Eva Hoffman

The School of Life

Lethargic inactivity can be debilitating and depressing; but for those living in the modern world, the pendulum has swung far in the other direction. We live in a hectic, hyperactive, over-stimulated age. Excessive busyness and overfilled schedules are the norm, as are their effects on our mental and emotional lives. How might we address and counter such problems, for the sake of experiencing our lives more fully? In How to Be Bored, Eva Hoffman explores the importance we place on success, high level function, effectiveness and alertness in today's competitive society. In a world where it is almost impossible to be idle, she draws upon lessons from history, literature and psychotherapy to help us embrace boredom and find meaning in doing nothing - to appreciate real reflection and enjoy the richness of our inner and external lives.

How to Be Bored

The author describes her efforts to adjust to a new culture after her parents, Holocaust survivors from Poland, moved the family from war-ravaged Cracow to North America when she was thirteen years old

A Life in a New Language

Lost in Translation

Looks at the impact of keeping alive the memory of the Holocaust on children of survivors and the impact the atrocity has had on their lives.

Memory, History, and the Legacy of the Holocaust

After Such Knowledge

The Life and Death of a Small Town and the World of Polish Jews

Shtetl

Time

Seventeen-year-old Iris Surrey, increasingly troubled by her unusually close relationship with her look-alike mother, sets out in 2022 Chicago to learn the identity of her father, and along the way, the secret of her own origin. Reprint.

The Secret

Looks at eastern Poland's formerly multicultural town of Bransk, exploring its culture, institutions, and the forms of Polish-Jewish coexistence that effected relations between Poles and Jews prior to World War II

In this arresting, intimate narrative journey, award-winning Eva Hoffman returns to her Polish homeland and five other countries—Hungary, Romania, Bulgaria, and the two nations of the former Czechoslovakia—historically transformed by the demise of Communism. The result is the penetrating personal odyssey across the “other Europe” and a vivid portrayal of a landscape in the midst of change. Hoffman combines the wise perspective of an outsider and the passionate concern of a native daughter to illuminate the forces informing the region’s complex politics as she captures the texture of everyday life in a world in flux. “Indispensable for anyone who wants to seriously come to grips with the experience of Eastern Europe.”—The Cleveland Plain Dealer “Complex and full of the unexpected . . . Hoffman earns our trust as an observer.”—Tina Rosenberg, New York Newsday “Written with incredible literary talent and intellectual soundness . . . An indispensable clue for anyone who is keen to understand how the new Europe is emerging from the debris of the Cold War period.”—Ryszard Kapuscinski

A Journey Through the New Eastern Europe

Exit into History

Iris Surrey seems to have a perfectly normal childhood. She lives with her mother in a rambling wooden house, in a small college town not far from Chicago. But something isn't quite right in her perfect, bell-jar world. There may be something wrong with her mother. Or with her. Or with her mother and her. Small disturbances lead Iris to suspect a deeper peculiarity in the very fabric of her life. Something not quite...natural. Or authentic. But what does that mean? You are what you think you are, aren't you? Who is to judge the nature of your nature, your character, your reality, except you, the subject yourself? Unless you aren't real enough to know in the first place. In this gripping debut novel, writer Eva Hoffman uses the near future to reflect on the fast-moving present and to explore various kinds of secrets: intimate secrets and family secrets, the kinds of secrets that can be decoded from clues, and the kind that only lead to more tantalizing questions about the nature of consciousness and self-knowledge. This is a philosophical fable about an uncannily powerful mother-daughter bond and a young woman's quest for identity. The Secret explores ancient conundrums of selfhood and the profound challenges posed by contemporary science to our most cherished notions of individuality.

