watercolor-and-ink illustrations of lonely lighthouses, sun-dappled afternoons, and wrathful storms, this gripping picture book brings turn of the century New York to life. Additional material in the back of the book includes a biographical note about Kate Walker, historical photographs of Kate and her home at Robbins Reef Lighthouse, reproductions of an historical map of New York Harbor, and a list of sources for more information. A Junior Library Guild Gold Standard Selection

Kate Walker at Robbins Reef Lighthouse

Kate's Light

Zen-infused meditations on the limitations of memory, mortality, and the boundaries of human existence. In A Memory of the Future, critically acclaimed poet Elizabeth Spires reflects on selfhood and the search for a core identity. Inspired by the tradition of poetic interest in Zen, Spires explores the noisy space of the mind, interrogating the necessary divide between the social persona that navigates the world and the artist’s secret self. With vivid, careful attention to the minute details of everyday moments, A Memory of the Future observes, questions, and meditates on the ordinary, attempting to make sense of the boundaries of existence. As the poems move from Zen reflections outward into the identifiable worlds of Manhattan, Maine, and Maryland’s Eastern shore, houses, both real and imagined, become metaphorical extensions of the self and psyche. These poems ask the unanswerable questions that become more pressing in the second half of life. How are we changed by the passage of time? How does memory define and shape us? As Spires reminds us, any memory of the future will become, paradoxically, a memory of the past, and of forgetting.

A Memory of the Future: Poems

"A biography of Kate Walker, one of the first woman on the Eastern seaboard to be put in charge of an offshore lighthouse"--

One night in the early 1930s, William Edmondson, the son of former slaves and a janitor in Nashville, Tennessee, heard God speaking to him. And so he began to carve – tombstones, birdbaths, and stylized human figures, whose spirits seemed to emerge fully formed from the stone. Soon Edmondson's talents caught the eye of prominent members of the art world, and in 1937 he became the first black artist to have a solo exhibit at the Museum of Modern Art in New York. Here, in twenty-three free-verse poems, award-winning poet Elizabeth Spires gives voice to Edmondson and his creations, which tell their individual stories with wit and passion. With stunning photographs, including ten archival masterpieces by Louise Dahl-Wolfe and Edward Weston, this is a compelling portrait of a truly original American artist.

Elizabeth Spires

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