Ellen O'Connell

Eyes of Silver, Eyes of Gold is a story of romance and family conflicts set in Colorado in 1885. Anne Wells has embarrassed her rigidly proper family since she was a child with occasional but grievous lapses from ladylike behavior. They blame those lapses for the disgraceful fact that she is a spinster at 28. Cord Bennett, the son of his father's second marriage to a Cheyenne woman, is more than an embarrassment to his well-to-do family of ranchers and lawyers - they are ashamed and afraid of their black sheep. When Anne and Cord are found alone together, her father's fury leads to violence. Cord's family accepts that the fault is his. Can Anne and Cord use the freedom of being condemned for sins they didn't commit to make a life together? Or will their disapproving, interfering families tear them apart?

Eyes of Silver, Eyes of Gold

After escaping robbers intent on murder, Katherine Grant says, "I jumped from the frying pan into the fire. Before long I'll be dancing on the coals." The highwaymen were the frying pan; the handsome young Apache who saved her from them was the fire; and the coals? Gaetan.Rage against the enemies of his people has consumed Gaetan from boyhood. The only use he ever found for any white was to test the sharpness of his knife. Forced by his brother to endure Katherine's company, Gaetan tries to deny what he sees - the white woman has a man's temper and a lion's courage. She has an Apache heart.In spite of hate, distrust and fear, surviving in the rugged country of southern Arizona and northern Mexico forges a strange bond between Katherine and Gaetan. When the bond turns to love, can they admit it? Can they bear the consequences?

Dancing on Coals

In 1866 on the empty Kansas prairie, two children shared a few desperate moments that changed their lives. For years afterward, each nursed a secret dream. When Norah Hawkins and Caleb Sutton cross paths again, dreams die. She is a bitter, suicidal widow. He is a gunman with little conscience and few scruples. The two form an uneasy partnership to hold onto the land that she owns and that he covets against a marauding neighbor.

Beautiful Bad Man

Bounty hunter Bret Sterling kills Rufus Petty, thief and murderer, less than ten feet away from a frightened, half-starved woman. Rufus should have surrendered. The woman should have kin to help her. But Rufus went down shooting, and the woman has no one. Bret figures by the time he finds a safe place to leave Hassie Petty, he'll earn the five hundred dollar reward several times over. Hassie doesn't mourn Rufus, but the loss of the ten dollars he promised her for supplies is a different matter. The bounty hunter gives her nothing, takes everything, ties the body on one horse and orders her on another. Afraid if she defies him, he'll tie her down tighter than Rufus, Hassie mounts up and follows the icy-eyed killer. Mismatched in every way, the sterling man and petty woman travel the West together, hunting thieves, deserters, and murderers. Wary traveling companions, friends and partners, lovers, Bret and Hassie must decide what they want, what they need, and the price they're willing to pay for love.

Without Words

Sarah Hammond is the overprotected daughter of passionate Massachusetts abolitionists. Matt Slade is the orphaned son of hardscrabble Texas settlers. Sarah knows about every Civil War battle from studying newspaper accounts. Matt fought in the bloodiest of them under Generals Longstreet and Lee. If Matt and Sarah ever crossed paths, it should have been for an unremarkable moment. He would tip his hat. She would nod and pass on by. Except as survivors of a Comanche attack, Matt and Sarah spend far more than a moment together. They come to know each other, depend on each other and love each other. Humiliated by Sarah's love for "Rebel trash," her jilted fiance extracts a revenge so vicious, he boasts that he destroyed the young lovers. Did he? Or when Matt and Sarah meet again years later, can they put their lives and their love back together?

Sing My Name

Luke's Eyes

Kansas 1899. Deborah Sutton barely remembers her family's feud with the Van Cleves. Her mother died that summer, and her father was killed. Nothing else mattered to seven-year-old Deborah eighteen years ago. Still, she knows the Van Cleves tried to steal her family's land, and she despises them for it. Trey Van Cleve does remember the land war. Trey saw bloody bodies hanging from the roof of his home and fled fire in the night. The monster under Trey's boyhood bed had a name, and the name was Sutton. One night when they both seek solitude in the same shadowy park, Deborah and Trey meet. Each is intrigued by a mysterious stranger who is no more than a friendly voice in the dark. Learning each other's identity is an appalling surprise. How can a Sutton befriend a Van Cleve? How can a Van Cleve love a Sutton? Deborah and Trey are going to find out.

Into the Light

Dianne Brennan doesn't expect her volunteer work as a foster home for Rottweiler Rescue to be easy, but she doesn't expect the job to be murderously hard! Yet murder is what Dianne faces when she takes a dog to meet an adopter, finds the adopter dead, and sees the killer leaving the scene. Worse, although Dianne cannot identify the killer, he begins stalking her with deadly intent. The Sheriff's investigators in Douglas County, Colorado, are convinced the killer is a member of the victim's family. Dianne is sure he will be found where the victim worked - in the world of dog shows and dog people. Can she keep herself and her dogs safe long enough to prove she is right? Can Dianne and her Rottweilers collar the killer?

Ellen O'Connell

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