Etienne Gilson

**** A reprint of Gilson's estimable book of 1936 (Sheed and Ward) (endorsed by BCL3). These 20 lectures were delivered as Gifford Annotation copyrighted by Book News, Inc., Portland, OR

The Spirit of Mediaeval Philosophy

Reason and Revelation in the Middle Ages

An engaging companion piece to The Arts of the Beautiful, this volume advances Etienne Gilson's theories about art as a process of "making" by focusing on the substances available to an artist. The basis for his argument is grounded in the distinction between arts concerned with the creation of beauty and arts that are primarily functional. He takes up in turn: architecture, sculpture, painting, music, dance, poetry, and the theater, analyzing in each the basic materials afforded that artist, the possibilities of artistic form, and the means of transformation and creation.

Forms and Substances in the Arts

VMC Library owns two copies of this work.

With A Catalog of St. Thomas's Works

The Christian Philosophy of St. Thomas Aquinas

History of Christian Philosophy in the Middle Ages

The Unity of Philosophical Experience

With his usual lucidity, Etienne Gilson addresses the idea that "art is the making of beauty for beauty's own sake." By distinguishing between aesthetics, which promotes art as a form of knowledge, and philosophy, which focuses on the presence of the artist's own talent or genius, Gilson maintains that art belongs to a different category entirely, the category of "making." Gilson's intellectually stimulating meditation on the relation of beauty and art is indispensable to philosophers and artists alike.

The Arts of the Beautiful

This short book is a work of one of the 20th century's greatest philosophers and historians of philosophy, Etienne Gilson. The book's title, taken from the first chapter, may sound esoteric but it reflects a common-sense outlook on the world, applied in a methodical way. That approach, known as realism, consists in emphasizing the fact that what is real precedes our concepts about it. In contrast to realism stands idealism, which refers to the philosophical outlook that begins with ideas and tries to move from them to things. Gilson shows how the common-sense notion of realism, though denied by many thinkers, is indispensible for a correct understanding of things--of what is and how we know what is. He shows the flaws of idealism and he critiques efforts to introduce elements of idealism into realist philosophy (immediate realism). At the same time, the author criticizes failures of certain realist philosophers--including Aristotle--to be consistent in their own principles and to begin from sound starting points. To these problems, Gilson traces medieval philosophy's failure in the realm of science, which led early modern scientific thinkers of the 17th century unnecessarily to reject even the best of medieval scholastic philosophy. He concludes with The Realist Beginner's Handbook, a summary of key points for thinking clearly about reality and about the knowledge of it.

Methodical Realism

Painting and Reality

The highly regarded French philosopher, tienne Gilson, brilliantly plumbs the depths of Thomistic Realism, and false Thomisms as well, in this answer to Kantian modernism. The important work, exquisitely translated by Mark Wauck, brings the essential elements of philosophy into view as a cohesive, readily understandable, and erudite structure, and does so rigorously in the best tradition of St. Thomas. Written as the definitive answer to those philosophers who sought to reconcile critical philosophy with scholastic realism, Gilson saw himself as an historian of philosophy whose main task was one of restoration, and principally the restoration of the wisdom of the Common Doctor of the Church, St. Thomas Aquinas. Gilsons thesis was that realism was incompatible with the critical method and that realism, to the extent that it was reflective and aware of its guiding principles, was its own proper method. He gives a masterful account of the various forces that shaped the neo-scholastic revival, but Gilson is concerned with the past only as it sheds light on the present. In addition to his criticisms, Gilson presents a positive exposition of true Thomist realism, revealing the foundation of realism in the unity of the knowing subject.

Thomist Realism and the Critique of Knowledge

In this classic work, the eminent Catholic philosopher Étienne Gilson deals with one of the most important and perplexing metaphysical problems: the relation between our notion of God and demonstrations of his existence. Gilson examines Greek, Christian, and modern philosophy as well as the thinking that has grown out of our age of science in this fundamental analysis of the problem of God. "[I] commend to another generation of seekers and students this deeply earnest and yet wistfully gentle little essay on the most important (and often, at least nowadays, the most neglected) of all metaphysical--and existential--questions. . . . The historical sweep is breathtaking, the one-liners arresting, and the style, both intellectual and literary, altogether engaging." --Jaroslav Pelikan, from the foreword "We have come to expect from the pen of M. Gilson not only an accurate exposition of the thought of the great philosophers, ancient and modern, but what is of much more importance and of greater interest, a keen and sympathetic insight into the reasons for that thought. The present volume does not fail to fulfill our expectations. It should be read by every Christian thinker." --Ralph O. Dates, America

God and Philosophy

Authorised Translation from the 3d Rev. Ed. of 'Le Thomisme'

The Philosophy of St. Thomas Aquinas

thèse pour le doctorat présentée à la Faculté des lettres de l'Université de Parise

