Emma R. Alban

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other--the lesbian Bridgerton/Parent Trap you never knew you needed! Gwen has a brilliant beyond brilliant idea. It's 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth's skin crawl and she'd rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she's gotten all her flair, fun, and less-than-proper party games. "Let's get them together," she says. It doesn't take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen's father and Beth's newly widowed mother. Let them get married instead. "It'll be easy" she says. There's just...one, teeny, tiny problem. Their parents kind of seem to hate each other. But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be? Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage. Beth's not mature enough for this... Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she's caught feelings, hard, and they're definitely not for her potential fiancé. That's the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.

Don't Want You Like a Best Friend

The enemies-to-lovers queer Victorian romance follow-up to Don't Want You Like a Best Friend, in which a young lord and a second son clash, but find themselves thrust together again and again by their meddling cousins. "That man is, without a doubt, the absolute most obnoxious... Bobby Mason is sick of being second best: born the spare, never trusted with family responsibility, never expected to amount to much. He's hungry to contribute something that matters, while all around him his peers are squandering their political and financial power, coasting through life. Which is exactly why he can't stand the new Viscount Demeroven. ...insufferable... James Demeroven, just come of age and into the Viscountcy, knows that he's a disappointment. Keeping his head down and never raising anyone's expectations is how he's survived life with his stepfather. To quiet, careful James, Bobby Mason is a blazing comet in his endless night, even more alive than he was at Oxford when James crushed on him from afar. But Mason is also brash and recklessly unapologetic, destined to shatter the fragile safety of James's world. Worst of all, he keeps rubbing James's failures in his face. ...hottest man to ever walk the ton." They can barely get through a single conversation without tensions boiling over. Neither Bobby nor James has ever met a more intriguing, infuriating, infatuating man. If only they could avoid each other entirely. Bad enough their (wonderful but determined) cousins Beth and Gwen keep conveniently setting up group outings. But when an extortionist starts targeting their families, threatening their reputations, Bobby and James must find a way to work together, without pushing each other's buttons (or tearing them off) in the process...

You're the Problem, It's You

More Than a Best Friend

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton/Parent Trap you never knew you needed! Gwen has a brilliant beyond brilliant idea. It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games. “Let’s get them together,” she says. It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead. “It’ll be easy” she says. There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other. But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be? Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage. Beth’s not mature enough for this… Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé. That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.

A Novel

Mean Girls meets Northanger Abbey in this sharp and sexy Regency Romance that begs the question: what if Cady and Regina just… kissed? When Catherine Pine relocates to Bath in 1817, she comes face-to-face with her mother’s arch nemesis and her daughter—the wildly popular Lady Rosalie. Twenty-five years after a horrible betrayal, Catherine’s mother sees the perfect opportunity for revenge: Catherine must win the favor of Lady Rosalie’s suitor and unofficial betrothed, the most eligible Mr. Dean. Only Catherine soon discovers that Lady Rosalie is by far the wittiest, cleverest, most intriguing young woman Catherine’s ever met, and she’s instantly smitten. Which is a problem. Meanwhile, Lady Rosalie feels trapped in her relationship with Mr. Dean and in her role as Bath’s resident mean girl. But when she notices newcomer Catherine gunning for her spot as queen bee, Rosalie finally feels a spark again–something she absolutely doesn’t want to extinguish. As Rosalie and Catherine circle Mr. Dean, and their mothers force them into increasingly absurd contests of wit and feminine charms, the two women somehow find themselves falling for each other, scheme, by barb, by catty jab… Is it possible that their sizzling rivalry can become a match to last?

Like in Love with You

'Gives us all the top tier wit, spice, and swoons.... One to watch!' Evie Dunmore ----- Love is more than just a game for two. It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She has plenty of security as the only daughter of a rakish earl, from whom she’s inherited her penchant for drinking too much and dancing ‘til dawn. Beth and Gwen are enchanted with each other on sight. And it doesn’t take long for Gwen to hatch her latest scheme: rather than join the husband hunt, they should set up Gwen’s father and Beth’s newly-widowed mother. They had a fling years ago, after all... Can Beth and Gwen find a way to defy convention and be together? And will their parents find love along the way too? A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton you never knew you needed!

