Feona Attwood

Western culture is exhibiting a fascination with sex in new, and often surprising, ways - pole dancing is a form of keep fit, porn stars find work as agony aunts, and pornography is just a mouse-click away. 'Mainstreaming Sex' uncovers the significant impact on society of our increasingly sexualized lives.

The Sexualisation of Western Culture

Mainstreaming Sex

From cyber porn to striptease culture, this trailblaising book uncovers the shockingly fascinating new ways that western society is being sexualized. We don't realise how far the 'pornogrification' of culture has reached - this book does and discusses it graphically but responsibly. Media interest in this subject is huge."Mainstreaming Sex" uncovers the significant impact, hitherto only half glimpsed, that striptease culture is having on our media, relationships, educational and working lives. It is a welcome and much needed book.Western culture is exhibiting its fascination with sex in new, often surprising ways. Pole dancing is a form of keep fit, porn stars find work as agony aunts, pornography itself is just 'a mouse click away', and phone sex, email affairs and cybersex are now part of our everyday lives. This sexualization of modern culture is the subject widely discussed here.In original chapters, the contributors confront the reality that in all aspects of social and cultural life, sex is being 'mainstreamed'. They explore film, print and online pornographies; representations of masturbation in film and television, supersexualized advertising, and problem page sex. They also examine young people's views of sex in mainstream media; women's use of sexual media in the home; and, pole dancing as exercise and performance and third wave feminism and the sexualization debate.

Pornography has always been central to debates about sex and emerging new media technologies. Today, debate is increasingly focused on online pornographies. This collection examines pornography's significance as a focus of definition, debate, and myth; its development as a mainstream entertainment industry; and the emergence of the new economy of Porn 2.0, and of new types of porn labor and professionalism. It looks at porn style behind the scenes of straight hardcore, in gay, lesbian, and queer pornographies, in shock sites, and in amateur erotica, and investigates the rise of the online porn fan community, the sex blogger, the erotic rate-me site and the visual cultures of swingers. Treating these developments as part of a broader set of economic and cultural transformations, this book argues that new porn practices reveal much about contemporary and competing views of sex and the self, the real and the body, culture, and commerce.

Making Sense of Online Pornography

Porn.com

John Mercer

Clarissa Smith

Susanna Paasonen

Alan McKee

This is a concise and accessible introduction into the concept of objectification, one of the most frequently recurring terms in both academic and media debates on the gendered politics of contemporary culture, and core to critiquing the social positions of sex and sexism. Objectification is an issue of media representation and everyday experiences alike. Central to theories of film spectatorship, beauty fashion and sex, objectification is connected to the harassment and discrimination of women, to the sexualization of culture and the pressing presence of body norms within media. This concise guidebook traces the history of the term’s emergence and its use in a variety of contexts such as debates about sexualization and the male gaze, and its mobilization in connection with the body, selfies and pornography, as well as in feminist activism. It will be an essential introduction for undergraduate and postgraduate students in Gender Studies, Media Studies, Sociology, Cultural Studies or Visual Arts.

On the Difference between Sex and Sexism

Objectification

Even in our increasingly sexualized culture hard-core pornography and the representation of explicit sex is still hard to swallow. This lively and provocative new collection of essays by leading scholars explores screen representations of pornography and sex in a variety of cultural, historical, and critical contexts. Contributions cover a wide range of topics from sex in the multiplex to online alt-porn, from women in stag films to the excesses of extreme pornography, and a variety of contemporary case studies including porn performance, fashion in hard-core, and gay and lesbian pornography.

Hard-core Pornography on Screen

Hard to Swallow

Brian McNair

The Routledge Companion to Media, Sex and Sexuality is a vibrant and authoritative exploration of the ways in which sex and sexualities are mediated in modern media and everyday life. The 40 chapters in this volume offer a snapshot of the remarkable diversification of approaches and research within the field, bringing together a wide range of scholars and researchers from around the world and from different disciplinary backgrounds including cultural studies, education, history, media studies, sexuality studies and sociology. The volume presents a broad array of global and transnational issues and intersectional perspectives, as authors address a series of important questions that have consequences for current and future thinking in the field. Topics explored include post-feminism, masculinities, media industries, queer identities, video games, media activism, music videos, sexualisation, celebrities, sport, sex-advice books, pornography and erotica, and social and mobile media. The Routledge Companion to Media, Sex and Sexuality is an essential guide to the central ideas, concepts and debates currently shaping research in mediated sexualities and the connections between conceptions of sexual identity, bodies and media technologies.

The Routledge Companion to Media, Sex and Sexuality

Martin Barker

How did audiences across the world engage with the blockbuster TV series Game of Thrones? This book presents the findings of a major research project that gathered the responses of more than 10,000 people. Its findings challenge many conventional approaches and open up new ways of thinking about the value of contemporary 'fantasy'.

How Audiences Engage with Dark Television

Watching Game of Thrones

Game of Thrones was an international sensation, and has been looked at from many different angles. But to date there has been little research into its audiences: who they were, how they engaged with and responded to it. This book presents the findings of a major international research project that garnered more than 10,000 responses to an innovative 'qualiquantitative' questionnaire. Among its findings are: a new way of understanding the place and role of favourite characters in audiences’ responses; new insights into the role of fantasy in encouraging thinking about our own world; and an account of two combined emotions – relish and anguish – which structure audiences’ reactions to controversial elements in the series.

Feona Attwood

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