Etienne Stockland

Pilar Zazueta

Joan Scott's work has influenced several generations of historians and helped make the topic of gender central to the way in which the discipline is taught and studied today. At root a new way of conceptualizing capitalist societies, Scott's theories suggest that gender is better understood as a social construct than as a biological fact. Scott’s original contribution to the debate, however, stems in her use of the critical thinking skill of analysis to understand how the arguments of earlier generations of historians were built in order to fully grasp both their structure and the assumptions that underpinned them. From there, Scott was able to use problem-solving to resolve the issues that emerged from her analysis, asking productive questions focused on better ways to build a model capable of explaining the historical phenomenon of gender difference. Scott answered these questions by introducing models created by deconstructionist scholars – notably Jacques Derrida, who challenged the idea that any term or concept has a stable or dependable meaning rooted in material reality. She was able, in consequence, to refute that idea that gender inequality is the natural (hence justifiable) consequence of biological sexual differences, and issue a fundamental challenge to the capitalist system itself.

Gender and the Politics of History

Luke Freeman

In The Night Battles, Carlo Ginzburg does more than introduce his readers to a novel group of supposed witches – the Benandanti, from the northern Italian province of Friulia. He also invents and deploys new and creative ways of tackling his source material that allow him to move beyond their limitations. Witchcraft documents are notoriously tricky sources – produced by elites with fixed views, they are products of questioning designed to prove or disprove guilt, rather than understand the subtleties of belief, and are very often the products of torture. Ginzburg placed great stress on variations in the evidence of the Benandanti over time to reveal changing patterns of belief, and also focused on the concept of ‘reading against the text’ – essentially looking as much at what is absent from the record as at what is present in it, and attempting to understand what the absences mean. His work not only pioneered the creation of a new school of historical study – ‘microhistory’ – it is also a great example of the creative thinking skills of connecting things together in an original way, producing novel explanations for existing evidence, and redefining an issue so as to see it in a new light.

Witchcraft and Agrarian Cults in the Sixteenth and Seventeenth Centuries

An Analysis of Carlo Ginzburg's The Night Battles

Joshua Specht

Historians of the American Revolution had always seen the struggle for independence either as a conflict sparked by heavyweight ideology, or as a war between opposing social groups acting out of self-interest. In The Ideological Origins of the American Revolution, Bernard Bailyn begged to differ, re-examining familiar evidence to establish new connections that in turn allowed him to generate fresh explanations. His influential reconceptualizing of the underlying reasons for America's independence drive focused instead on pamphleteering – and specifically on the actions of an influential group of ‘conspirators’ who identified, and were determined to protect, a particularly American set of values. For Bailyn, these ideas could indeed be traced back to the ferment of the English Civil War – stemming from radical pamphleteers whose anti-authoritarian ideas crossed the Atlantic and embedded themselves in colonial ideology. Bailyn's thesis helps to explain the Revolution's success by pointing out how deep-rooted its founding ideas were; the Founding Fathers may have been reading Locke, but the men they led were inspired by shorter, pithier and altogether far more radical works. Only by understanding this, Bailyn argues, can we understand the passion and determination that allowed the rebel American states to defeat a global superpower.

Etienne Stockland

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