Eugene Richards

Edward Barnes

A "look at the embattled inhabitants of three representative troubled communities: East New York; North Philadelphia; and the Red Hook Housing Project in Brooklyn, New York."--Page 2 of cover.

Cocaine True, Cocaine Blue

Janine Altongy

Metaphorical photographs of the devastation at the World Trade Center after September 11 offer images of hope and coming to terms, identifying what the author believes to be a turning point in the aftermath of the attacks.

Stepping Through the Ashes

Charles Bowden

Eugene Richards is one of the most outstanding photojournalists of recent times. His photographs unflinchingly confront the less than pleasant truths of contemporary life, such as living with drug addiction, conditions in institutions for the mentally ill, poverty and illness, and the universal problem of coping with old age. He has won just about every photographic award going and has published many books, including Dorchester Days. The photographs in this Phaidon 55 are incredibly moving as is the text, written by Charles Bowden, a colleague and personal friend. It gives a real insight into Richards as a person and the reasons he takes the kind of pictures he does.

Dorothea Lynch

"In 1978, thirty-four-year-old Dorothea Lynch discovered she had breast cancer. In an attempt to gain control of the disease and communicate her experience to others, she asked her longtime companion, Eugene Richards, to visually document her struggle while she kept a written diary. Exploding Into Life is the synthesis of their two experiences. What begins as their need to know the facts about cancer becomes, as the years pass, a highly personal inquiry into what it means to be alive, to face the uncertain future, and to accept death. The book that results is a testament to a woman's strength, intelligence, and sensitivity as she confronts cancer, a medical care system, and cultural attitudes towards illness and mortality"--Eugene Richards' website, viewed on December 1, 2014.

Exploding Into Life

In the course of his extraordinary career as a photo-journalist, Eugene Richards has seen many faces of America. From years of poignant, often riveting and sometimes controversial reporting, both on and off assignment, comes Americans We. In turn tender, funny, disturbing, and sublime, Richards's photographs and writing cohere like poetic verse. His talent for rendering the very essence of contemporary life has never before been so discernable, whether depicting a Memorial Day parade, the birth of a child, an inmate on death row, or a farm couple threatened with foreclosure. From darkness and light Richards forges a vivid and idiosyncratic portrait of the American experience.

Americans We

This is Eugene Richards' 1972 photographic essay, a social document of his home town of Dorchester, Massachusetts, previously only self-published. The book includes additional pictures and a text that speaks of racial tension, violence, poverty and crime, tackling such subjects as the Klu Klux Klan in a way that he did not feel able to at the time of the original publication. On the basis of "Dorchester Days", Richards became a member of Magnum Photos in 1978, leaving to work independently in 1994. His style has set the standard for leading photojournalists such as James Nachtwey and Gilles Peress.

Dorchester Days

The Day I Was Born

The Blue Room, Eugene Richards's first book in colour, is a moving and eloquent study of the abandoned and forgotten houses of rural America. Abandoned houses stand mute and solitary in out-of-the-way places wherever, it's been said, things haven't worked out for people. To those quickly passing by, the timeworn structures can be seen as fearful places, places to avoid. Yet there are those who are inexorably drawn to them. To Eugene Richards, they are heirlooms, evidence of past lives, time machines. Over the course of three and a half years, travelling thousands of miles on the backroads of America, Richards has created a body of photographs that speaks of the beauty of these houses and inspires us to imagine the lives of the people who once lived in them. The Blue Room is a personal journey, a way of seeing, and a meditation on the fragility of life and the transient nature of things.

The Blue Room

Award-winning photographer Eugene Richards was asked by a magazine to report on what happens inside a typical emergency room. Once inside, he took photograps, talked with doctors and nurses and made friends with paramedics. He discovered a world he never knew existed. The Knife And Gun Club is the fascinating account of his exploration of emergency room medicine. Serial in LIFE magazine.

Eugene Richards

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