F. Scott Fitzgerald

The Great Gatsby, by the American author F. Scott Fitzgerald, is one of the great novels of twentieth-century literature. Set in the Long Island of 1922, it provides a critical social history of America during the “Roaring Twenties”, an era that Fitzgerald himself dubbed the “Jazz Age”, known for unprecedented economic prosperity, the evolution of jazz music, flapper culture, and bootlegging and other criminal activity. A historic period when “gin was the national drink and sex the national obsession”, as classified by The New York Times.

The Great Gatsby

F. Scott Fitzgerald wrote in a friend's copy of Tender Is the Night, "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith." Set in the South of France in the decade after World War I, it's the story of a brilliant and magnetic psychiatrist named Dick Diver; the bewitching, wealthy, and dangerously unstable mental patient, Nicole, who becomes his wife; and the beautiful, harrowing ten-year pas de deux they act out along the border between sanity and madness. In Tender Is the Night, Fitzgerald deliberately set out to write the most ambitious and far-reaching novel of his career, experimenting radically with narrative conventions of chronology and point of view and drawing on early breakthroughs in psychiatry to enrich his account of the makeup and breakdown of character and culture. It is also the most intensely, even painfully, autobiographical of Fitzgerald's novels; it smolders with a dark, bitter vitality because it is so utterly true.

Larg Print

Tender Is the Night

Peter Joucla

So we beat on, boats against the current, borne back ceaselessly into the past. ‘F. Scott Fitzgerald’s novel The Great Gatsby was first published on April 10, 1925. Set on Long Island’s North Shore and in New York City during the summer of 1922, it is the story of an attractive young man, hopelessly in love, who, having worked so hard to improve himself so he can win back the woman he loves, finds himself in a world where money has replaced humility and despair has replaced hope. For me, the novel is a comment on the values and cynicism of east coast America almost a hundred years ago, a time when a section of society had suddenly become very wealthy and the American Dream was for most, nothing more than the mere pursuit of money.’ Peter Joucla ‘Peter Joucla’s surprisingly clear-eyed adaptation cuts to the heart of Fitzgerald’s text while preserving a very decent amount of it.’ 4 stars –Evening Standard ‘Evoking all the glamour and atmosphere of the roaring twenties, Wilton’s brings Gatsby to glorious, all-singing, all-dancing life (jazz hands optional). A must-see’ – welovethisbook.com ‘An unashamed nostalgia party for a world we never knew... This is a show that majors in fun; and it’s no surprise to see it’s a cult hit.’ Telegraph

Depicts the inner-workings of the Hollywood movie industry and its impact on the fabric of American life.

The Authorized Text

The Love of the Last Tycoon

Zelda Fitzgerald

This evocative collection of love letters chronicles one of the most legendary romances of all time. Much has been written about the fascinating marriage between Scott and Zelda Fitzgerald. Through his alcoholism and her mental illness, his career highs (and lows) and her institutional confinement, their devotion to each other lasted for more than twenty-two years. Their myth conjures up images of gleaming hotel lobbies, white suits, flappers, lavish parties and smoky speakeasies - a whole world of nostalgia for the Jazz age and the expatriate life in Europe. The Fitzgeralds' courtship and marriage was so tightly linked to their books that it has often been hard to distinguish between life and literature. Now, as a result of the meticulous work of Fitzgerald scholars Jackson R. Bryer and Cathy W. Barks, who have brought many previously unpublished letters together with those published separately in Scott and Zelda's collected writings, the story of their love can be given in their own letters. Introduced by an extensive narrative of the Fitzgeralds, they are illustrated throughout with a selection of both familiar and unpublished photographs.

The Love Letters of F. Scott and Zelda Fitzgerald

Dear Scott, Dearest Zelda

Chi è quel misterioso e ricco vicino di casa di Nick Carraway? E perché passa tanto tempo a fissare quella piccola luce verde che brilla su uno dei moli dell'altra sponda della baia? L'ambizioso giovanotto vuol far rivivere l'amore fiorito un tempo tra lui e Daisy che un giorno lo ha respinto, per sposare il discendente di una delle grandi famiglie americane. Ma i sogni sono belli e loro meno hanno la possibilità di avverarsi. Jay Gatsby non riuscirà a strappare Daisy a Buchanan, pur gettando sulla bilancia tutto il peso del suo potere e del suo fascino e finirà addirittura col cadere, vittima innocente, sotto i colpi di un marito tradito messo sulle sue tracce.

Il grande Gatsby

Definitive novel of the "Lost Generation" focuses on the coming of age of Amory Blaine, a handsome, wealthy Princeton student. Fitzgerald's first novel and an immediate, spectacular success. Note.

This Side of Paradise

Revealing the breadth of F. Scott Fitzgerald's gift for the short story form, this Penguin Classics edition of The Case of Benjamin Button and Six Other Storiesspans multiple genres and styles to dazzling effect.Full grown with a long, smoke-coloured beard, requiring the services of a cane and fonder of cigars than warm milk, Benjamin Button is a very curious baby indeed. And, as Benjamin becomes increasingly youthful with the passing years, his family wonders why he persists in the embarrassing folly of living in reverse. In this imaginative fable of ageing and the other stories collected here - including 'The Cut-Glass Bowl' in which an ill-meant gift haunts a family's misfortunes, 'The Four Fists' where a man's life shaped by a series of punches to his face, and the revelry, mobs and anguish of 'May Day' - F. Scott Fitzgerald displays his unmatched gift as a writer of short stories.'The Curious Case of Benjamin Button', originally published in 1922, was made into a major motion picture directed by David Fincher and starring Brad Pitt, Cate Blanchett and Tilda Swinton.F. Scott Fitzgerald (1896-1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsbyis considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novelsThis Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Nightand, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '.If you enjoyed The Curious Case of Benjamin Button,you might like Fitzgerald's The Great Gatsby, also available in Penguin Classics.'A master of the American short story'The Philadelphia Enquirer'His talent was as natural as the pattern that was made by the dust on a butterfly's wings' Ernest Hemingway

And Six Other Stories

The Curious Case of Benjamin Button

Six entrancing tales represent the essential Fitzgerald and the Jazz Age spirit: "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate."