"Czeslaw Milosz (1911-2004) was one of the great literary voices of the twentieth century, in no small part because he very much lived the events and ideologies of that century. Born into a Polish family in what was then the western fringe of the Russian Empire, and what is now Lithuania, a young man Milosz found his life upended by the First World War and his father's conscription in the Russian army. In the Second World War, he provided aid to Jews in Warsaw as a partisan and a member of the Polish socialist underground. But after the war he lived as a permanent exile, from Poland, from Soviet communism, from his early fervent Catholicism and then, later, even from the almost garish extremes and inequalities of the American society in which he chose to live. His work is a lasting legacy. His poetry remains in print, whether in Polish or English or the other languages into which it has been translated, and his two classic works of prose non-fiction, The Captive Mind, his reflection on the hypnotic effect of ideology, and Native Realm, his memoir on his life in Poland and his life away from it, have been reissued in Penguin Classics. He won the Nobel Prize in Literature in 1980. In this new volume of the Writers on Writers series, writer Eva Hoffman draws on her conversations with Milosz during their encounters and her own private engagement with his work, in order to comprehend someone whose intellectual and geographic trajectory serves as a mirror to her own, as someone who emigrated with her family from her native Poland and who has since lived and pursued a literary career in the anglophone world. Hoffman concentrates on several important themes in Milosz's life and work, such as his resistance to dogma and fanaticism, his fascination with place and geographic separation, his awareness of his own exile, his attraction to all life, his capacity for pleasure, and finally his basic humanism, which underpinned his poetry"--

Visions from the Other Europe

On Czeslaw Milosz

Isabel Merton is a renowned concert pianist whose playing is marked by rare intensity. At the height of her career, she feels increasingly torn between the expressive musical realm she inhabits, and the fragmented life she leads as an itinerant artist, with its frequent flights, anonymous hotels and arbitrary encounters. Then Isabel meets Anzor Islikhanov, a political exile from war-torn Chechnya driven by a powerful desire to help and avenge his people. As their paths cross in several cities, they are drawn to each other - until a menacing incident throws Isabel into crisis.

Illuminations

In Shtetl (Yiddish for "small town"), critically-acclaimed author Eva Hoffman brings the lost world of Eastern European Jews back to vivid life, depicting its complex institutions and vibrant culture, its beliefs, social distinctions, and customs. Through the small town of Braƒsk, she looks at the fascinating experiments in multicultural coexistence—still relevant to us today— attempted in the eight centuries of Polish-Jewish history, and describes the forces which influenced Christian villagers' decisions to conceal or betray their Jewish neighbors in the dark period of the Holocaust.

Time has always been the great Given, a fact of existence which cannot be denied or wished away; but the character of lived time is changing dramatically. Medical advances extend our longevity, while digital devices compress time into ever briefer units. We can now exist in several time-zones simultaneously, but we suffer from endemic shortages of time. We are working longer hours and blurring the distinctions between labour and leisure. For many, in an inversion of the old adage, time has become more valuable than money. In this look at life's most ineffable element, spanning fields from biology and culture to psychoanalysis and neuroscience, Eva Hoffman asks: are we coming to the end of time as we know it?

Feeling torn between her passion for music and the life of a traveling artist, Isabel meets a political exile and they are drawn to each other both by their differences and their seemingly parallel passions.

die Welt der polnischen Juden

Im Schtetl

As the Holocaust recedes from us in time, the guardianship of its legacy is being passed on from its survivors and witnesses to the generation after. How should we, in turn, convey its knowledge to others? What are the effects of a traumatic past on its inheritors, and the second generation's responsibilities to its received memories? Eva Hoffman probes these questions through personal reflections and through broader explorations of the historical, psychological and moral implications of the second-generation experience. She examines the subterranean processes through which private memories of suffering are transmitted, and the more wilful stratagems of collective memory. As she guides us through the poignant juncture at which living memory must be relinquished, she asks what insights can be carried from the past, and urges the need to transform potent family stories into a fully-informed understanding of a forbidding history.

A Meditation on the Aftermath of the Holocaust

"Of course, I've always had a secret. Have I always known it? I suppose I did, in a way - in the way that children know such things. That is, I knew and didn't know." In this novel Eva Hoffman explores various kinds and strata of secrets: intimate secrets, and secrets of family past; the kinds of secrets that can be decoded from clues, and the kind that themselves seem to offer tantalizing clues to the fundamental mysteries of the human selfhood. This is a story about a peculiarly powerful mother-daughter bond and about a haunting, about a young woman's quest for individuation and the challenges posed by contemporary science to our deepest notions of individuality. Using the near future to reflect on the conditions of the present, Hoffman has written a tale that grapples with the oldest riddles of identity, consciousness and self-knowledge - a novel of ideas for our time, and an imaginative fable whose resonances are timeless.

Eva Hoffman

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