The Lesbian Bridgerton you didn’t know you needed

More than a Best Friend

The enemies-to-lovers queer Victorian romance follow-up to Don’t Want You Like a Best Friend, in which a young lord and a second son clash, but find themselves thrust together again and again by their meddling cousins. “That man is, without a doubt, the absolute most obnoxious… Bobby Mason is sick of being second best: born the spare, never trusted with family responsibility, never expected to amount to much. He’s hungry to contribute something that matters, while all around him his peers are squandering their political and financial power, coasting through life. Which is exactly why he can’t stand the new Viscount Demeroven. …insufferable… James Demeroven, just come of age and into the Viscountcy, knows that he’s a disappointment. Keeping his head down and never raising anyone’s expectations is how he’s survived life with his stepfather. To quiet, careful James, Bobby Mason is a blazing comet in his endless night, even more alive than he was at Oxford when James crushed on him from afar. But Mason is also brash and recklessly unapologetic, destined to shatter the fragile safety of James’s world. Worst of all, he keeps rubbing James’s failures in his face. …hottest man to ever walk the ton.” They can barely get through a single conversation without tensions boiling over. Neither Bobby nor James has ever met a more intriguing, infuriating, infatuating man. If only they could avoid each other entirely. Bad enough their (wonderful but determined) cousins Beth and Gwen keep conveniently setting up group outings. But when an extortionist starts targeting their families, threatening their reputations, Bobby and James must find a way to work together, without pushing each other’s buttons (or tearing them off) in the process…

From USA Today bestselling author Emma R. Alban comes a hauntingly tender new romance about what it means to truly love someone for who they are and not who you hope they will become. A sapphic love story with a speculative twist, Happily Ever Afterlife is perfect for fans of The Dead Romantics. Frannie's awful boss, celebrated literary novelist Henry L. Olsen, just told her that her latest manuscript is a dud—again. Frustrated and lonely, Frannie stomps around the ninth floor of the famously haunted Dakota Building in Manhattan, desperate for something to change. And then, something does. Bridgette, the ghost of a little girl from 1889, appears out of nowhere and asks Frannie to play catch. Shocked, and wildly curious, Frannie says yes to the ghostly invitation, and soon meets Bridgette's ghost-brother, Michael . . . and the children's exceedingly attractive and aloof 1960s ghost mom, Elsa. Fascinated, and more than a little flustered, Frannie starts secretly writing a book about Elsa (a.k.a. Hot Ghost Mom). And while her boss is on book tour, through a mutual affection for musicals, banter, and the ghost children, Frannie and Elsa slowly become friends, until Frannie finds herself tumbling head over heels in love with a ghost tied to a building she couldn't afford to live in over four lifetimes. Now, Frannie either has to give up her ambitions of becoming a novelist to remain Henry's assistant in the Dakota forever, or somehow free her ghost family from their immortal home. Faced with a choice she never imagined, with her career, future, and heart on the line, can Frannie find a way to write them all a happily ever after . . . life?

Happily Ever Afterlife

Mean Girls meets Northanger Abbey in this sharp and sexy Regency Romance that begs the question: what if Cady and Regina just... kissed? When Catherine Pine relocates to Bath in 1817, she comes face-to-face with her mother's arch nemesis and her daughter--the wildly popular Lady Rosalie. Twenty-five years after a horrible betrayal, Catherine's mother sees the perfect opportunity for revenge: Catherine must win the favor of Lady Rosalie's suitor and unofficial betrothed, the most eligible Mr. Dean. Only Catherine soon discovers that Lady Rosalie is by far the wittiest, cleverest, most intriguing young woman Catherine's ever met, and she's instantly smitten. Which is a problem. Meanwhile, Lady Rosalie feels trapped in her relationship with Mr. Dean and in her role as Bath's resident mean girl. But when she notices newcomer Catherine gunning for her spot as queen bee, Rosalie finally feels a spark again-something she absolutely doesn't want to extinguish. As Rosalie and Catherine circle Mr. Dean, and their mothers force them into increasingly absurd contests of wit and feminine charms, the two women somehow find themselves falling for each other, scheme, by barb, by catty jab... Is it possible that their sizzling rivalry can become a match to last?

Emma R. Alban

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