Raḍwá ʻĀshūr

Raḍwá ʿĀšūr

Ferial Jabouri Ghazoul

Hasna Reda-Mekdashi

Mandy McClure

Arab women's writing in the modern age began with 'A'isha al-Taymuriya, Warda al-Yaziji, Zaynab Fawwaz, and other nineteenth-century pioneers in Egypt and the Levant. This unique study-first published in Arabic in 2004-looks at the work of those pioneers and then traces the development of Arab women's literature through the end of the twentieth century, and also includes a meticulously researched, comprehensive bibliography of writing by Arab women. In the first section, in nine essays that cover the Arab Middle East from Morocco to Iraq and Syria to Yemen, critics and writers from the Arab world examine the origin and evolution of women's writing in each country in the region, addressing fiction, poetry, drama, and autobiographical writing. The second part of the volume contains bibliographical entries for over 1,200 Arab women writers from the last third of the nineteenth century through 1999. Each entry contains a short biography and a bibliography of each author's published works. This section also includes Arab women's writing in French and English, as well as a bibliography of works translated into English. With its broad scope and extensive research, this book is an indispensable resource for anyone interested in Arabic literature, women's studies, or comparative literature. Contributors: Emad Abu Ghazi, Radwa Ashour, Mohammed Berrada, Ferial J. Ghazoul, Subhi Hadidi, Haydar Ibrahim, Yumna al-'Id, Su'ad al-Mani', Iman al-Qadi, Amina Rachid, Huda al-Sadda, Hatim al-Sakr.

A Critical Reference Guide, 1873-1999

Arab Women Writers

John Verlenden

Qasim Haddad

Chronicles of Majnun Layla and Selected Poems

Muḥammad ʻAfīfī Maṭar

Matar's Quartet of Joy is a multilayered poetic composition in four elemental keys: earth, fire, water, and air. While exemplifying Egyptian ethos, the poems also evoke African landscapes, ancient Greek philosophy, Bedouin culture, Islamic folk rituals, classical Arabian verse, Koranic citations, and Sufi aphorisms to create a lyrical arabesque. The four sets of the volume create a musical structure that has the intimacy and the gracefulness of a quartet playing chamber music. The dazzling poetry is richly seeded with literary, political, and philosophical allusions. For the benefit of bilingual readers, the original poetry in Arabic is presented. The translation of Quartet of Joy is a unique work of Ferial Gahzoul and John Verlenden, combining poetic sensibility with scholarly knowledge. What results is a work beautifully true to Matar's sweeping cultural vision and one that mirrors his broad use of contrapuntal styles and his ability to employ all the powers and motifs of Arabic language, literature, and history.

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Ferial Jabouri Ghazoul

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