Emily Hall

The narrator of The Longcut is an artist who doesn’t know what her art is. As she gets lost on her way to a meeting in an art gallery, walking around in circles in a city she knows perfectly well, she finds herself endlessly sidetracked and distracted by the question of what her work is and how she’ll know it when she sees it. Her mental peregrinations take her through the elements that make up her life: her dull office job where she spends the day moving items into a “completed” column, insomniac nights in her so-called studio (also known as her tiny apartment), encounters with an enigmatic friend who may or may not know her better than she knows herself. But wherever she looks she finds only more questions—what is the difference between the world and the photographed world, why do objects wither in different contexts, what is Cambridge blue—that lead her further away from the one thing that really matters. An extraordinary feat of syntactical dexterity and comic ingenuity, The Longcut is ultimately a story of resistance to easy answers and the place of art and the artist in the world.

The Longcut

From Museum of Modern Art editor Emily Hall, a debut novel in the first person about the place of art and the artist in the world.

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West Trade Review is published quarterly (one print edition each spring and an online quarterly each summer, fall, and winter). We strive to put forth the best contemporary poetry, fiction, creative nonfiction (personal essays/memoir), photography, and artwork and publish a mix of established and up and coming writers/artists.Our mission is to perpetuate the work of artists both well known and yet-to-be-known, simultaneously enriching our world through the written word and visual arts. We strive to reflect diversity in style, content and perspective throughout prose, poetry, photography and other artwork. Our goal is to simply present to you the best art possible by both emerging and established creative minds.

Emily Hall

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