William Shakespeare

Fátima Vieira

Algumas razões têm sido apontadas para o sucesso de 'A Tempestade'; a indeterminação do local da acção que, podendo remeter para tantos lugares (do Novo e do Velho Mundo), assegura a universalidade da peça; o facto de os temas desenvolvidos apontarem para tensões universais e atemporais; as encenações espectaculares que o texto proporciona e que maravilham o público - o naufrágio, a monstruosidade física de Calibã, os espíritos preparando o banquete que será levado pelos ares por Áriel-harpia, e ainda a cena da mascarada, representada pelas deusas em toda a sua magnificência. A acrescer - ou talvez a sobrepor-se - a estes argumentos, está a excelência do texto, reconhecida por autores de todas as épocas

A tempestade

Jennifer A. Wagner-Lawlor

Peter Marks

The Palgrave Handbook of Utopian and Dystopian Literatures celebrates a literary genre already over 500 years old. Specially commissioned essays from established and emerging international scholars reflect the vibrancy of utopian vision, and its resiliency as idea, genre, and critical mode. Covering politics, environment, geography, body and mind, and social organization, the volume surveys current research and maps new areas of study. The chapters include investigations of anarchism, biopolitics, and postcolonialism and study film, art, and literature. Each essay considers central questions and key primary works, evaluates the most recent research, and outlines contemporary debates. Literatures of Africa, Australia, China, Latin America, and the Middle East are discussed in this global, cross-disciplinary, and comprehensive volume.

The Palgrave Handbook of Utopian and Dystopian Literatures

Rui Carvalho Homem

Literature, Religion and Power in the Age of Elizabeth

Gloriana's Rule

Jorge Bastos da Silva

Sara Graça da Silva

Charles Darwin’s curiosity had a remarkable childlike enthusiasm driven by an almost compulsive appetite for a constant process of discovery, which he never satiated despite his many voyages. He would puzzle about the smallest things, from the wonders of barnacles to the different shapes, colours and textures of the beetles which he obsessively collected, from flowers and stems to birds, music and language, and would dedicate years to understanding the potential significance of everything he saw. Darwin’s findings and theories relied heavily on that same curiosity, on seeking and answering questions, however long these would take to clarify. His son Francis Darwin often recalls how “he would ask himself ‘now what do you want to say’ and his answer written down would often disentangle the confusion”. In fact, “disentangling confusions” seems to have been the driving force behind Darwin’s scientific pursuits, as he was struck with bewilderment when contemplating the luxuriousness of life. It was also the impetus for this book. The true implications of Darwin’s legacy remain as controversial to the critics of our time as they were to his contemporaries. Darwin’s impact within and beyond the biological sciences is both daunting and exhilarating, and attests to the need for an interdisciplinary approach by remaining a challenge to many scholars in the most diverse fields. The recent revival of his theories has opened a Pandora’s box of different theoretical studies that are particularly receptive to exploring new and exciting angles of research.

Cross-disciplinary Reflections on the Man and His Legacy

(Dis)Entangling Darwin

The volume is divided into two parts, separated by an Intermezzo. The first part, “Dystopia Matters”, benefits from the contribution of reputed scholars of the field of Utopian Studies, who were asked to make a statement explaining why dystopia is important. The Intermezzo completes this part and offers the reader an informed discussion of the concepts of utopia, dystopia and anti-utopia whilst providing ground for the case studies presented in the second part, in the sections devoted to literature, film, and theatre. In one way or another, despite the variety of approaches, all contributors argue for the idea that, if dystopia has invaded most forms of contemporary discourse, its sibling, utopia, has not been eradicated from the scene. Furthermore, the studies show that the tension between the two concepts is instrumental to our cautious, conscious, and tentative construction of the future.

On the Page, on Screen, on Stage

Dystopia(n) Matters

Sofia de Melo Araújo

Iris Murdoch, Philosopher Meets Novelist aims to gather some of the world’s present experts on Iris Murdoch, in an effort to promote dialogue between philosophy and literature. This is due not only to the nature of Iris Murdoch’s work itself, but also to our belief that within Humanistic Studies there is a constant need for breaking down disciplinarian barriers and reaching a deeper, fuller awareness of human thinking. Thus, the book brings together scholars from a variety of fields and places—Brazil, England, Iran, Ireland, Italy, Portugal, Spain, Turkey, Taiwan, and the United States—and testifies to the interest that the work of Murdoch continues to inspire. The book is divided into two major sections: Part A, Reading Philosophies in Literature, includes articles focusing on Iris Murdoch’s philosophical concerns and their general influence in her work; Part B, Reading Literature through Philosophy, is intended as a sort of application ground, a series of case-studies wherein authors depart from novels to retrieve the underlying philosophical thinking.

Fátima Vieira

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