Eric Alliez

Offers a history of the philosophy of time and a comparison of the ways of conceiving the temporal, concentrating on European philosophy and its impact the connection between time and money in Western civilization. Analyzes the social and political processes involved in conceptions of time in ancien

Tales from the conquest of time

Capital Times

Da impossibilidade da fenomenologia

Andrew Goffey

A collection of essays from leading experts in a number of fields offering an overview of the work of Félix Guattari.

The Guattari Effect

An "operating manual for contemporary art" that addresses the work of Daniel Buren, Gordon Matta-Clark, and Günter Brus. The late 1960s saw a radical undoing of the image in—and of—art, as the questions of art began to be posed in entirely new terms. In this critical and clinical examination of the post-conceptual condition’s negotiations with the image, the body, capitalist semiotics, and the built environment, Éric Alliez and Jean-Claude Bonne trace the trajectories of three artists, three key entries in the lexicon that are also entryways into contemporary art understood as a ‘diagrammatic regime’ inextricably related, in particular, to architecture. Daniel Buren systematically deconstructs all the forms of autonomy of art, through a tenacious in situ critique at once pragmatic and ontological operated by his "visual tool," traced here from its origins to recent major museum installations; Gordon Matta-Clark’s anarchitectural operation across site and non-site strikes at the functional foundations of architectural structuring, physical, social, and semiotic—a dis-organization and disorientation relayed by his photographic documentation of his projects. Viennese actionist Günter Brus’s action drawings/drawing actions and "stress tests" recircuit markmaking, representation, and corporeality, producing wordless "electroglyphs" that render visible the inscription of relations of force within the body. This "operating manual for contemporary art," richly illustrated and based throughout on close readings of the artists’ works, writings, and actions across their entire careers, is an indispensable diagram of the lines of flight opened up by contemporary art, as well as the omnipresent threat of its capture by anesthesia and dematerialization, spectacle, the dogma of “site-specificity,” and absorption into the neoliberal experience economy.

An Instruction Manual for Contemporary Art (Undoing the Image 4)

Three Entries in the Form of Escape Diagrams

Maurizio Lazzarato

A critique of capital through the lens of war, and a critique of war through the lens of the revolution of 1968. “We are at war,” declared the President of the French Republic on the evening of November 13, 2015. But what is this war, exactly? In Wars and Capital, Éric Alliez and Maurizio Lazzarato propose a counter-history of capitalism to recover the reality of the wars that are inflicted on us and denied to us. We experience not the ideal war of philosophers, but wars of class, race, sex, and gender; wars of civilization and the environment; wars of subjectivity that are raging within populations and that constitute the secret motor of liberal governmentality. By naming the enemy (refugees, migrants, Muslims), the new fascisms establish their hegemony on the processes of political subjectivation by reducing them to racist, sexist, and xenophobic slogans, fanning the flames of war among the poor and maintaining the total war philosophy of neoliberalism. Because war and fascism are the repressed elements of post-'68 thought, Alliez and Lazzarato not only read the history of capital through war but also read war itself through the strange revolution of '68, which made possible the passage from war in the singular to a plurality of wars—and from wars to the construction of new war machines against contemporary financialization. It is a question of pushing “'68 thought” beyond its own limits and redirecting it towards a new pragmatics of struggle linked to the continuous war of capital. It is especially important for us to prepare ourselves for the battles we will have to fight if we do not want to be always defeated.

Wars and Capital

Guerres et capital

The Signature of the World focuses on one of the most influential works of contemporary philosophy: What is Philosophy? by Gilles Deleuze and Felix Guattari, their last joint work after Anti-Oedipus and A Thousand Plateaus. It sets What is Philosophy? in the context of earlier work by the two thinkers and, in a manner sure to challenge and provoke, juxtaposes it to the work of both analytic philosophers and continental phenomenologists. Alliez explores the distinctive theory of thought put forth by Deleuze & Guattari from a series of angles, delving into their revolutionary, Spinozist treatment of the history of philosophy, elucidating their engagement with the metaphysics of current research programmes in the sciences and delineating their invention of a 'material meta-aesthetics' capable of responding to the most radical experiments in contemporary art. Much recent philosophy has revelled in declaring the end of metaphysics, of ontology, and sometimes of philosophy itself. In sharp contrast, The Signature of the World is a forceful reminder of the power of ontology and the need for a materialist reinvention of metaphysics. The Signature of the World is here accompanied by two appendices, 'Deleuze Virtual Philosophy' and 'On the Philosophy of Gilles Deleuze: An Introduction to (the) Matter', as well as a preface by Alberto Toscano.

'What is Deleuze and Guattari's Philosophy?

Signature of the World

This text focuses on one of the most influential works of contemporary philosophy: 'What is Philosophy?' by Deleuze and Guattari. Alliez sets 'What is Philosophy?' in the context of earlier work by the two theorists and the work of both analytic philosophers and continental phenomenologists.

English-language translation of a major work by French philosopher Eric Alliez, in which he offers a new perspective on critical problems in modern aesthetics.

New Histories of Modern Painting

The Brain-Eye

The Guattari Effect brings together internationally renowned experts on the work of the French psychoanalyst, philosopher and political activist Félix Guattari with philosophers, psychoanalysts, sociologists, anthropologists and artists who have been influenced by Guattari's thought. Best known for his collaborative work with Gilles Deleuze, Guattari's own writings are still a relatively unmined resource in continental philosophy. Many of his books have not yet been translated into English. Yet his influence has been considerable and far-reaching. This book explores the full spectrum of Guattari's work, reassessing its contemporary significance and giving due weight to his highly innovative contributions to a variety of fields, including linguistics, economics, pragmatics, ecology, aesthetics and media theory. Readers grappling with the ideas of contemporary continental philosophers such as Badiou, Žižek and Rancière will at last be able to see Guattari as the 'extraordinary philosopher' Deleuze claimed him to be, with his distinctive radical ideas about the epoch of global 'deterritorialization' we live in today, forged within the practical contexts of revolutionary politics and the materialist critique of psychoanalysis.

Eric Alliez

About

Books

Join the club