Index scolastico-cartésien

The Tribulations of Sophia was the last of Étienne Gilson's books to appear during his lifetime (1967). French readers would have recognized the title's echo of a nineteenth century children's book by the Countess of Ségur, the Misfortunes of Sophia. Its disobedient protagonist, young Sophia (of whom the American Dennis the Menace was to be a very pale imitation) is the cause of a sequence of minor domestic catastrophes. One wonders if Gilson is proposing that the Catholic intellectual world of his day is fraught with her descendants. The heart of the book is entitled, "Three Lectures on Thomism and its Current Situation." During the Second Vatican Council and its immediate aftermath, the status of Thomism in Catholic intellectual circles and institutions was vigorously challenged. Once again, the problem of Thomism emerges: What is Thomism and where does it belong? Gilson's devotion to elaborating the nature of Christian philosophy compels him to confront this question head-on. Indeed, because Gilson approaches Thomism as the veritable model for Christian philosophy he cannot ignore the attempts to suppress or supplant it. And yet this section also contains a fourth lecture on Teilhard de Chardin, whom Gilson knew and held in high esteem. Was Teilhard's thought to become the new Christian philosophy and theology? Was it even appropriate to label his thought as proper philosophy and theology? The second, somewhat shorter, portion of the book wrestles with the theme of dialogue that was very much in vogue in the 1960s. The central figure here is the French Marxist Roger Garaudy, internationally known for his call to dialogue with Christians. Gilson denies any possibility of such a dialogue, and certainly any usefulness in it. "I regret to say--not having myself any of the virtues of a skilled dialoguer, which are not to listen to what is being said and to take it in a sense that makes it easy to refute. It is a chimerical hope that there should be two people who proceed otherwise." But specifically on the point of Christian and Marxist dialogue, from the massive ideological, bestial corpus of Marxism Gilson carves out its fundamental need for the world and serves it back to Garaudy, but without garnish, for among Marxists each has his own particular manner of impoverishing the concept of man. What might be called the postscript of the book, "Wandering Amid the Ruins," shares some of Gilson's own experiences and unease in the unsettled situation of the Catholic Church at that time. "The Council was the work of truly supernatural courage. For more than three centuries the Church was harshly blamed for not having taken the initiative to make necessary reforms in the sixteenth century." Yet Gilson laments that perhaps the manner of enacting reform is confused and not in all cases simply intent on reversing the trends of empty churches and the vocations drought. Perhaps we have not understood the Council at all. Gilson's kind but clear description of the turmoil in Catholic teaching and thought is for the reader essential to any understanding of the tension and transitions of this period of history.

The Tribulations of Sophia

D'Aristote a Darwin Et Retour

Le present livre repose sur la conviction profonde et inveteree chez son auteur, que l'art n'est pas une facon de connaissance, mais qu'il releve au contraire d'un ordre distinct de celui du connaitre, qui est l'ordre du faire ou, s'il est permis de s'exprimer ainsi, de la factivite. Il s'agit donc ici uniquement de philosophie, en commencant par le commencement, qui consiste a chercher, au moins brievement, quel genre de question de philosophie doit se poser au sujet de l'art. A partir de la, reflechissant en metaphysicien a la lumiere des premiers principes, on s'est efforce d'eclaircir successivement les notions principales a mesure qu'elles s'offraient a l'esprit.

Introduction aux arts du beau

Étienne Gilson's Jean Duns Scot: Introduction À Ses Positions Fondamentales is widely understood to be one of the most important works on John Duns Scotus' texts, famous for their complexity. James Colbert's translation is the first time that Gilson's work on Scotus has been put into English, with an introduction by Trent Pomplun and an afterword by John Millbank. Scotus contributed to the development of a metaphysical system that was compatible with Christian doctrine, an epistemology that altered the 13th century understanding of human knowledge, and a theology that stressed both divine and human will. Gilson, in turn, offers a thoroughly comprehensive introduction to the fundamental positions that Scotus stood for. Explaining Scotus's views on metaphysics, the existence of infinite being and divine nature, the matter of the physical spiritual and angelic, intellectual knowledge and will and Scotus' relationship with other scholars, Gilson and Colbert show how deeply Scotus left a mark on discussions of such disparate topics as the semantics of religious language, the problem of universals, divine illumination, and the nature of human freedom. This work has been translated from the original work in French Jean Duns Scot. Introduction à ses positions fondamentales (© 1952 by Librairie Philosophique J. Vrin).

Introduction to His Fundamental Positions

John Duns Scotus

Foreword by Christoph Cardinal Schönborn Darwin's theory of evolution remains controversial, even though most scientists, philosophers, and even theologians accept it, in some form, as an explanation for the variety of organisms. The controversy erupts when the theory is used to try to explain everything, including every aspect of human life, and to deny the role of a Creator or a purpose to life. The overreaching of many scientists into matters beyond the self-imposed limits of scientific method is perhaps explained in part by the loss of two important ideas in modern thinking—final causality or purpose, and formal causality. Scientists understandably bracket the idea out of their scientific thinking because they seek explanations on the level of material and efficient causes only. Yet many of them wrongly conclude from their selective study of the world that final and formal causes do not exist at all and that they have no place in the rational study of life. Likewise, many erroneously assume that philosophy cannot draw upon scientific findings, in light of final and formal causality, to better understand the world and man. The great philosopher and historian of philosophy, +tienne Gilson, sets out to show that final causality or purposiveness and formal causality are principles for those who think hard and carefully about the world, including the world of biology. Gilson insists that a completely rational understanding of organisms and biological systems requires the philosophical notion of teleology, the idea that certain kinds of things exist and have ends or purposes the fulfillment of which are linked to their natures—in other words, formal and final causes. His approach relies on philosophical reflection on the facts of science, not upon theology or an appeal to religious authorities such as the Church or the Bible. "The object of the present essay is not to make of final causality a scientific notion, which it is not, but to show that it is a philosophical inevitability and, consequently, a constant of biophilosophy, or philosophy of life. It is not, then, a question of theology. If there is teleology in nature, the theologian has the right to rely on this fact in order to draw from it the consequences which, in his eyes, proceed from it concerning the existence of God. But the existence of teleology in the universe is the object of a properly philosophical reflection, which has no other goal than to confirm or invalidate the reality of it. The present work will be concerned with nothing else: reason interpreting sensible experience—does it or does it not conclude to the existence of teleology in nature?" Etienne Gilson

Etienne Gilson

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