Ernst Van Alphen

Since the #MeToo movement, the masculine exercise of power has been closely scrutinised. The focus on ?toxic? masculinity impacts our perception of male sexuality, which substantially influences the self-image and self-esteem of men. Men are being shamed by others, and they also feel ashamed. This book explores both positions, examining the representation of male sexuality, nudity, fatherhood, violence, rape, fascism and virility, and men and war from male as well as female perspectives. It presents artworks that deal with the intricacies and contradictions of these sociocultural constructs and realities, and combines scholarly essays with short stories and personal testimonies. 00Exhibition: H401, Amsterdam, The Netherlands (23.10.2020 ? 31.01.2021).

Shame! and Masculinity

Titus M. Eliëns

Jac Geurts

Full-page color photographs show the meticulous craftsmanship of Dutch potter Geert Lap The ceramic work of the Durch ceramicist Geert Lap (1951-2017) belongs to a late modernist tradition that rejected decoration and historical references. In its intent and eloquence, his oeuvre bears comparison with the minimalism of artists such as Carl Andre, Donald Judd and Andr Volten. Lap's pursuit of formal perfection formed the heart of his artistic practice and his unsurpassed craft (objects that failed to live up to his stringent requirements were summarily smashed). This beautifully designed book, intended to become the new standard work on Lap's oeuvre, is the result of a unique photo project. Erik and Petra Hesmerg spent years traveling the world to document Lap's colorful, serene works in private and public collections. Additionally, a biographical essay provides insight into the life and work of this perfectionist who devoted his life to consummate ceramic form.

Geert Lap: Specific Objects

Francesco Pellizzi

Jonathan Hay

This double volume includes: The value of forgery, Jonathan Hay; Affective operations of art and literature, Ernst van Alphen; Bettyâe(tm)s Turn, Stephen Melville; Richard Serra in Germany, Magdalena Nieslony; Beheadings and massacres, Federico Navarrete; Pliny the Elder and the identity of Roman art, Francesco de Angelis; Between nature and artifice, Francesca Dellâe(tm)Acqua; Narrative cartographies, Gerald Guest; The artist and the icon, Alexander Nagel; Preliminary thoughts on Piranesi and Vico, Erika Naginski; Portable ruins, Alina Payne; Istanbul: The palimpsest city in search of its archi-text, Nebahat Avcioglu; The iconicity of Islamic calligraphy in Turkey, Irvin Cemil Schick; The Buddhaâe(tm)s house, Kazi Khalid Ashraf; A flash of recognition into how not to be governed, Natasha Eaton; Hasegawaâe(tm)s fairy tales, Christine Guth; The paradox of the ethnographic-superaltern, Anna Brzyski, and contributions to âeoeLectures, Documents and Discussionsâe by Karen Kurczyncki, Mary Dumett, Emmanuel Alloa, Francesco Pellizzi, and Boris Groys.

Ernst Van Alphen

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