The Diamond As Big As the Ritz

Providing a dramatic portrait of American manners and mores during the 1920s and 1930s, a collection of ten stories probes the false security of wealth, the emotional sterility fostered by technology, and the fragile nature of human existence. Reprint. 15,000 first printing.

And Other Stories

Babylon Revisited

The Crack-up

Muhtesem Gatsby

The Beautiful and Damned is the story of Anthony Patch and his wife, Gloria. Harvard-educated and an aspiring aesthete, Patch is waiting for his inheritance upon his grandfather’s death. His reckless marriage to Gloria is fueled by alcohol and destroyed by greed. The Patches race through a series of alcohol-induced fiascoes——first in hilarity, then in despair. The Beautiful and Damned, a devastating portrait of the nouveaux riches, New York nightlife, reckless ambition, and squandered talent, was published in 1922 on the heels of Fitzgerald’s first novel, This Side of Paradise. It signaled his maturity as a storyteller and confirmed his enormous talent as a novelist.

The Beautiful and Damned

A collection of short stories reflects American society during the 1920s and portrays the aristocratic class of the era.

Tales of the Jazz Age

A collection of F. Scott Fitzgerald's best drinking stories makes this the most intoxicating New Directions Pearl yet!

On Booze

Presents the title story about the curious case of a baby, born in 1860, who begins life as an old man and who proceeds to age backward, accompanied by eighteen other stories set against the backdrop of Jazz Age America. Reprint.

The Curious Case of Benjamin Button and Other Jazz Age Stories

A collection including the last complete unpublished short stories by F. Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever. I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

And Other Lost Stories

I'd Die For You

Johanna Ellsworth

Leinen mit Goldprägung

Der große Gatsby

Tenera è la notte

Charles Scribner

Jim Powell was a Jelly-bean. Much as I desire to make him an appealing character, I feel that it would be unscrupulous to deceive you on that point. He was a bred-in-the-bone, dyed-in-the-wool, ninety-nine three-quarters per cent Jelly-bean and he grew lazily all during Jelly-bean season, which is every season, down in the land of the Jelly-beans well below the Mason-Dixon line. Now if you call a Memphis man a Jelly-bean he will quite possibly pull a long sinewy rope from his hip pocket and hang you to a convenient telegraph-pole. If you Call a New Orleans man a Jelly-bean he will probably grin and ask you who is taking your girl to the Mardi Gras ball. The particular Jelly-bean patch which produced the protagonist of this history lies somewhere between the two—a little city of forty thousand that has dozed sleepily for forty thousand years in southern Georgia occasionally stirring in its slumbers and muttering something about a war that took place sometime, somewhere, and that everyone else has forgotten long ago. Jim was a Jelly-bean. I write that again because it has such a pleasant sound—rather like the beginning of a fairy story—as if Jim were nice. It somehow gives me a picture of him with a round, appetizing face and all sort of leaves and vegetables growing out of his cap. But Jim was long and thin and bent at the waist from stooping over pool-tables, and he was what might have been known in the indiscriminating North as a corner loafer. "Jelly-bean" is the name throughout the undissolved Confederacy for one who spends his life conjugating the verb to idle in the first person singular—I am idling, I have idled, I will idle. Jim was born in a white house on a green corner, It had four weather-beaten pillars in front and a great amount of lattice-work in the rear that made a cheerful criss-cross background for a flowery sun-drenched lawn. Originally the dwellers in the white house had owned the ground next door and next door to that and next door to that, but this had been so long ago that even Jim's father, scarcely remembered it. He had, in fact, thought it a matter of so little moment that when he was dying from a pistol wound got in a brawl he neglected even to tell little Jim, who was five years old and miserably frightened. The white house became a boarding-house run by a tight-lipped lady from Macon, whom Jim called Aunt Mamie and detested with all his soul. He became fifteen, went to high school, wore his hair in black snarls, and was afraid of girls. He hated his home where four women and one old man prolonged an interminable chatter from summer to summer about what lots the Powell place had originally included and what sorts of flowers would be out next. Sometimes the parents of little girls in town, remembering Jim's mother and fancying a resemblance in the dark eyes and hair, invited him to parties, but parties made him shy and he much preferred sitting on a disconnected axle in Tilly's Garage, rolling the bones or exploring his mouth endlessly with a long straw. For pocket money, he picked up odd jobs, and it was due to this that he stopped going to parties. At his third party little Marjorie Haight had whispered indiscreetly and within hearing distance that he was a boy who brought the groceries sometimes. So instead of the two-step and polka, Jim had learned to throw, any number he desired on the dice and had listened to spicy tales of all the shootings that had occurred in the surrounding country during the past fifty years.

F. Scott Fitzgerald

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