Eric Carl Link

Author of more than forty novels and myriad short stories over a three-decade literary career, Philip K. Dick (1928a1982) single-handedly reshaped twentieth-century science fiction. His influence has only increased since his death with the release of numerous feature films based on his work, including Blade Runner (based on Do Androids Dream of Electric Sheep?), Total Recall (based on aWe Can Remember It for You Wholesalea), Minority Report (based on aThe Minority Reporta), and Next (based on aThe Golden Mana). In Understanding Philip K. Dick, Eric Carl Link introduces readers to the life, career, and work of this groundbreaking, prolific, and immeasurably influential force in American literature, media culture, and contemporary science fiction. Dick was at times a postmodernist, a mainstream writer, a pulp fiction writer, and often all three simultaneously, but as Link illustrates, he was more than anything else a novelist of ideas. From this vantage point, Link surveys Dickas own tragicomic biography, his craft and career, and the recurrent ideas and themes that give shape and significance to his fiction. Link addresses Dickas efforts to break into the mainstream in the 1950s, his return to science fiction in the 1960s, and his move toward more theologically oriented work in his final two decades. Link finds across Dickas writing career an intellectual curiosity that transformed his science fiction novels from bizarre pulp extravaganzas into philosophically challenging explorations of the very nature of reality, and it is this depth of vision that continues to garner new audiences and fresh approaches to Dickas genre-defining tales.

Understanding Philip K. Dick

Gerry Canavan

The Cambridge Companion to American Science Fiction explores the relationship between the ideas and themes of American science fiction and their roots in the American cultural experience. Science fiction in America has long served to reflect the country's hopes, desires, ambitions, and fears. The ideas and conventions associated with science fiction are pervasive throughout American film and television, comics and visual arts, games and gaming, and fandom, as well as across the culture writ large. Through essays that address not only the history of science fiction in America but also the influence and significance of American science fiction throughout media and fan culture, this companion serves as a key resource for scholars, teachers, students, and fans of science fiction.

The Cambridge Companion to American Science Fiction

The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.

The Cambridge History of Science Fiction

This Companion explores the relationship between the ideas and themes of American science fiction and their roots in the American cultural experience.

Eric Carl Link

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